Australian Rock Collective Celebrates 50 Years Of ‘Hotel California’
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Words Thomas Jackson // Image supplied
The Australian Rock Collective are touring the country this June, performing the iconic Eagles’ album Hotel California in full. The Australian supergroup features an all-star lineup consisting of Kram (Spiderbait), Darren Middleton (Powderfinger), Mark Wilson (Jet) and Davey Lane (You Am I). If you’re too young to know who they are, it’s basically the Australian rock version of the Avengers.
The supergroup have toured the immortal classics such as the Beatles’ Abbey Road and Let It Be, Neil Young’s Harvest, Pink Floyd’s Dark Side Of The Moon and Led Zeppelin’s Led Zeppelin IV - now they’re preparing to tour Hotel California, which coincides with its 50th anniversary.
When the tour was announced, Lane stated that the Collective “might even grow moustaches especially for the occasion!” When he joins The Note on Zoom two months out from the tour, his top lip is bare. However, it’s not the moustache he’s worried about growing in time.
“I can work on the moustache, I think this [pointing to his buzz cut hair] is definitely not gonna be Eagles appropriate,” Lane laughs in defeat.
“I cut it out of necessity. I went on a family holiday and my niece gave everybody knits. So off went the hair. I might still try for a moustache anyway, but I might end up looking like a biker. So we’ll see how we go.”
The Australian Rock Collective are spoiled for choice when selecting classic albums. Lane shares that there’s always a bit of back-and-forth discussion between the four of them when selecting what to play, but it always ends up being a unanimous decision.
“Obviously being 2026, it’s the 50th anniversary of Hotel California, it's also the 60th anniversary of Revolver [The Beatles]. That's another one that we were like, ‘Oh, maybe we could do that too’.
“The Eagles are a polarising band. So many people love the Eagles, but so many people are like, ‘Oh, it typifies everything that's kind of that bloated cocaine excess of the ‘70s and blah, blah, blah’. But the music is just so great and we haven't really done anything like that prior.”
READ MORE: Inside The Whitlams’ Orchestral Tour
Hotel California is an album that Lane says is omnipresent and has always been part of his life, whether he was conscious of it or not. For Lane, the highlights are in the deep cuts of the album and specifically the work of guitarist Joe Walsh.
“I love the Eagles, but I'm a massive fan of Joe Walsh on his own or with the James Gang. So we'll play the record, but in the second set we'll play obviously some of the other big hit singles that are on Hotel California, but also dive into a little smattering of their solo stuff as well.”
As part of these Australian Rock Collective tribute shows, Lane gets to hyper-fixate and forensically examine these albums to learn how to play them perfectly.
“You have to get right into the minutia of each part. Right at the moment, I'm going through and trying to work out exactly what each of the harmonies are doing and there are a lot of harmonies in this record.
“That's a real rewarding thing in itself, digging deep and even for something like The Beatles. Most of the books on my bookshelf are Beatles books. I'm a card-carrying nerd. Even doing Abbey Road. I know this back to front, this is going to be a walk, and then you try and figure out something like the harmonies in ‘Because’ and there are parts in there that on their own, don't make any sense. It's just that alchemy of putting them together and the discovery of going, ‘Oh, is that what it does?’ I thought I knew every part of this, but actually, I'm really just scratching the surface here. That's just such a rewarding thing.”
With each new band the Australian Rock Collective tackles, there are new frameworks, songwriting styles and methods that Lane gets to learn and apply to his own songwriting.
“Rather than me sitting there going ‘no one wants to see us play our own songs, but everybody wants to see the covers’. It's like, well, we’re learning this incredible music and I find that each year we do it provides us with a new skill set to apply to whatever we do independently, creatively as well. So it's a win-win.”
Catch Australian Rock Collective performing the Eagles Hotel California in full at Thebarton Theatre on Saturday 20 June. Tickets on sale at livenation.com.au.
After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.
The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.
Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.
After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.
15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.
Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Adelaide alt-metalcore five-piece alt. are embarking on a new era with the release of their concept EP Nevermore. Opening up to The Note about the release, vocalist Dan Richards touched on the themes throughout the release, working with producer Callan Orr and their upcoming EP launch this June.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
sace6, the duo of Sace and Noah Thomas, are touring the country supporting nothing, nowhere. Taking some time out from their busy schedule, the alt-rock act opened up about the influences behind their upcoming album brutalist, their songwriting process and several facts about their new record you probably didn’t know.
Bowling for Soup vocalist and guitarist Jaret Reddick and English punk troubadour Frank Turner sat down together and chatted about their favourite song to play live of their own, along with their favourite live track of each other’s, ahead of their joint Australian tour.
We caught up with Lime Cordiale guitarist Oli Leimbach to chat about Lime Green fest and why Adelaide was the perfect place to host it.