Locals Only: Kurralta Park
Packed with an Australiana grunge rock punch, Kurralta Park’s debut album Powell Place seeps authenticity. Here, frontman Bindi McCallum talks tequila-fuelled recording sessions, Daybed Records’ Live in Lincoln Festival, and the village it takes to make it all happen.
Interview Millah Hansberry // Image Tom Redden
You released your debut album Powell Place in August. How does it feel to finally have this record out in the world?
It’s awesome. It’s really good to have felt so many heavy emotions over two years and then release them. Then maybe other people can feel something at the same time. It feels good.
Powell Place was recorded in five days in Stirling, which you’ve described as “the most beautiful experience I’ve had within the music industry.” What made this experience so special?
I recorded it with my friend Eli Biles, who I grew up with. I’m originally from Melrose in the Flinders Rangers. He thought I was a big, scary bastard because I was a little bit taller when we were growing up playing footy against each other. But after moving to Adelaide, we connected over music and grown closer and closer. It was just five days of catching up in Stirling, hanging out for 20 hours a day, getting not much sleep and then waking up with a shot of tequila and going again. Just so much fun. The landscapes around there are so beautiful, up in the hills. I love that area so much.
Why do you think you find yourselves leaning towards that raw, grungy rock emotional music?
When I was younger, I did a SoundCloud rap thing, which has been wiped off the internet. Doing the rap thing for a couple of years living in the country, I figured out early what I felt comfortable with people in my community seeing represent me as a person. I realised that people were going to hear me talking about stuff that didn’t make sense for who I was, and who I am. The thing that feels most comfortable for me is to talk about more human experiences.
You grew up in the Flinders Ranges and moved to Adelaide at 18. Do you think bringing music out of the city to regional places is important?
I think it’s really important. There’s a band called The Pretty Littles, and the singer Jack Parson, does something called “Guts Touring” where they do regional tours throughout Australia. It’s so sick. I wish that I could win the lottery to set up something like that. I think it’s really important for young people from the country that might not be exposed to the arts to see it. I just know that when I saw my friend play guitar when I was 10, that was enough to get me excited to pursue music. If you put bands in front of some of these kids, they’d go bonkers.
Kurralta Park takes “it takes a village” so seriously with everything that you do. You’ve posted countless “thank yous” on your social media pages to everyone who assisted or supported this album’s creation and promotion. How important is community to you?
It’s super important to me because when I moved to Adelaide from as an 18/19-year-old, no one in the Southern scene had to give a fuck about me. For me to just blow in and have all these people care so much and pour in so much time is crazy. Like Jack, he’s in Ethanol Blend and Stork which have been so inspirational to so many people. For him to pour in so much time through Daybed Records with Tom into this project just blows my mind. And then there’s John who will spend days on days entertaining my ridiculous ideas for video clips and Mark Tickle entertaining my ridiculous ideas for promotion. There’s just so many cogs that sort of prop up something that appears DIY. I’ve got Marcus down the road who’s been mixing our music for two years. There’s just a million people that care in this Southern part of the scene that really makes the music world spin in my eyes.
You’re heading to the Eyre Peninsula for Daybed Records’ Live in Lincoln on December 6, a brand new grass roots regional fest. What should we expect from your set?
With the new album out, I’m super excited because it’s all new for us to play. I feel super connected emotionally to it. I’m so excited. It’s going to be great.
Catch Kurralta Park at Live in Lincoln on December 6 with BAD DREEMS, Gyroscope, Magic Dirt and more. Tickets on sale now via humanitix.com.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.
Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.
After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.
15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.
Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Adelaide alt-metalcore five-piece alt. are embarking on a new era with the release of their concept EP Nevermore. Opening up to The Note about the release, vocalist Dan Richards touched on the themes throughout the release, working with producer Callan Orr and their upcoming EP launch this June.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
sace6, the duo of Sace and Noah Thomas, are touring the country supporting nothing, nowhere. Taking some time out from their busy schedule, the alt-rock act opened up about the influences behind their upcoming album brutalist, their songwriting process and several facts about their new record you probably didn’t know.
Bowling for Soup vocalist and guitarist Jaret Reddick and English punk troubadour Frank Turner sat down together and chatted about their favourite song to play live of their own, along with their favourite live track of each other’s, ahead of their joint Australian tour.
We caught up with Lime Cordiale guitarist Oli Leimbach to chat about Lime Green fest and why Adelaide was the perfect place to host it.
Self-proclaimed flair-pant party rock act The Sundials are at no risk of slowing down. Dropping their new single ‘Bareback Riding’ off the back of playing huge Tassie festival Good Gumnuts, the band chat to The Note about it all.
Telenova vocalist and songwriter Angeline Armstrong spoke to The Note about the band’s metamorphosis, living in “parallel worlds” and her favourite lyric from their new record THE WARNING.