In the Green Room: Ella Ion
Ella Ion is known for her hard-hitting songs that touch on life and its growing pains. Here, the singer/songwriter talks about her debut LP, Waiting, and her forthcoming launch gig
Image by @roisingleeson, @ paigespages__
Congratulations on the release of your record, Waiting! Tell us about your launch gig at Jive.
It’s my first full band show and headline since 2018, so it feels like a big deal! There’ll be moments of peace and moments to move around to. It’s exciting to be in a live setting and give these songs another life. It’ll be fun, and I think it’ll be pretty intense, emotionally.
Nuclear Family and Blush are joining you at the show. Why did you ask these artists to join?
Because I don’t know them very well! I wanted to play with people I don’t usually play with. I think we naturally fall into a pattern of just playing with our friends, and everyone ends up at the same gigs. So, I thought it’d be cool to meet some new people and expose other people to them, too.
I was in LA for three months in 2019. It was intense. There’s so much music, art and culture there. I felt overwhelmed by that, rather than inspired. But being overwhelmed inspired me to write about feeling socially anxious and [realising] how small I was in the world. I only finished [the songs] a year and a half ago and relied on close people in my life to lend their time and energy.
How do you think audiences will receive your debut LP in a live setting?
The lyrical content can help keep people interested because there’s a story there if you listen. Having the full band behind me will amplify that even more and make the songs more dynamic — people can tell when they should be feeling emotional in a positive way or if [the songs] are really heavy. I think [the band] will help put those feelings on a platform.
April 14 | Jive | Supported by Blush and Nuclear Family
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.