George Alice on playing Flinders Open DayS & new music
Homegrown star George Alice is playing Flinders Open Days in a free, open-air concert to celebrate the new City Campus on August 11.
The award-winning songstress has made waves in the music world ever since taking out the title of Triple J Unearthed High champion with the release of her runaway single ‘Circles’. She’s since gone on to dominate the industry with her alt-pop sensibilities, attracting a fan base that includes Sir Elton John. Here’s what George has to say about her exclusive, upcoming set at Flinders Open Days…
You’re playing Flinders Open Days this week – what should people expect from your set?
I think this set feels like a collection of all my music – the newer, the older and a little unreleased. I’m not [someone who] dives around on the stage, but I feel like the songs I play and the way we perform a lot.
How would you describe your Flinders Open Days set?
Fun and playful yet gentle!
What sets a hometown show apart from interstate gigs?
If anything, I just get more nervous! Adelaide is small, and chances are a lot of people I know are watching – I get shy!
What’s one song in your set that really gets the crowd going?
‘Circles’ – probably because it was the song that started things for me, especially in Adelaide. It really felt like the whole community here was so happy for me that they really got behind that song, no matter what, just to show support.
We had our first taste of new music from you last year with ‘Healed’. We’re hoping it’s a sign of more to come – what’s in the works for you musically right now?
I’ve been taking time to perfect what it is I exactly want to do and sound like. I think the end of that is near – I hope to share with you very soon!
‘Healed’ also ushered in a fresh sound, with more of a drum and bass direction on the track. Where did this influence come from? Can we expect to hear more of this in your new music?
‘Healed’ was originally a very synth-driven pop song, and in my head, I just heard a drum and bass reference. PinkPantheress was huge in my listening rotation at the time, and it seemed to work out. I think there’s definitely a bunch of fresh flavours in the newer stuff.
We love that you’ve remained Adelaide-based. Why do you think this is the city for you to make music?
I’ve always loved Adelaide! I think the creative industry we have here is completely underrated and overshadowed by other cities. For me, I find it more inspiring to be surrounded by the people on the ground here trying to make things happen. Plus, my family and friends are here!
What you need to know about the new Flinders Uni campus
Flinders Uni opened the doors to its eight-level city campus in February this year, marking an exciting new chapter in the tertiary institution’s storied history. Now, students can start to carve out the beginning of their career with the more than 100 undergraduate, postgraduate and honours programs on offer at the CBD location. Based in the heart of the city, the state-of-the-art, student-centred building aims to be a beacon for collaboration and world-class education.
Head to Flinders Open Days on August 11 to learn more about the study options available at the new City Campus. Find out more here
November marks the defining moment in the career of Sydney pop punk underdogs SoSo. The quartet are dropping their much-anticipated debut album, So Much For Second Chances. Ahead of the release, frontman Rhys de Burgh spoke to The Note about the creation of the record, the grind of being a working musician and collaborating with acclaimed producer Stevie Knight.
Rocking broken hearts, scraped knees and bloody teeth through their new single ‘My Heart’s Dead!’, Adelaide’s pop punkers Teenage Joans catch up with The Note to chat new music, DIY-ing it, insane support slots and Harvest Rock.
Genre chameleons Cry Club are hitting the road this November in support of their latest single, ‘This, Forever’. Ahead of their Adelaide visit, vocalist Heather Riley and guitarist Jonathon Took answered some questions for The Note about their latest release, the visual side to their music and supporting The Darkness.
The artist behind ‘Paper Planes’ talks digital takeover, Julian Assange and finding joy through music.
The folk-rock veteran talks about the severity of Australia’s housing crisis, performing with the legendary Midnight Oil and the joy of being reborn through music.
The ARIA Award-winning country singer dishes on touring with Paul Kelly, growing up in isolation and life on the road.
Ahead of their anticipated return to Australian shores, The Note caught up with The War on Drugs frontman Adam Granduciel to talk reinventing records live, new music, Leonardo da Vinci and Harvest Rock.
We’re calling it now. The Tullamarines are going to be the next biggest export out of SA, armed with anxious pop tunes and safety blankets. Swinging by, they chat about their sophomore EP and tour
Michigan’s post hardcore luminaries La Dispute have just unleashed their cinematic fifth studio album, No One Was Driving The Car. Vocalist and lyricist Jordan Dreyer connected with The Note to discuss the new full-length, imaginative storytelling, the generational diversity of the band’s devotees, film and so much more.
It’s never been a better time to be a fan of Parkway Drive. The Byron Bay metal titans have been non-stop since their 20th anniversary in 2024 brought them to Australian arenas in a powerful way.
bbno$ talks creativity, viral success, and staying authentic in our exclusive interview with the internet’s favourite rap innovator.
Chatting with The Note ahead of the release of his second album DJANDJAY, Baker Boy opens up about the beginning of his music career, the making of the album and the impact the result of the 2023 Australian Indigenous Voice referendum had on him.
Touring the country in celebration of The Soft 'n' Sexy Sound, SA icon Dave Graney spoke with The Note about the making of the album, his upcoming tour and winning an ARIA Award.
Amidst the release of their debut album, the rising indie-rockers talk brotherhood, toxic masculinity and what “indie rock” really means.
The Note’s head honcho goes into detail about his five favourite records, why Lou Reed’s Transformer is the perfect album and his experience seeing The Darkness as a young whippersnapper.
The Ghost Inside’s bassist Jim Riley talks with The Note about the band’s creative direction, the grind of life on the road and the emotional weight behind their latest record, Searching for Solace.
Semaphore Music Festival founder Deb Thorsen unpacks the festival’s 21st event, its deep community connection and why we should all rock up to celebrate the festival’s coming of age.
Holly ‘Cookie’ Baker sits down with The Note to talk all things ‘The Winter’, touring Australia and New Zealand and what the rest of 2025 has in store for the talented artist.
Michigan’s post hardcore luminaries La Dispute have just unleashed their cinematic fifth studio album, No One Was Driving The Car. Vocalist and lyricist Jordan Dreyer connected with The Note to discuss the new full-length, imaginative storytelling, the generational diversity of the band’s devotees, film and so much more.
Seven years since their last visit, punk meets rap icons Zebrahead are finally returning to Australia this October. Ahead of their tour, vocalist Ali Tabatabaee spoke with The Note about growing up in the Cali punk scene, the band’s writing process and the joys of playing live.
A decade and a half of delighting audiences, six studio albums and countless tours across the globe; Donny Benét is Australia’s favourite 80s-Italo-synth-pop-funk-disco-dance character. Benét’s Live 25 tour across Europe, the UK and Australia marks his highly anticipated return to Adelaide, gifting local audiences the dance party of the century.
Ahead of the imminent release of their new EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.