In the Green Room: Tonix
‘I Was Asleep’ is just a taste of Tonix’s euphoric, expansive and genre-defying sound. Here, the three-piece give us a vibe check on their launch gig for the fresh single.

Image by Samuel Graves
Congrats on ‘I Was Asleep’. Tell us more about the song.
It’s one of many new songs written this year! It began with a chord profession and simple synth bass. We wanted the song to be about youth naivety and how a harsh breakup can age you. That’s what we tried to get across in the lyrics. It is a fast-paced song too, which invites a sing-along and comes from us being in love with festivals.
What interested you in The Lab for your single launch?
It’s an interesting one. One of our favourite shows we’ve played was Scouted, which was there last year. So we link The Lab with good times. We’ve also played a lot of venues around Adelaide, so we wanted to change it up. Obviously, having 50-square-metre LED screens will make it quite an immersive experience. We’re working with Vipop Coombs [for visuals]. He’s a legend. It’ll be more of an artistic curated set where people not only participate, sing and dance but there’s also a visual element to it.
You’re breaking the interstate market with a debut Melbourne gig. How does that feel?
Honestly, it’s a big experiment, but we’re super excited. To play interstate and at a venue like Revolver reinforces that we’re doing some things right. Not everything goes our way and there are numbers we constantly wish were higher. But with music, the wins aren’t always quantifiable. To take our music to a different state and new ears is one way we can measure we’re on the right track. We also get to check out Melbourne music! I’m super keen to see our support act Zero City.
What’s next?
We’re always working – pretty much 24/7. If you can’t get a hold of us, it’s because we’ve got headphones in listening to Tonix music! After the tour, we’ll be in the studio doing new music. Towards October, you might hear some new singles with hopefully – eventually – a larger project early next year!
See Tonix play August 9 at The Lab, with Tushar and GUSH on support.
Honest, humorous and hard-hitting songwriting manifests in a new form through SA’s resident punks, LOLA. Crafted over their European and Australian tour, LOLA spill the details about their new EP Prawn Star and how they’re celebrating its release.
Talking to The Note over Zoom, the American-Australian singer-songwriter is bubbly, amicably conversational, lit by a halo of sunny curls, and never once lets go of his guitar. The image is fitting, given that he is headlining this year’s Adelaide Guitar Festival, playing at Her Majesty’s Theatre and joined by the ARIA-nominated, award-winning Emma Donovan.
Ahead of this weekend’s Top of the Class showcase at The LAB at ILA this Thursday 11 September, we spoke with the headliners and finalists about what to expect from the gig.
Ahead of the imminent release of their tragedy-rife EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.
Artist manager Rachel Whitford of 27 Music fills us in on her favourite songs and why she loves Blink-182’s Enema of the State.
American group The Used, whose sound is heavily embedded in the DNA of 2000s alternative rock, has been revisiting their first three records – in full – in a venture that has redefined the band’s vision for creating music, all the while giving fans the opportunity to immerse themselves in a catalogue that has maintained its quality substance, this far in.
Enigmatic groove master Touch Sensitive has returned with his long-awaited sophomore album, In Paradise. Ahead of the record’s release, the man behind Touch Sensitive (Michael Di Francesco) opened up to The Note about collaborating with other artists, the impact of becoming a father and coming full circle as an artist.
Dropping their final single ‘Phoebe’ before the release of their sophomore EP, TV Therapy have opened up and gotten personal. Before their launch at Jive – they give us the low down on why we should all rock up.
After a six-year release hiatus, Hilltop Hoods have come storming back with their powerful new album, Fall From The Light. The Adelaide trio sound sharper than ever, and co-frontman Suffa isn’t holding back – diving into the album’s evolution, how friendship is the backbone of the project, and their upcoming tour across Europe, the UK and Australia.
Emerging Adelaide five-piece Broken Waves have just released their first single of 2025, ‘The Chase’. Answering some questions over email about the release, the band opened up on their current influences, what the rest of the year has in store for the band and their five favourite local underground acts.
With the recent release of her sophomore EP Cry About It and two smash hit singles ‘Clothes Off’ and ‘The Hit’, Adelaide’s pop starlet aleksiah is making major waves across the world. Ahead of her Adelaide show, aleksiah reflects on the project’s release, tour life, her music making process and what’s already brewing for EP three
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.
Ahead of their appearances at BIGSOUND 2025, local acts Purée and The Tullamarines interviewed each other for The Note, chatting about who they want to see at BIGSOUND, the best show they ever played and how many naps they expect to take over the four days.
This year’s BIGSOUND features a stack of South Aussie talent, including fierce singer-songwriter George Alice. Corresponding with The Note over email, Alice discussed her early years as an artist growing up in the country, her new single ‘SOS’ and what it was like to play the Cranker for the first time earlier this year.
Ahead of their Oz tour in support of their most recent long player, 'Fairyland Codex', Tropical Fuck Storm’s Gareth Liddiard spoke with The Note about the new album, the current state of the world and the influence jazz had on him.