Yung Gravy: Cooking Up Hymns with Hilarity
Yung Gravy may have “Chef” in his Instagram bio, but his cooking has nothing to do with food. Chatting to The Note, 29-year-old American rapper and internet sensation spills his secret recipes, on how he chooses samples, and keeps serving up banger after banger. From spinning the Commodores’ ‘Brick House’ into his latest hit ‘Debbie’, to flipping Panic! At The Disco’s emo classic ‘I Write Sins Not Tragedies’ into the satirical ‘I Write Hymns Not Travesties’, Gravy won’t stop until the whole world is ‘gravified’ and smiling.
Interview Millah Hansberry // Image supplied
Congrats on your latest single ‘Debbie’! It’s such a fun spin on the Commodores’ ‘Brick House’. How did this track come about?
I’ve wanted to sample that masterpiece from pretty much the beginning of my career. I had one of my trusted constituents whip up a beat and I just let the nectar flow. It’s always a pretty quick process and it came together luxuriously.
What made the Commodores the perfect addition to the long list of iconic samples you’ve flipped over the years?
I love a nice buxom woman. The Commodores and I are alike in this manner, and I figured now is the perfect time for a gravification.
What’s your favourite line in ‘Debbie’ and why?
‘Make it splash Sheryl Swoopes if you let me play’. I cannot divulge further in this matter.
When you’re in the studio, what’s your creative process like? Are you freestyling lines, or are you coming in with pre-planned bars?
A mixture of both for sure. I have a sort of digital parchment that I etch my musings into, which I unsheathe whenever a song calls for it, otherwise it’s just an in-studio flow state type of deal.
We chatted with your best mate bbno$ a few weeks ago about his new self-titled album. Between your duo Baby Gravy and your endless content collabs, the friendship is clearly thriving. Could you share a memorable story from your time together?
We were somewhere in Europe one time and these dudes tried to fight us after a show and were calling us white … n words… no clue why but we duked it out fair and square and I don’t think they will persist in those endeavours any further.
Earlier in the year, you dropped ‘I Write Hymns Not Travesties’, a hilarious and smooth flip of Panic! At The Disco’s hit song ‘I Write Sins Not Tragedies’. Tell us about the making of this, and what drew you to sampling such an early 2000’s emo staple.
I’m at a point in my career where I feel free to do anything. Taking my original style and doing it in ways that excites me and keeps me motivated to be as creative as possible in my performances. It’s true to me in that I was heavily involved in Zumiez adjacent activities in my days of yore, so it’s really an amalgamation of my past and present selves coming to a head in the audio extravaganza that is “I write hymns”.
READ MORE: The Used: An Anniversary To Remember
The music video for ‘I Write Hymns Not Travesties’ features you, your partner Ari, and a bbno$ cameo. What was it like creating such a fun laid-back music video with your favourite people?
Just like a more fun regular day, where we get to dress up and do weirder or less weird shit than normal. Dance around and be our freakiest selves.
You’re currently on your massive 39-date Voluptuous Voyage tour across North America. What’s on the travel playlist right now? Any unexpected guilty pleasures?
‘Show Me How’ - Men I Trust
When are you coming to Australia, and most importantly, Adelaide?
As soon as humanly possible. Adelaide and Australia in general have some of the best crowds in the world.
Once you make it here, what’s on your Australian bucket list?
A shit ton of Milo powder, barely any milk, Tim Tams maybe crushed up in there too. Bunnings snag and maybe hit the nut bush to work off the calories.
What’s next for Yung Gravy? Have we got an album coming up? Anything exciting in the works?
I can’t even really divulge any information pertaining to my musical output, but I can say that I am cooking, and the meal will be succulent.
‘Debbie’ by Yung Gravy is out now.
Local artist, producer and music mentor Will Everest talks about his favourite songs, number one album and favourite music-related memories.
Curated by Pretty Good Thanks’ Tayla Carlaw, SA’s premiere all-ages queer music event is hitting UniBar on June 27! Featuring arts markets, a drag queen MC and music from Jett Blyton, Oscar the Wild and more, Tayla talks us through it all.
SA’s Puberty Blues inspired four-piece PASH chat the magic of Adelaide’s East End, packing out a Laneway tent and track listing their brand-new self-titled EP, all while potting pool balls and chatting shit.
For the first time in 14 years, Ben Kweller is heading down under. Promoter Gareth Lewis talks musical influence, grief and radical optimism with the indie rock figurehead ahead of his Adelaide Beer & BBQ Festival performance
South Summit chat to The Note about their new record, working with Marlon Gerbes (Six60) and the joys of touring Europe.
Five years on from their last record, The Jungle Giants’ Sam Hales has been through it and lived to write the album of his career. The Note catches up with the Brisbane frontman to talk heartbreak, The Artist’s Way, and experiencing feelings of joy.
Ahead of August Burns Red’s upcoming Australian tour, The Note caught up with drummer Matt Greiner to discuss Australia, their latest full-length, salsa-core and so much more.
To blanket label this 5-piece would be a mistake. This expansive poetic-art-folk-alt-rock-honky-tonk project feels like a steady hand on the back, lesson in history and first love all at once, with their debut album The Modern Show is Ruining The Foot.
Bush’s iconic frontman Gavin Rossdale discusses the band’s upcoming Australian tour with Shinedown, their unique setlists and why he thinks certain bands are having a resurgence.
Ahead of their support slot on The Jungle Giants’ upcoming tour, Tear Drive’s Gabe Kolakowski opened up to The Note about the band’s new EP, musical inspirations and the Brisbane music scene.
After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.
The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.
Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.
After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.
15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.
Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Adelaide alt-metalcore five-piece alt. are embarking on a new era with the release of their concept EP Nevermore. Opening up to The Note about the release, vocalist Dan Richards touched on the themes throughout the release, working with producer Callan Orr and their upcoming EP launch this June.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.