Heartland Rock: Dave Graney Re-Visits Night of the Wolverine
It’s been 30 years since Dave Graney & The Coral Snakes released Night Of The Wolverine. Dave reflects on the album’s build, its South Australian roots and how it shaped the band’s sound.
Image @davegraneymusic
You’re heading on a 30th anniversary tour of Night of the Wolverine with The Coral Snakes. Why was it important for you and the band to celebrate this album with listeners?
Our agent came up with the idea! Important? I guess. We saw many other people doing this kind of thing and thought, ‘Yeah, why not? We can say we’re important too!’
You were born in Mount Gambier but made a name for yourself in Melbourne. Does playing an Adelaide gig feel like a hometown show for you?
I do feel very South Australian. I lived in Adelaide for a couple of years. We’ve played a lot of different venues in Adelaide, from the Tivoli (where Clare Moore grew up) to the Semaphore Workers Club. I always have a funny feeling people can tune into my lyrical flow better in Adelaide. [But] I don’t really play to ‘Adelaide’ or ‘Melbourne’ crowds. I play to people who like my music, and they’ve heard it at many different times over the years. I’m not a real inner-city player. People who like my music are pretty blue collar and often come from regional areas. Truckers! I keep telling people I’m ‘heartland rock’.
What can we expect from this show?
It’s high energy. A decade of licks and moves distilled into a couple of hours.
Night of the Wolverine was a seminal record for you and The Coral Snakes. Tell us about the build of the LP. What influenced its direction?
It was influenced by growing up in the south east of South Australia – playing music in the post-punk scene and spending five years living in London, thinking of where and how I grew up. I had a taste for 30s/40s crime writers and got educated in modern black pop music in the UK. Australia, when we came back, was still in thrall to guitar rock, when we were more into voices, grooves and clean sounds.
READ MORE: Magic Dirt’s Adalita Talks Music, Grief and Conservation
Lyrically, Night of the Wolverine is rooted in fantasy. Classic cinema, historical figures and comics collide with your childhood memories. Why were you drawn to using fantasy on this record?
Hey! I’m allowed to refer to it as fantasy, but you aren’t! It’s not as much fantasy as Bryan Adams or Bruce Springsteen! We all live in fantasy worlds. It’s what reality is made of. We are only here to keep wheat growing!
The album has a kind of flow to it. Childhood and family and then adulthood and thwarted ambition and a roll call of heroes and archetypal inspirations – names like Ava Gardner, Wallace Beery, Serge Gainsbourg, Terry Southern, Jack Kerouac, Keith, Bordertown… Tell me more about the first time you toured Night of the Wolverine.
The album was recorded in December 1992 and released in the first half of 1993 on Compact Disc. We got a support slot for Hunters & Collectors for a six-week tour. They played all through regional NSW, Queensland and Victoria. They could set up and play anywhere and a couple of thousand people would show up. [At the ] first gig in Traralgon, the audience screamed so hard for us to get off that we just started playing louder and only the songs with drums. It all led to our next album in 1994 – You Wanna Be There But You Don’t Wanna Travel – which was a real rock album. So, we never really got to play Night Of The Wolverine as such [except] perhaps a few months before it was recorded, when we played a lot of the songs opening for Bob Dylan in Melbourne.
Reflecting on the last 30 years of Night of the Wolverine, why do you think the album has struck such a legacy chord with listeners?
It actually got played on the radio. We had the luck to be out touring when triple j was going national, and they needed people like us at the time, so it worked out well. It’s also a quite good collection of songs. We were a tight unit. Tony Cohen worked on it with us. The music scene at the time in Melbourne was really humming. We didn’t have much, but we had the songs and conviction and scores to settle. So, the album has some energy in it.
See Dave Graney & The Coral Snakes perform Night Of The Wolverine at The Gov on August 19. Tickets on sale now.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.