Granite Island Discs: Zara Richards
For her final issue with The Note, beloved editor Zara Richards got chatting about her favourite songs, albums and musical highlights.
Image supplied
What five songs would you take to a desert island?
1. Iggy Pop – ‘The Passenger’
2. Bob Sinclar – ‘Love Generation’
3. Glass Animals – ‘Youth’
4. Gala – ‘Freed From Desire’
5. The Jezabels – ‘Easy to Love’
I’m a tragically nostalgic person – always have been, always will be. And cast away with nothing but my own memories to keep me company, I’d want touchpoints that take me back to that time, that place, that person with ease. Cringe, I know. These aren’t my all-time, bury-me-with-them songs, with the exception of ‘Easy To Love’. They’re simply another portal to somewhere that’s not a giant rock floating in the middle of the sea.
If you could only pick one, what would it be?
‘Easy to Love’ by The Jezabels. It’s stayed with me since Year 9 (lol) and still, somehow, makes me feel very alive.
What’s your favourite album?
Albums are tricky. I tend to listen to them only when I write now. Lately, Maribou State’s Hallucinating Love, The Avalanches’ Since I Left You and Loyle Carner’s Not Waving, But Drowning have been on repeat. The first record I ever fell in love with – truly, deeply – is Paramore’s self-titled LP (I was 15); Florence + the Machine’s High as Hope, Mark Ronson’s Late Night Feelings and The Belair Lip Bombs’ Lush Life are regular repeaters when I’m feeling existential. None of that answers the questions, though. Gun to head? Probably Tyler, The Creator’s Igor. Blew my mind then, still has me hooked now.
What’s your favourite song by an SA artist or band?
A terrible question for someone who writes about the local scene for a living. It has to be Coldwave’s ‘The Ant’. There’s just something about it that took my breath away from the first guitar chord – it’s hard to put into words. It splinters my perception of time in the best way. Coldwave are distinctive, unafraid and real. Seeing this band grow over the last three years has been bliss.
Favourite music-related memory?
They’re all so hazy, but I know they’re well-loved. Vintage Vibes and Harvest Rock in 2023 was when the reality of my job actually sunk in – the adrenaline and excitement of interviewing artists backstage honestly has never dimmed, and the access we had at those festivals was mind-boggling. On a personal front, I have the most beautiful friendship group that started in 2019 at Beyond The Valley during a 45-degree heatwave, which sounds nuts, but it was a life-altering weekend that brought me these people I’ll have in my life forever. Being with them (dressed as fairies, no less) at Strawberry Fields last year, with Swim and Sam Alfred playing b2b sets, was pure joy. But the one I’ll hold the closest to my heart forever is seeing Fleetwood Mac in 2019 with my mum. It’s the band we always listen to together and it’s defined our entire relationship. We cried the whole time. Otherworldly. Stevie Nicks is God.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.