The Angels Rick Brewster on Band’s New Album and Meeting Bowie
Rick Brewster from The Angels on the band’s new album Ninety Nine and what music he has on repeat.

Image by Gazza.B
Almost 50 years from their inception, The Angels are still one of the finest examples of pub rock ‘n’ roll in Australia. Their latest album (their first in a decade), Ninety Nine, is no different – an insight into the talent this five-piece still possesses and the skill of freshly minted frontman (and former drummer) Nick Norton. Filled with the same energy that made records like Face to Face and No Exit cult classics, Ninety Nine is packed with heart and heat, featuring tight riffs, catchy hooks and hard-hitting lyrics.
Ahead of their show at Hindley St Music Hall on July 13, founding member Rick Brewster gives us the backstory to Ninety Nine and sits down for one of The Note’s famed Granite Island Discs chats – stay tuned for Rick’s top tracks and what it was like meeting David Bowie in ’78.
Congrats on the release of Ninety Nine! Tell us more about how this record came to life.
We began writing and recording for this album 10 years ago. It was put on hold through heavy touring schedules, then COVID-19 and then lineup changes. Last year, with the upcoming 50th anniversary, we decided that nothing would get in the way of us finishing it. We wrote like mad, went into the studio with some new songs and half-baked ideas and just went for it. Nick [Norton] and Sam [Brewster] both immersed themselves in the task and suddenly, we had a whole new batch of finished songs. That final stretch gave us all we needed to complete the album.
It has been described as a 'benchmark album' – comparable to records like Face to Face and No Exit – for you, what takes this record to the next level?
Ninety Nine has all the crucial elements - the instant ‘hits’, the slow-burners, the intensity of the melodies and the intriguing lyrics. I enjoy sitting back and listening to it.
The Brewster musical thread began with John’s and my grandfather, Hooper Brewster (pianist/composer/conductor), through to our father, Arthur (cellist/conductor) to John and me and now to John's sons Sam, Tom and Harry, and my son Jode. John and I have always said there’s a strong and indefinable connection in the genes which comes through in [our] music. And the amazing Nick Norton out front is just the icing on the cake!
What's one song from the album you think will surprise listeners?
‘Heart to Heart’. It stands out from any other song on the album. It goes into a very dark place, reminiscent of ‘Dawn Is Breaking’ on the 1979 album No Exit. And the slide guitar solo, played by my Hobart friend Dave Wilson, is simply superb!
What's one song from the album you think will become an immediate Angels classic?
‘Heartbeats’ sits right in the common perception of what an Angels song is. It has all the elements - strong guitar riff, great lyrics, melody, harmonies, melodic solo … nice one, Nick!
GRANITE ISLAND DISCS
What five songs would you take to the island?
1. Pink Floyd – ‘Comfortably Numb’
2. Stevie Ray Vaughan & Double Trouble – ‘Lenny’
3. Queen – ‘Bohemian Rhapsody’
4. The Beatles – ‘Hey Jude’
5. AC/DC – ‘Down Payment Blues’
If you could only pick one, what would it be?
‘Comfortably Numb’ by Pink Floyd.
What's your favourite album?
Dark Side Of The Moon by Pink Floyd.
What's your favourite song by a South Australian band/artist?
Cold Chisel – ‘Choirgirl’
Favourite music related memory?
We toured with David Bowie in 1978. At the SCG, in the afternoon between his soundcheck and ours, he was sitting on the steps leading up to the stage. I introduced myself and he complimented me on our band. I said how much I liked his band and mentioned how great his light show was. He seemed embarrassed, looked at the ground and said, “Oh, that was my idea.”
Immediately after, I met Adrian Belew, Bowie’s guitarist. He took me to his caravan and showed me some of his guitar “tricks,” which he said he “borrowed” from Jimi Hendricks.
I met two greats in one short hour and learned an unforgettable lesson in humility and the importance of sharing knowledge.
Ninety Nine by The Angels is out now on all streaming platforms. You can listen to it on Spotify here. They’ll take to Hindley St Music Hall on July 13 – are tickets on sale now and available here!
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music
Meet the Top of the Class finalists hitting the stage at Flinders Open Day on July 27. These are some of SA’s boldest, brightest, and most original young musicians, showcasing a diverse mix of sounds from across the state. Get to know what each act is bringing, and have a ponder: who will be crowned Top of the Class?
Purée, one of Adelaide’s hottest indie rock bands right now are taking to the Top of the Class stage, ready to headline the show with infectious energy, brand new tracks and their signature unapologetic boldness.
