Granite Island Discs: Oscar Ellery
SONS OF ZÖKU member and The Note’s Account Manager Oscar Ellery gives us the lowdown on his favourite songs, album and music-related moment.
Image supplied
What five songs would you take to a desert island?
1. Spiritualized – ‘I Think I’m in Love’
2. Neil Young – ‘For the Turnstiles’
3. Angel Olsen – ‘Right Now’
4. John Lee Hooker and Canned Heat – ‘Boogie Chillen No.2’
5. Art Blakey & The Jazz Messengers – ‘Moanin’
These five songs could be totally different on any given day. My taste is broad and erratic, hence the wide cast net of genre. I figured I’d need a bit of everything. However, [these] five songs by no means cover the spectrum of musical styles I’d need to survive on an island – I’m missing something heavy, some funk and many more.
If you could only pick one, what would it be?
Neil Young – ‘For the Turnstiles’. It’s the shortest song on the list, but I feel I could listen to it on repeat all day, every day. It never gets old. Plus, Neil Young’s songwriting hits me in a way that no other artist or band has ever managed to do. He is the ultimate ‘feel’ songwriter. Lastly, this song (and whole album for that matter) is, sonically, just how I like my music served: warm, vintage, and alive… yet still with enough punch and definition.
What’s your favourite album?
This is something I ponder often and have never really been able to come to any form of conclusion. One that seems to always be in the mixing pot is Revelation by The Brian Jonestown Massacre. I’d say it’s a record that shaped my music taste and trajectory. I love a record that allows you to tap into its unique sonic ecosystem and escape reality – Revelation does that for me and holds a special place in my heart.
What’s your favourite song by an SA artist or band?
‘I’m in Love’ by The Shadow Ministers. It’s absolutely the real deal. It has enough raw power to stand up to anything Iggy Pop’s ever done, with a steezy rock ‘n’ roll attitude that Keith Richards would be proud of. It’s rare these days to hear a recording with that raw, live in-the-room energy which great ‘60s and ‘70s records [have], but this is an exception. This song is a powerhouse. (Great dudes also… ).
Favourite music-related memory?
I feel somewhat guilty not citing a performance memory, as I’ve been lucky enough to play many amazing shows. However, if I’m honest with myself, most of my favourite music memories are as a spectator. I love playing live, but watching a band is really where I get my kicks. In 2019, I was lucky enough to attend Bluesfest Byron Bay, where I was treated to, without a doubt, the most powerful and emotional performance of my life. Marcus King – a southern rock blues guitarist whose voice is like Janis Joplin meets Howlin' Wolf – emptied every inch of his soul onto the stage across two hours. [He had] the most emotionally charged music I’ve ever witnessed. The young South Carolina bluesman played guitar like it was always intended to be played – hard and fast yet with ample soul, which made every note count. However, it was his voice that got me. When he sang, it was totally soul crushing in the best way possible. Every single person in the crowd was left jaw-dropped and no doubt a few tears were shed. I feel blessed to have been there. Something special was in the air that night and Marcus King, his band and their wall of vintage gear harnessed it. It changed my life.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
sace6, the duo of Sace and Noah Thomas, are touring the country supporting nothing, nowhere. Taking some time out from their busy schedule, the alt-rock act opened up about the influences behind their upcoming album brutalist, their songwriting process and several facts about their new record you probably didn’t know.
Bowling for Soup vocalist and guitarist Jaret Reddick and English punk troubadour Frank Turner sat down together and chatted about their favourite song to play live of their own, along with their favourite live track of each other’s, ahead of their joint Australian tour.
We caught up with Lime Cordiale guitarist Oli Leimbach to chat about Lime Green fest and why Adelaide was the perfect place to host it.
Self-proclaimed flair-pant party rock act The Sundials are at no risk of slowing down. Dropping their new single ‘Bareback Riding’ off the back of playing huge Tassie festival Good Gumnuts, the band chat to The Note about it all.
Telenova vocalist and songwriter Angeline Armstrong spoke to The Note about the band’s metamorphosis, living in “parallel worlds” and her favourite lyric from their new record THE WARNING.
Karnivool’s Drew Goddard discusses the 13-year journey to their fourth album In Verses, their just announced biggest Australian headline shows ever and an unexpected collaboration with Coldplay.
Ahead of their two performances with the Adelaide Symphony Orchestra at Festival Theatre this weekend, The Whitlams frontman Tim Freedman answered some quickfire questions about performing with an orchestra, choosing the setlist and his memories of playing Adelaide.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.