George Alice on playing Flinders Open DayS & new music

Homegrown star George Alice is playing Flinders Open Days in a free, open-air concert to celebrate the new City Campus on August 11.
The award-winning songstress has made waves in the music world ever since taking out the title of Triple J Unearthed High champion with the release of her runaway single ‘Circles’. She’s since gone on to dominate the industry with her alt-pop sensibilities, attracting a fan base that includes Sir Elton John. Here’s what George has to say about her exclusive, upcoming set at Flinders Open Days…
You’re playing Flinders Open Days this week – what should people expect from your set?
I think this set feels like a collection of all my music – the newer, the older and a little unreleased. I’m not [someone who] dives around on the stage, but I feel like the songs I play and the way we perform a lot.
How would you describe your Flinders Open Days set?
Fun and playful yet gentle!
What sets a hometown show apart from interstate gigs?
If anything, I just get more nervous! Adelaide is small, and chances are a lot of people I know are watching – I get shy!
What’s one song in your set that really gets the crowd going?
‘Circles’ – probably because it was the song that started things for me, especially in Adelaide. It really felt like the whole community here was so happy for me that they really got behind that song, no matter what, just to show support.
We had our first taste of new music from you last year with ‘Healed’. We’re hoping it’s a sign of more to come – what’s in the works for you musically right now?
I’ve been taking time to perfect what it is I exactly want to do and sound like. I think the end of that is near – I hope to share with you very soon!
‘Healed’ also ushered in a fresh sound, with more of a drum and bass direction on the track. Where did this influence come from? Can we expect to hear more of this in your new music?
‘Healed’ was originally a very synth-driven pop song, and in my head, I just heard a drum and bass reference. PinkPantheress was huge in my listening rotation at the time, and it seemed to work out. I think there’s definitely a bunch of fresh flavours in the newer stuff.
We love that you’ve remained Adelaide-based. Why do you think this is the city for you to make music?
I’ve always loved Adelaide! I think the creative industry we have here is completely underrated and overshadowed by other cities. For me, I find it more inspiring to be surrounded by the people on the ground here trying to make things happen. Plus, my family and friends are here!

What you need to know about the new Flinders Uni campus
Flinders Uni opened the doors to its eight-level city campus in February this year, marking an exciting new chapter in the tertiary institution’s storied history. Now, students can start to carve out the beginning of their career with the more than 100 undergraduate, postgraduate and honours programs on offer at the CBD location. Based in the heart of the city, the state-of-the-art, student-centred building aims to be a beacon for collaboration and world-class education.
Head to Flinders Open Days on August 11 to learn more about the study options available at the new City Campus. Find out more here
Honest, humorous and hard-hitting songwriting manifests in a new form through SA’s resident punks, LOLA. Crafted over their European and Australian tour, LOLA spill the details about their new EP Prawn Star and how they’re celebrating its release.
Talking to The Note over Zoom, the American-Australian singer-songwriter is bubbly, amicably conversational, lit by a halo of sunny curls, and never once lets go of his guitar. The image is fitting, given that he is headlining this year’s Adelaide Guitar Festival, playing at Her Majesty’s Theatre and joined by the ARIA-nominated, award-winning Emma Donovan.
Ahead of this weekend’s Top of the Class showcase at The LAB at ILA this Thursday 11 September, we spoke with the headliners and finalists about what to expect from the gig.
Ahead of the imminent release of their tragedy-rife EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.
Artist manager Rachel Whitford of 27 Music fills us in on her favourite songs and why she loves Blink-182’s Enema of the State.
American group The Used, whose sound is heavily embedded in the DNA of 2000s alternative rock, has been revisiting their first three records – in full – in a venture that has redefined the band’s vision for creating music, all the while giving fans the opportunity to immerse themselves in a catalogue that has maintained its quality substance, this far in.
Enigmatic groove master Touch Sensitive has returned with his long-awaited sophomore album, In Paradise. Ahead of the record’s release, the man behind Touch Sensitive (Michael Di Francesco) opened up to The Note about collaborating with other artists, the impact of becoming a father and coming full circle as an artist.
Dropping their final single ‘Phoebe’ before the release of their sophomore EP, TV Therapy have opened up and gotten personal. Before their launch at Jive – they give us the low down on why we should all rock up.
After a six-year release hiatus, Hilltop Hoods have come storming back with their powerful new album, Fall From The Light. The Adelaide trio sound sharper than ever, and co-frontman Suffa isn’t holding back – diving into the album’s evolution, how friendship is the backbone of the project, and their upcoming tour across Europe, the UK and Australia.
Emerging Adelaide five-piece Broken Waves have just released their first single of 2025, ‘The Chase’. Answering some questions over email about the release, the band opened up on their current influences, what the rest of the year has in store for the band and their five favourite local underground acts.
With the recent release of her sophomore EP Cry About It and two smash hit singles ‘Clothes Off’ and ‘The Hit’, Adelaide’s pop starlet aleksiah is making major waves across the world. Ahead of her Adelaide show, aleksiah reflects on the project’s release, tour life, her music making process and what’s already brewing for EP three
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.
Ahead of their appearances at BIGSOUND 2025, local acts Purée and The Tullamarines interviewed each other for The Note, chatting about who they want to see at BIGSOUND, the best show they ever played and how many naps they expect to take over the four days.
This year’s BIGSOUND features a stack of South Aussie talent, including fierce singer-songwriter George Alice. Corresponding with The Note over email, Alice discussed her early years as an artist growing up in the country, her new single ‘SOS’ and what it was like to play the Cranker for the first time earlier this year.
Ahead of their Oz tour in support of their most recent long player, 'Fairyland Codex', Tropical Fuck Storm’s Gareth Liddiard spoke with The Note about the new album, the current state of the world and the influence jazz had on him.
Spanish multi-instrumentalist and singer-songwriter Lau Noah has taken the world by storm since the release of her 2024 debut album, A Dos. Ahead of her appearance at Adelaide Guitar Festival 2025, Noah spoke with The Note about living in a music commune in Spain, moving to New York and performing for NPR’s Tiny Desk Concert series.
The new print editor of The Note, Millah Hansberry, opens up about her favourite songs, albums and musical highlights.
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music