Locals Only: Looch
Equal parts grit, rock and heart, Looch are proof that mates make the best bands. With new single ‘SHOO’ on the horizon, guitarist Matty Ranger opens up about growth, gratitude, and the beautiful chaos of community.
Interview Millah Hansberry // Image Gabi Rankine Creative
Congrats on your latest single ‘SHOO’, coming out on November 21. You’ve been playing this track live for a while, and it has picked up a lot of buzz around Adelaide. How are you feeling on the cusp of its release?
I’d say we’re feeling quite good about it! We’ve been sitting on this one for nearly a year now, so it would be nice to finally have it out and be able to focus on new songs we have been working on.
The track carries a lot of emotion and says a lot within its poetic lyrics, yet leaves a lot unsaid. Can you tell us a bit about where ‘SHOO’ came from and what it means to you?
It’s about being surrounded by a lot of talent and greatness and feeling overwhelmed by it. It was written about these feelings when someone’s always comparing themself and their capabilities to others, or at least the way they see it. I get these feels at times, and it’s not a great light to put oneself in.
On November 7, you’re hitting the Adelaide Unibar stage to say farewell to your mates Weekend Rage on their final show. What energy are you going to be bringing to this stage?
It’s going to be a bittersweet show for sure – we’ve had a lot of great memories with those guys. Our first show at Unibar was, funnily enough, supporting Weekend Rage. As for energy, all we can say is we’ll do the best we can, in love and respect for those homies.
How important is it to you all to support your mates within Adelaide’s music community?
We all live by supporting the ones closest to us. Through bands and gigs, you slowly find those people that you have been looking for your whole life, like-minded folks who are trying to make something with what they have. Adelaide’s community seems to feel so close where you find everybody is super friendly to each other. We’re super lucky to have what goes on here, and cherish the friends we’ve made along the way.
You were all mates before Looch was formed. How did the band come together, and how do you think that bond shapes or influences the music you make now?
Being good friends before the start of Looch made everything happen so naturally with the music. It went from hanging out to watching Coby and Benny jamming together at Coby’s house. Eventually I joined on bass, and nothing ever felt forced when we got into the same room together. Later on, when Jayce joined, we evolved so quickly with an extra flavour to everything. The bond we all share makes our creative process super easy to throw any of our ideas out there without judgement. It gets stronger the more time we share together.
This year you’ve supported a heap of Aussie favourites, including Sophisticated Dingo, TOWNS and Good Sniff. What have been some standout or pinch-me moments from those shows?
We have been super lucky to be supporting some of these huge bands, and are really holding out to play with Camino Gold. We’ve always had such a soft spot for TOWNS, it’s always a treat to watch them play live and lose your voice to their catalogue. It’s been such a privilege to have gotten to know those interstate groups like Sophisticated Dingo and Good Sniff, and seeing how nice and cool they were to all of us. To have been opening up for them let alone getting to call them our mates is something we’ll be pinching ourselves about for a very long time.
What does 2026 look like for Looch? Any big plans or goals you’re already dreaming up?
With six songs in the bag, we’re looking to release into an EP in the near future. All of these songs were recorded in Melbourne with Tim from Wrangler Studios, and are some of our favourites in our setlist at the moment. We’d also love to get out a little more and hopefully get a tour going! But we definitely want to keep pushing more songs out, we are always showing each other all our half-baked ideas and trying to flesh them out, so plenty more of that!
Listen to Looch’s latest track ‘SHOO’ via all good streaming platforms.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.
Surf-rock quartet Even Hannah have burst out of the gates since their 2025 debut. Following their sold-out single launch, we chat to the band about their latest track, upcoming EP and set at Local Noise Fest.
UK indie-pop singer-songwriter Cavetown has built a global following on tender, introspective songwriting. Ahead of their debut performance in Adelaide at Laneway, they open up about dissociation, songwriting and growing up through their brand-new album Running With Scissors.
Returning to perform at WOMADelaide for the first time since 1993, Yothu Yindi’s Witiyana Marika spoke with The Note about the band’s iconic song ‘Treaty’, working with Baker Boy and “blowing the roof off” the Bondi Pavilion.
Back by popular demand following a sold-out 2025 tour, Grammy-winning blues guitar sensation Christone “Kingfish” Ingram spoke with The Note about his early years as a musician, contributing to the soundtrack for the film Sinners and running his own label.
We Came As Romans return on their Because We're Doomed tour this February. The Note spoke with Andrew Glass, bassist and songwriter, about getting robbed in Adelaide, rewriting their album twice from scratch and why death is just as important as birth.
Showcasing some of SA’s best psychedelic, rock and indie artists, High Fever Fest is bringing talent to the regions. Here, we chat to festival runner Todd of Sixteen Hands High about the day.
Rain City Drive’s third studio album, Things Are Different Now, has seen the outfit become the talk of the post-hardcore scene. Ahead of the quartet’s Australian tour, frontman Matt McAndrew spoke with The Note about his experience on The Voice, his approach to songwriting and seeing a koala.
Obongjayar’s voice has become one of music’s most in-demand out of the UK in recent years. Adelaide music fans will get to fall under its spell in March.
As they prepare for the release of their sophomore EP, New Age, sleepazoid’s Nette France, Jim Duong and Josef Pabis answered some questions from The Note about working with producer Jack Nigro, the visual side of their music and their love of Adelaide bands.
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.
Currently preparing the release of their much-anticipated fourth studio album, Saosin are touring Australia in April to celebrate the 20th anniversary of their debut. Guitarist Beau Burchell talks with The Note about the making of their new record, how their sound has evolved and his love for Parkway Drive.
Celebrating the 20th anniversary of their seminal third album, The Sun Never Sets, The Herd are taking the record on the road this year. Ahead of their performance at iconic Adelaide venue The Gov, The Herd’s Toe-Fu spoke with The Note about the making of the album, covering John Schumann’s ‘Only 19’ and the prospect of new music.
Having reformed in 2023 with Jakob Nowell, the son of original vocalist Bradley Nowell, Sublime have been touring the globe and are currently working on a new album. Ahead of their Australian visit, The Note spoke with Jakob about Sublime’s legacy, his father and the band’s upcoming tour down under.
Coming-of-age indie pop-rock, infused with a DIY punk ethos, is ixaras’ brand to a T. Following the release of her gripping sophomore EP What Is And What Isn’t, the 18-year-old Brisbane-based artist talks growing up, indie labels and Adelaide’s buzzing youth music scene.
SA’s own homegrown version of triple j’s ‘Hottest 100’ takes over the airwaves and Adelaide Unibar on January 17. Here, we chat to Ripley from the Sounds Sick crew for the rundown.