Bouyant! The Rise of Teddy Swims
Atlanta powerhouse Teddy Swims started uploading Michael Jackson covers to YouTube in 2019. Two years later, he’s amassing tens of millions of streams and selling out global tours…
Image Lindsey Byrnes
Teddy! We’re stoked to see you’re back here for a national tour so soon. How’d you find Australia last time?
I absolutely loved it! This time around we’ll have more time to explore. Last time, it was more like you look to the left and the right outside of each venue, and that’s pretty much what you see of each city. Australians were the first people who caught on when I first started doing covers. They were the first people who ever loved me. I’m so excited to get out there again.
What was it like to connect with an Australian audience?
The type of crowd is just different than it is in the States. It feels like people really love, love, love live music in Australia – maybe more than anywhere else I’ve been. It was also just super great to see the numbers you see on analytics. You know, I think sometimes we get caught up in the analytics and forget that they’re real humans rather than numbers we’re making on a YouTube video. To be able to connect one-on-one with a lot of people and see what the community and culture are about is incredible.
What can we expect from your live show this time around?
Love. And [something] bigger and better. I like to think [my concerts] are a safe space for everyone to come in and just get loved on.
You just released ‘What More Can I Say’ and said you’ll be releasing more music towards the end of the year.
We’re hoping you’re building towards a debut album… We’re actually in the process of wrapping that up right now! I think that’s also why I’m excited to be [on tour] because we’ll be trying some of the new music before we put it out. We’re so lucky to be able to play live. I think that’s what we missed during the pandemic – [trying] something in front of an audience and getting their real-time reaction.
You’ve made music your whole life, but the Teddy Swims journey started after you toured with Tyler Carter and began uploading viral covers to YouTube. Why did you start posting on the platform?
It was [through] the support of Tyler Carter. We put a cover together of ‘Sucker’ by the Jonas Brothers. He brought me in as someone who was a nobody at the time. I’m grateful I went the cover route. [But] when you do sing some of the greatest songs in the world… it’s very easy to get bogged down in thinking that your music has to be of that calibre. I’m grateful to have filmed my influences and then started making my own music to let them know it’s always been a homage to the people that were incredible before me.
READ MORE: G Flip: It’s All G
In a few short years, you’ve developed a huge global fan base, toured the world and amassed millions of streams on your music. What’s been a career highlight?
We got a chance to open for Zac Brown [in 2021]. Zac and his band are just incredible people. We got to play some pretty big gigs with them, like Fenway Park, where we played for tens of thousands of people. It was a taste of what I’ve been wanting my entire life, it was an incredible feeling. You think you’d have nerves for something like that, but there was this calming reassurance that I was in the right place.
Tell me more about when you first fell in love with music. When did you realise you wanted to pursue this as a career?
I was in the fourth grade – around eight or nine – and I had a teacher who would always say if we could come back from recess and be quiet and do our bookwork, she would play Al Green’s Greatest Hits. I remember hearing Al Green’s album and just falling in love with that sound. I had never heard soul music until that point – that kind of singing and that kind of expression. When I got home to my dad, I asked everything about it, like, ‘What is soul music? Who is Al Green?’ I knew from that moment that that’s what I wanted to do with my life.
Before I let you go, I want to know how you’ve found these last few years. You’ve charted worldwide success…
There’s always a piece of you where you don’t feel like enough. You can either take that and let it block you or take that and know that you’re a student to life. If I felt like I was good enough, I would never be able to be the best in the world. I hope that I can be someone’s best, someone’s favourite ever. As long as I can always feel like I’m not good enough in the nicest way for myself, that’s all I ever want.
See Teddy Swims perform at Hindley Street Music Hall on August 24. Tickets on sale now.
In the lead-up to Caltowie Chilled Out ‘n’ Fired Up Music Festival 2026, founder Ben Van Boekel talks to us about Caltowie’s origins, raising awareness of men’s mental health struggles and his enthusiasm for live music.
James Reyne has been there, seen it and got the t-shirt. Ahead of his national tour next year, the famed singer-songwriter spoke with The Note about his disdain for reality singing competitions, his love for Australian Crawl songs and why emerging musicians should move overseas.
American bassist, songwriter and record producer Victor Wooten and his brother Roy chat with The Note about their musical history, Victor’s rare neurological condition and the impact of AI on modern music.
Winners of the acclaimed Festival de Ovejas, Bogotá trio La Perla merge traditional Colombian Caribbean rhythms with innovative contemporary sounds. Ahead of their first appearance in Australia as part of WOMADelaide 2026, the band discuss why they believe their music resonates with audiences across the globe, how their collaborative album with Pulcinella came about and what a La Perla live show encompasses.
Powerhouse vocalists Sarah McLeod and Dallas Frasca have locked in 15 dates across February and March 2026. Ahead of their tour, the two spoke with The Note about touring sustainability and raising funds for the charity organisation Seed Mob.
