In the Green Room: Tonix
‘I Was Asleep’ is just a taste of Tonix’s euphoric, expansive and genre-defying sound. Here, the three-piece give us a vibe check on their launch gig for the fresh single.
Image by Samuel Graves
Congrats on ‘I Was Asleep’. Tell us more about the song.
It’s one of many new songs written this year! It began with a chord profession and simple synth bass. We wanted the song to be about youth naivety and how a harsh breakup can age you. That’s what we tried to get across in the lyrics. It is a fast-paced song too, which invites a sing-along and comes from us being in love with festivals.
What interested you in The Lab for your single launch?
It’s an interesting one. One of our favourite shows we’ve played was Scouted, which was there last year. So we link The Lab with good times. We’ve also played a lot of venues around Adelaide, so we wanted to change it up. Obviously, having 50-square-metre LED screens will make it quite an immersive experience. We’re working with Vipop Coombs [for visuals]. He’s a legend. It’ll be more of an artistic curated set where people not only participate, sing and dance but there’s also a visual element to it.
You’re breaking the interstate market with a debut Melbourne gig. How does that feel?
Honestly, it’s a big experiment, but we’re super excited. To play interstate and at a venue like Revolver reinforces that we’re doing some things right. Not everything goes our way and there are numbers we constantly wish were higher. But with music, the wins aren’t always quantifiable. To take our music to a different state and new ears is one way we can measure we’re on the right track. We also get to check out Melbourne music! I’m super keen to see our support act Zero City.
What’s next?
We’re always working – pretty much 24/7. If you can’t get a hold of us, it’s because we’ve got headphones in listening to Tonix music! After the tour, we’ll be in the studio doing new music. Towards October, you might hear some new singles with hopefully – eventually – a larger project early next year!
See Tonix play August 9 at The Lab, with Tushar and GUSH on support.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.