The Vains
Patriarchy smashing punk rockers, The Vains, push the boundaries with fast-paced tracks that pack a punch. Ahead of their appearance at Notestock, vocalist Rhia Dickson chats about their riot grrrl influence and writing feminist anthems.
The Vains are a ‘femme patriarchy smashing rock band’. Ahead of your set at Notestock, can you tell us more about that?
We’re so excited to be playing Notestock! For anyone who doesn’t know us, we’re a band of four women who play punk rock, hence the ‘patriarchy smashing’. At our core, we’re a band driven by our feminine anger – four girls who want to let our energy out through music.
Your music is reminiscent of the riot grrrl era. Have female-driven punk rock bands influenced your music?
We’ve all been inspired by that era of music. For me, seeing women in the ’90s — making music from an angry and purely punk place, but also in a feminist and feminine way — changed how I imagined myself in music. Growing up, I thought I had to squash my feminine parts to pursue the ‘rock’ and ‘punk’ things I thought were cool. The riot grrrl era made me realise you could be both. Playing punk music through the lens of the female experience is always going to be exciting. Musically, we take as much inspiration from the ’90s riot grrrl era as the ’70s punk era and the Australian pub rock scene.
Tracks like ‘Pussy Power’ are powerful feminist anthems. How did these types of songs come to life?
Those songs probably grew out of our early experiences playing gigs. It’s so easy to judge and dismiss a band before they’ve even started playing. It became pretty exhausting getting praise after a show from people who were shocked we were “actually really good”. It was great to write a song like ‘Pussy Power’, which has so much feminine energy, and watch the older males in the audience squirm about it. Punk rock has always been about pushing boundaries and making people uncomfortable. It’s music that allows people to channel their anger and frustration and release it through music, whether you’re in the band or the audience.
What’s next for The Vains?
We’re hoping to sneak some recordings in before the end of the year! We’re currently working on writing new songs and organising some interstate shows or even a tour if the stars align.
See The Vains play alongside Ricky Albeck, Druid Fluids and STELLAR at Notestock this November 4. Tickets on sale now.
Ahead of August Burns Red’s upcoming Australian tour, The Note caught up with drummer Matt Greiner to discuss Australia, their latest full-length, salsa-core and so much more.
Bush’s iconic frontman Gavin Rossdale discusses the band’s upcoming Australian tour with Shinedown, their unique setlists and why he thinks certain bands are having a resurgence.
Ahead of their support slot on The Jungle Giants’ upcoming tour, Tear Drive’s Gabe Kolakowski opened up to The Note about the band’s new EP, musical inspirations and the Brisbane music scene.
After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.
The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.
Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.
After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.
15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.
Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.
Ahead of New Found Sound festival, emerging pop duo Miss Orange Juicy talk about their latest single ‘Drip Drip (Slay!)’, being named on the bill and their ultimate festival lineup.
Adelaide alt-metalcore five-piece alt. are embarking on a new era with the release of their concept EP Nevermore. Opening up to The Note about the release, vocalist Dan Richards touched on the themes throughout the release, working with producer Callan Orr and their upcoming EP launch this June.
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.