In the Green Room: Miss Orange juicy
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Image supplied
Miss Orange Juicy are relatively new on the Adelaide music scene. Tell us a bit about who you are, how you came together and what you’re all about.
We are two friends who have collaborated for years on other projects. We spent the day and night dancing at Laneway festival one year and felt so inspired by all the performances we saw, so we decided we wanted to make people dance too. We got in the studio together not long after the festival to write. It was initially just for fun, but in doing that birthed this project, which we love. We’re about the in-between moments, awkward laughs and making music that sounds like our friendship. We just want people to feel good and maybe feel a bit lighter.
How would you best describe your sound in three words?
Unfiltered, indie-pop, charm.
Are there certain bands that have influenced your sound?
Our music influences between the two of us are really eclectic and I think it made exploring this project really interesting. We definitely have a crossover of tastes, so it's exciting weaving that into the music, whether conscious or subconscious. We try not to overthink it when we write, though. We genuinely just have fun with it and run with the initial idea that comes to us on the day we get together to write. We love artists like Remi Wolf, Chappel Roan and Devon Again, and I think those three artists have definitely been a source of inspiration at times in this project. Essentially, we like finding breadcrumbs all over the place and then making a whole new breadcrumb monster out of them.
You’ve released several singles over the past eight months, with our favourite being the upbeat ‘Drip Drip (Slay!)’. Tell us a bit about the track and the meaning behind it?
This song comes from wanting to celebrate small moments of everyday life, the getting up and doing what you gotta do, even when life gets messy and weird. The song is about backing yourself & tapping into the inner icon who’s strong, bold, quirky and unapologetically confident. For us, that's who Miss Orange Juicy kinda is, this collective version of ourselves that runs headfirst into every day. It’s written for the everyday heroes: the people quietly showing up for themselves and each other, finding strength in the small moments.
READ MORE: In the Green Room: The Fuss
You recently played your debut gig alongside REDD at Lound & Queer Festival. How was that experience, and has it given you a taste to play more live shows?
It was pretty magical. REDD is a hero of ours, so to play with them was a total dream. We are definitely excited to play live more. We had sooooo much fun at our first show. We are really looking forward to the year ahead.
Speaking of more shows, Miss Orange Juicy have been announced as part of the lineup for this year’s New Found Sound. How excited are you to be performing at such an admired festival?
Soooo keen for this. So many bands we admire are on that lineup and we can’t wait to play live again. We had such a great response and time on stage at our first show, so we are definitely looking forward to scratching that itch again!
How important are events like New Found Sound to spotlight local talent?
I think the more we combine music and community, the better. Music isn’t supposed to live on your phone. We are stoked to be a part of such a great event that celebrates local artists and venues and uplifts the SA music community.
If you could construct your dream festival lineup, who would you choose?
REDD, Ninajirachi, Amyl and the Sniffers, Fred Again, Remi Wolf, Peach PRC, MAYA, Devon Again
Is there anyone on the lineup you are super excited to see?
We are excited to watch Inkabee and Broken Waves play before us! Also really excited to catch Grace Vandals and our drummer Miles' band, King of Spain!
Can we expect more music this year? Is there an EP or album in the works?
We have a bunch of songs finished and ready to go. We wrote so many over the course of 2024-2025 before we began releasing our music late last year, so were really excited to continue sharing them and hopefully they keep finding more and more community as we continue to release.
Miss Orange Juicy are playing New Found Sounds May 9 alongside INKABEE, Druid Fluids, Ms Chipeta, King of Spain, Ella Ion and more. Entry is free.
South Summit chat to The Note about their new record, working with Marlon Gerbes (Six60) and the joys of touring Europe.
Five years on from their last record, The Jungle Giants’ Sam Hales has been through it and lived to write the album of his career. The Note catches up with the Brisbane frontman to talk heartbreak, The Artist’s Way, and experiencing feelings of joy.
Ahead of August Burns Red’s upcoming Australian tour, The Note caught up with drummer Matt Greiner to discuss Australia, their latest full-length, salsa-core and so much more.
Bush’s iconic frontman Gavin Rossdale discusses the band’s upcoming Australian tour with Shinedown, their unique setlists and why he thinks certain bands are having a resurgence.
Ahead of their support slot on The Jungle Giants’ upcoming tour, Tear Drive’s Gabe Kolakowski opened up to The Note about the band’s new EP, musical inspirations and the Brisbane music scene.
After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.
The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.
Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.
After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.
15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.
Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Adelaide alt-metalcore five-piece alt. are embarking on a new era with the release of their concept EP Nevermore. Opening up to The Note about the release, vocalist Dan Richards touched on the themes throughout the release, working with producer Callan Orr and their upcoming EP launch this June.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.