The Club Calls: Memphis LK
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK is warming up her voice and polishing her DJ deck. Discussing her new single ‘Cherry N Coke’, Memphis LK briefs us on what to expect from her live show, how it feels to be back home and teases us with new music.
Interview Millah Hansberry // Photo supplied

Congrats on your new single, ‘Cherry N Coke’. The track is bursting with energy and feels like a total club anthem. Did the idea of a live club crowd influence the track’s energy and direction?
100%, that was the main inspiration when we were making the track.
‘Cherry N Coke’ is a collaboration between yourself and British DJ and producer Redlight. How did this collab come about and how did you find the process of working with him?
I was living in London for the last two years and our managers organised a session. We only had a couple of hours, so the track came together really fast which was cool. I often find having that time pressure forces good ideas out of you because you can’t overthink or second guess anything.
You’ve described yourself as a “producer, songwriter, vocalist, DJ and performer”. Is there one of these roles that you feel you resonate with most right now?
I’ve been pretty much living inside my computer finishing a lot of songs over last few months, so I’d say I’m definitely in [the] production world right now.
Your live performances are such a huge part of the Memphis LK brand, with a blend of DJ deck tracks, live vocals, and your iconic soprano saxophone. What inspired the incorporation of live vocals and saxophone in your sets?
My music is vocal focused, so live vocals have always been something I’ve incorporated into my shows. I played soprano saxophone at school, and I like having a few novelty moments during my sets to keep the energy up, and who doesn’t love hearing sax at the club?
Memphis LK is known for your collaborative nature, as you have collaborated on dozens of songs over the past few years. Have there been any standout collabs that you’d love to repeat?
I really enjoyed them all, especially collaborating with friends, because you can just get straight into it. But honestly, right now I’m really loving making music alone!
Blending your original music and remixes of club classics and pop culture moments, your sets are always sing-along dance parties. Are there any songs (besides your original tracks) that have been staples in your sets recently?
I love including at least one epic, undeniable banger from the 2000-2010s, like Cascada, Avicii or Calvin Harris.
As well as your killer original music, you’re known for your comedy and remixes on TikTok, including your take on the 2024 viral ‘Man in Finance’. What inspired your move into the comedy remix space and how do you find it blends into your own music?
Nothing really inspired it, I just saw other people’s remixes and thought I could do it better! The comedy/skit stuff has just been another outlet that still feels creative and [allows me to] express myself in a different way that isn’t through my music. It’s nice to remember not to take yourself too seriously.
You made the move from Melbourne to London in 2023. How have you found your music has evolved since entering the UK club scene?
So many of my influences are UK producers, so being [a] part of the scene I’ve always admired has been really cool. I think I’m definitely taking more of a minimal approach to my music lately but also [have been] being a lot more experimental with my voice and vocal production.
How do you find playing back home in Australia to Aus audiences compares to UK audiences?
Honestly not super different, they both know how to have a good time! It was so fun coming back to Australia for my tour last year because I hadn’t been back in ages, and the support and energy from the crowds was insane. Definitely something I’ll never forget.
Illuminate Adelaide is bringing Memphis LK over to South Australia to jump on their Supersonic festival. What should we expect from your set?
It’s a live set so I’ll be playing mostly original music with live vocals and sax, and probably testing out some of my new unreleased tracks.
If you could sum up your live shows in three words, what would they be?
Addictive, Ethereal, Party.
Since 2021, you have released an EP almost every year, with 2023 being graced with two. Is there an EP cooking up to be released later this year?
Yeah, the cooking is almost complete and I’m about to go on a music releasing rampage.
Memphis LK plays at Illuminate Adelaide’s Supersonic Festival on July 19. Tickets on sale via illuminateadelaide.com.
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK discusses her new single ‘Cherry N Coke’, what to expect from her live show and how it feels to be back home.
Gaining viral fame with their hilarious single ‘Keith’, which stars Barry Hall in the music video, Playlunch are gearing up for the release of their sophomore album 'Sex Ed' and a five-date Australian tour. In the lead-up to these events, The Note chatted with the seven-piece about their new record, what Barry Hall is really like and who their all-time favourite AFL players are.
Ahead of the release of Cousin Tony’s Brand New Firebird’s fourth long player, Rosewater Crocodile, bandleader Lachlan Rose spoke to The Note about recording the album in an old chapel, the impact of David Lynch and the biggest lesson he’s learned since being in the band.
Back with their signature psychedelic rock and modern jazz sound, Birds are Spies open up about their new apocalyptic track ‘THWONK’ and debuting the single at the Ed Castle launch show. Here’s what to expect…
Releasing killer alt-punk singles and sending off the Cranker in style is Jon Ann’s prerogative. Here, the four-piece talk us through their new track ‘Kings Cup’ and what to expect at their launch.