Ahead of her performance at this year’s The Bend Classic, The Note spoke with singer-songwriter Kaylee Bell about the unstoppable rise of country music, the similarities between Christchurch and Adelaide and how The Wiggles might just be Australia’s hardest working band.
Naraam/Melbourne-based punk pop act Bakers Eddy are heading out on tour to celebrate their new EP, I'm Doing Better. Before they hit the road, frontman Ciarann Babbington fielded a few questions from The Note about his musical influences, the band’s songwriting process and his five favourite Kiwi acts.
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK discusses her new single ‘Cherry N Coke’, what to expect from her live show and how it feels to be back home.
Gaining viral fame with their hilarious single ‘Keith’, which stars Barry Hall in the music video, Playlunch are gearing up for the release of their sophomore album 'Sex Ed' and a five-date Australian tour. In the lead-up to these events, The Note chatted with the seven-piece about their new record, what Barry Hall is really like and who their all-time favourite AFL players are.
Ahead of the release of Cousin Tony’s Brand New Firebird’s fourth long player, Rosewater Crocodile, bandleader Lachlan Rose spoke to The Note about recording the album in an old chapel, the impact of David Lynch and the biggest lesson he’s learned since being in the band.
Back with their signature psychedelic rock and modern jazz sound, Birds are Spies open up about their new apocalyptic track ‘THWONK’ and debuting the single at the Ed Castle launch show. Here’s what to expect…
Releasing killer alt-punk singles and sending off the Cranker in style is Jon Ann’s prerogative. Here, the four-piece talk us through their new track ‘Kings Cup’ and what to expect at their launch.
UK artist David Gray returned this year with his 13th studio album, Dear Life. Ahead of his upcoming Australian tour, Gray opened up to The Note about performing live, singing with his daughter and how the current world is shaping his songwriting.
On their third LP Test of the Iron Mind, hardcore veterans Iron Mind get reflective. Frontman and lyricist Sam Octigan chats to The Note about fatherhood and changing perspectives.
For her final issue with The Note, beloved editor Zara Richards got chatting about her favourite songs, albums and musical highlights.
Spinning club beats from around the world, NELYA is at Ancient World for new Illuminate Adelaide mini-fest Supersonic – a roving exploration platforming Australia’s most diverse and talented techno sounds.
The Note speaks with Bronte Ellard – founder of Music and Gigs Connect Mount Gambier – about grassroots change in Berrin’s music scene via the W.I.R.E showcase celebrating female and gender non-conforming artists.
On their fourth LP, To All The Ones That I Love, Press Club confront chaos with blistering punk and DIY grit. Drummer Frank Lees keeps it real on staying independent and playing the Cranker's last gig.
Ahead of their upcoming anniversary tour celebrating 20 years since the release of their barnstorming self-titled debut record, End of Fashion takes stock of the evolution of the music industry through their eyes and the importance of not overcooking your melodies.
A quarter-century after Reflector reshaped Australian alt-rock and became an anthem for the 2000s, Killing Heidi’s Ella and Jesse Hooper return to the road. Ahead of their Adelaide show, the siblings reflect on the legacy that launched a lifetime in music.
Brisbane rockers Full Flower Moon Band are back with rollicking new single ‘Scene’, a collaboration with New York’s Gustaf. In the lead-up to the release, FFMB’s Kate 'Babyshakes' Dillon opened up to The Note about the track, her songwriting process and working with mixer Tony Buchen.
After 31 Issues with The Note, editor and all-around great gal Zara Richards is moving on to new ventures. We reminisce with Zara about some of the highlights (and lowlights) after the last couple of years.
Describing themselves as the ‘nexus of silliness, groove and storytelling’, Live Slug Reaction are slithering into our ears – and onto the Jive stage – with some of SA’s funkiest jazz sounds.
Yorta Yorta and Wurundjeri music icon Briggs unleashes Big Noter – a hardcore project pulsing with raw energy and full-circle freedom. Ahead of its Future Sounds debut, he reflects on impact, intent and never muting his message.
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Two decades after their era-defining debut, Wolfmother are still turning it up to eleven. Frontman Andrew Stockdale looks back on the record that changed everything and teases a thunderous set at Adelaide Beer & BBQ Fest.
Event wunderkind Sharni Honor spills about the music, magic and community intertwined in her latest project, two-dayer Porch & Recreation.
Fuelled by a love of garage rock and DIY gigs, Mount Gambier’s Stokes hit the road for their first tour with their hometown pride in tow.