Granite Island Discs: Duncan Welgemoed
Nine Inch Nails dominates the Africola head chef and co-owner’s playlist.
Image by Andre Castelluci
What five songs would you take to a desert island?
1. Nine Inch Nails – ‘Suck’
2. Ghost – ‘Con Clavi Con Dio’
3. Tori Amos – ‘Professional Widow’
4. A Perfect Circle – ‘Judith’
5. Queens of the Stone Age – ‘Long Slow Goodbye’
If you could only pick one, what would it be?
‘Suck’ by Nine Inch Nails. It resonated with me as a teenager living in an extremely Christian, conservative town. So, it was a big fuck you to them, as I was always treated like an outsider with a point to prove. Nothing’s really changed.
What’s your favourite album?
The Fragile by Nine Inch Nails. Back in the day, when you had to save up to buy a CD, music seemed way less disposable than it does now. You had to really sit and savour the music to get your money’s worth. As challenging as that album can be, it’s a discovery on every listen and really encapsulates the band. If Britney Spears’ ‘Oops!...I Did It Again’ is The Very Hungry Caterpillar, Trent’s The Fragile is Don Quixote.
What’s your favourite song by an SA artist/band?
‘Hypocrite’ by Kranktus. I was introduced to them during vintage at Ochota Barrels because Taras Ochota was in the band, so not biased at all. Excellent punk, good for stomping on grapes and drinking Jack Daniels (orange wine) pulled straight out the freezer.
Favourite music-related memory?
Out of the craziest stuff I’ve done with bands and musicians, the number one moment is a bit pedestrian: taking mushrooms with my friends, then watching TOOL walk on stage and open with ‘The Pot’. Life changing and the most fun I’ve ever had watching live music. Maynard just fucking killed.
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Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
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The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
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Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
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Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
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Back by popular demand following a sold-out 2025 tour, Grammy-winning blues guitar sensation Christone “Kingfish” Ingram spoke with The Note about his early years as a musician, contributing to the soundtrack for the film Sinners and running his own label.
We Came As Romans return on their Because We're Doomed tour this February. The Note spoke with Andrew Glass, bassist and songwriter, about getting robbed in Adelaide, rewriting their album twice from scratch and why death is just as important as birth.