South Aussie music content creator and champion of the local scene Dakota Griffiths, aka Band Banta, fills us in on her top five songs, favourite album and most memorable music moment.
Aussie punk icons are back with new thrilling new album, GODSPEED. Vocalist Jamie Timony and guitarist Todd Andrews got on Zoom and spoke with The Note about their artistic process, their relationship with GODSPEED and mixing politics with music.
Equal parts grit, rock and heart, Looch are proof that mates make the best bands. With new single ‘SHOO’ on the horizon, guitarist Matty Ranger opens up about growth, gratitude, and the beautiful chaos of community.
Armed with one of the strongest heavy releases of 2025, the frontman of the Californian group takes us through Creature In The Black Night.
Packed with an Australiana grunge rock punch, Kurralta Park’s debut album Powell Place seeps authenticity. Here, frontman Bindi McCallum talks tequila-fuelled recording sessions, Daybed Records’ Live in Lincoln Festival, and the village it takes to make it all happen.
Adelaide singer-songwriter Trent Worley is gearing up for the release of his latest album, Now, When?. Ahead of the record dropping and Worley’s album launch show at The Austral next week, the local lad opened up about the challenges he’s faced as an indie artist, what his new release is all about and the importance of physical media.
Divebar Youth, one of South Australia’s most exciting emerging alternative indie acts stops by, ahead of the release of his sophomore EP Modern Expectations to chat breaking the mold, European escapades and his upcoming EP tour.
BOUSTA has made his mark, dropping deadly records and turning heads all across Adelaide. This year, the Arrernte rapper has turned momentum into meaning, fusing language, truth and culture to create something that lasts.
From Cranker beginnings to AC/DC support slots, Oscar the Wild are turning up the heat this November. Here, the trio chat sharing stages with idols, their latest EP Blue, and building spaces where everyone belongs.
Craving nothing more than connection, Ella Ion has spent 2025 throwing stones of vulnerability, sending ripples of bare-all honesty across the globe. Here, the singer-songwriter reflects on touring, truth-telling, and celebrating SA’s music community with Hyde & Seek.
Parrot frontman Matt Young revealed all to The Note about the making of their new album, A Young Person's Guide to King Parrot, singing with Jason Momoa and the impact of new drummer Max Dangerfield.
Ahead of dust’s Adelaide show at Jive in December, dust’s vocalist and guitarist Justin Teale opened up about Australia’s alt-rock scene, touring with Interpol across Europe and their five favourite Aussie bands everyone needs to hear.
On the cusp of releasing their killer sophomore album VOL II, Paris Clark-Proud, guitarist and vocalist from The Shadow Ministers, dives into the DIY process and translation of studio to stage.
Known worldwide for the punk renditions of classic songs, American act Punk Rock Factory are heading our way this month. Ahead of touching down in Oz, the band gave us the lowdown on their new album All Hands on Deck, their wildest fan interaction and what to expect on their upcoming tour.
Ahead of mini-festival SONIC SPIRE, The Note spoke with Three D Radio’s Volunteers Rep Tiff Stodart and Chair Sonia Mir about Three D’s history, Sonic Spire and how to get involved with supporting the station.
American rapper and internet sensation Yung Gravy chats to The Note and spills his secret recipes, on how he chooses samples, and keeps serving up banger after banger, with ‘Debbie’ and ‘I Write Hymns Not Travesties’…
The beloved US metalcore group prepares for a new arc with their ninth studio album, Flowers. Vocalist Mike Hranica takes a look back at the journey to get here…
Emerging Perth indie rockers Fool Nelson are riding high after the release of their third EP, Bad Dreams. Currently touring the EP across the nation, the trio chatted to The Note about their new release, their favourite track from the EP and the wildest tour story.
Screaming Jets frontman Dave Gleeson details his favourite songs, album and music-related moment.
The Note spoke with vocal coach Amelia Shinks and singer Jack Kamleh about the role of Voicehouse, the importance of vocal lessons and why the Adelaide music community is so special.
November marks the defining moment in the career of Sydney pop punk underdogs SoSo. The quartet are dropping their much-anticipated debut album, So Much For Second Chances. Ahead of the release, frontman Rhys de Burgh spoke to The Note about the creation of the record, the grind of being a working musician and collaborating with acclaimed producer Stevie Knight.
Rocking broken hearts, scraped knees and bloody teeth through their new single ‘My Heart’s Dead!’, Adelaide’s pop punkers Teenage Joans catch up with The Note to chat new music, DIY-ing it, insane support slots and Harvest Rock.
Genre chameleons Cry Club are hitting the road this November in support of their latest single, ‘This, Forever’. Ahead of their Adelaide visit, vocalist Heather Riley and guitarist Jonathon Took answered some questions for The Note about their latest release, the visual side to their music and supporting The Darkness.
The artist behind ‘Paper Planes’ talks digital takeover, Julian Assange and finding joy through music.