UK artist David Gray returned this year with his 13th studio album, Dear Life. Ahead of his upcoming Australian tour, Gray opened up to The Note about performing live, singing with his daughter and how the current world is shaping his songwriting.
On their third LP Test of the Iron Mind, hardcore veterans Iron Mind get reflective. Frontman and lyricist Sam Octigan chats to The Note about fatherhood and changing perspectives.
For her final issue with The Note, beloved editor Zara Richards got chatting about her favourite songs, albums and musical highlights.
Spinning club beats from around the world, NELYA is at Ancient World for new Illuminate Adelaide mini-fest Supersonic – a roving exploration platforming Australia’s most diverse and talented techno sounds.
The Note speaks with Bronte Ellard – founder of Music and Gigs Connect Mount Gambier – about grassroots change in Berrin’s music scene via the W.I.R.E showcase celebrating female and gender non-conforming artists.
On their fourth LP, To All The Ones That I Love, Press Club confront chaos with blistering punk and DIY grit. Drummer Frank Lees keeps it real on staying independent and playing the Cranker's last gig.
Ahead of their upcoming anniversary tour celebrating 20 years since the release of their barnstorming self-titled debut record, End of Fashion takes stock of the evolution of the music industry through their eyes and the importance of not overcooking your melodies.
A quarter-century after Reflector reshaped Australian alt-rock and became an anthem for the 2000s, Killing Heidi’s Ella and Jesse Hooper return to the road. Ahead of their Adelaide show, the siblings reflect on the legacy that launched a lifetime in music.
Brisbane rockers Full Flower Moon Band are back with rollicking new single ‘Scene’, a collaboration with New York’s Gustaf. In the lead-up to the release, FFMB’s Kate 'Babyshakes' Dillon opened up to The Note about the track, her songwriting process and working with mixer Tony Buchen.
After 31 Issues with The Note, editor and all-around great gal Zara Richards is moving on to new ventures. We reminisce with Zara about some of the highlights (and lowlights) after the last couple of years.
Describing themselves as the ‘nexus of silliness, groove and storytelling’, Live Slug Reaction are slithering into our ears – and onto the Jive stage – with some of SA’s funkiest jazz sounds.
Yorta Yorta and Wurundjeri music icon Briggs unleashes Big Noter – a hardcore project pulsing with raw energy and full-circle freedom. Ahead of its Future Sounds debut, he reflects on impact, intent and never muting his message.
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Two decades after their era-defining debut, Wolfmother are still turning it up to eleven. Frontman Andrew Stockdale looks back on the record that changed everything and teases a thunderous set at Adelaide Beer & BBQ Fest.
Event wunderkind Sharni Honor spills about the music, magic and community intertwined in her latest project, two-dayer Porch & Recreation.
Fuelled by a love of garage rock and DIY gigs, Mount Gambier’s Stokes hit the road for their first tour with their hometown pride in tow.
As The VANNS gear up for the release of more new music in 2025, we chatted with guitarist Cameron Little about their latest track, touring the States and his favourite rock anthems.
Surprise Chef returns to SA this month for the inaugural Porch & Recreation festival. Here, the cinematic soul journeyman chew the fat on spontaneity, their Superb LP and getting sampled by Wu-Tang’s Ghostface.
Bromham’s zest for life, love and community is infectious – the perfect act to help Adelaide celebrate 22 years of independent live music institution, The Wheatsheaf Hotel, this May 25.
Ahead of his headline ‘Legends’ spot at the final Adelaide Beer & BBQ Fest, The Note caught up with Tim Finn, who reminisced about his solo debut ablum, making music in the ‘90s and the possibility of a Split Enz reunion.
Having just released his hotly anticipated sophomore album, The Other Side, Tyne-James Organ chatted with The Note about the making of the album, mental health struggles and his friendship with rapper Allday.
he Note was lucky enough to catch up with Little Birdy’s charismatic frontwoman Katie Steele to discuss the memories of BigBIgLove, Australian festivals, the band’s astonishing career trajectory, and so much more.
Growth, vulnerability and confusion coalesce in Spacey Jane’s third studio album, If That Makes Sense. Frontman Caleb Harper opens up about the self-reckoning, compassion, and connection behind their most ambitious record yet
Embarking on a national tour to celebrate the tenth anniversary of their seminal EP, Black Label, Ocean Grove vocalist Dale Tanner chats with The Note about the band’s early days, Sam Bassal’s impact and what to expect from their upcoming tour.
The Note chats with UnderOath’s charismatic frontman Spencer Chamberlain after the quintet’s whirlwind Australian tour about their latest full-length, its life-altering lyrical inspirations, and so much more.