Granite Island Discs: Tyler Jenke
Tyler Jenke, former Rolling Stone editor and author of 33 1/3’s TISM's Machiavelli and the Four Seasons, chats about favourite songs, album and music moments.
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What five songs would you take to the island?
1. Something For Kate – ‘Pinstripe’
2. The Bronx – ‘Shitty Future’
3. Archers Of Loaf – ‘Web In Front’
4. The Methadones – ‘Suddenly Cool’
5. R.E.M. – ‘The Great Beyond’
It pains me not to include anything by The Mountain Goats or Godspeed You! Black Emperor, but maybe those are best suited for another desert island while I lament how I ended up on a second desert island…
If you could only pick one, what would it be?
‘Pinstripe’ – Something For Kate. If you ever see Something For Kate or Paul Dempsey live, fans will always request this one, and with good reason. It’s the greatest Aussie song ever written, in my opinion. Track down the acoustic one for extra effect.
What’s your favourite album?
Art Guards – Fishboy. I saw Fishboy perform this album in Oklahoma City in 2017 and I was hooked. It’s not for everyone, but it’s a lyrical masterpiece with intricate, interconnecting songs, with themes of triumph, heartbreak, and everything in between.
What’s your favourite song by a South Australian band or artist?
‘Rock ‘N’ Roll Is Where I Hide’ – Dave Graney ’N’ The Coral Snakes. I could praise Bad//Dreems, Flat Stanley, The Mark Of Cain, and others, but I can’t go past Mount Gambier’s own Dave Graney. A prolific heavyweight of Aussie music, he can’t make a bad song, and this one is a sonic journey that you need to take.
Favourite music-related memory?
Finally seeing TISM in 2022. I’ve been a diehard fan for two decades, and – like all of us fans – never thought a live comeback would be on the cards. But catching two secret shows last year, and going around the country for their Good Things festival appearances with fellow diehards I’ve known for the majority of my life was a pretty special experience.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.