Self-proclaimed flair-pant party rock act The Sundials are at no risk of slowing down. Dropping their new single ‘Bareback Riding’ off the back of playing huge Tassie festival Good Gumnuts, the band chat to The Note about it all.

Telenova vocalist and songwriter Angeline Armstrong spoke to The Note about the band’s metamorphosis, living in “parallel worlds” and her favourite lyric from their new record THE WARNING.

Karnivool’s Drew Goddard discusses the 13-year journey to their fourth album In Verses, their just announced biggest Australian headline shows ever and an unexpected collaboration with Coldplay.

Ahead of their two performances with the Adelaide Symphony Orchestra at Festival Theatre this weekend, The Whitlams frontman Tim Freedman answered some quickfire questions about performing with an orchestra, choosing the setlist and his memories of playing Adelaide.

It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.

Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.

Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.

Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009. 

Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006. 

After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.

With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.

Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.

New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.

The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.

Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.

After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.

Embracing change has been key to the Adelaide superstar’s anticipated debut album.

Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time

Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.

The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.

Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.

Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.

Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.

The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.

The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.

Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.

New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia. 

Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.

The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.

Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.