The Angels Rick Brewster on Band’s New Album and Meeting Bowie
Rick Brewster from The Angels on the band’s new album Ninety Nine and what music he has on repeat.
Image by Gazza.B
Almost 50 years from their inception, The Angels are still one of the finest examples of pub rock ‘n’ roll in Australia. Their latest album (their first in a decade), Ninety Nine, is no different – an insight into the talent this five-piece still possesses and the skill of freshly minted frontman (and former drummer) Nick Norton. Filled with the same energy that made records like Face to Face and No Exit cult classics, Ninety Nine is packed with heart and heat, featuring tight riffs, catchy hooks and hard-hitting lyrics.
Ahead of their show at Hindley St Music Hall on July 13, founding member Rick Brewster gives us the backstory to Ninety Nine and sits down for one of The Note’s famed Granite Island Discs chats – stay tuned for Rick’s top tracks and what it was like meeting David Bowie in ’78.
Congrats on the release of Ninety Nine! Tell us more about how this record came to life.
We began writing and recording for this album 10 years ago. It was put on hold through heavy touring schedules, then COVID-19 and then lineup changes. Last year, with the upcoming 50th anniversary, we decided that nothing would get in the way of us finishing it. We wrote like mad, went into the studio with some new songs and half-baked ideas and just went for it. Nick [Norton] and Sam [Brewster] both immersed themselves in the task and suddenly, we had a whole new batch of finished songs. That final stretch gave us all we needed to complete the album.
It has been described as a 'benchmark album' – comparable to records like Face to Face and No Exit – for you, what takes this record to the next level?
Ninety Nine has all the crucial elements - the instant ‘hits’, the slow-burners, the intensity of the melodies and the intriguing lyrics. I enjoy sitting back and listening to it.
The Brewster musical thread began with John’s and my grandfather, Hooper Brewster (pianist/composer/conductor), through to our father, Arthur (cellist/conductor) to John and me and now to John's sons Sam, Tom and Harry, and my son Jode. John and I have always said there’s a strong and indefinable connection in the genes which comes through in [our] music. And the amazing Nick Norton out front is just the icing on the cake!
What's one song from the album you think will surprise listeners?
‘Heart to Heart’. It stands out from any other song on the album. It goes into a very dark place, reminiscent of ‘Dawn Is Breaking’ on the 1979 album No Exit. And the slide guitar solo, played by my Hobart friend Dave Wilson, is simply superb!
What's one song from the album you think will become an immediate Angels classic?
‘Heartbeats’ sits right in the common perception of what an Angels song is. It has all the elements - strong guitar riff, great lyrics, melody, harmonies, melodic solo … nice one, Nick!
GRANITE ISLAND DISCS
What five songs would you take to the island?
1. Pink Floyd – ‘Comfortably Numb’
2. Stevie Ray Vaughan & Double Trouble – ‘Lenny’
3. Queen – ‘Bohemian Rhapsody’
4. The Beatles – ‘Hey Jude’
5. AC/DC – ‘Down Payment Blues’
If you could only pick one, what would it be?
‘Comfortably Numb’ by Pink Floyd.
What's your favourite album?
Dark Side Of The Moon by Pink Floyd.
What's your favourite song by a South Australian band/artist?
Cold Chisel – ‘Choirgirl’
Favourite music related memory?
We toured with David Bowie in 1978. At the SCG, in the afternoon between his soundcheck and ours, he was sitting on the steps leading up to the stage. I introduced myself and he complimented me on our band. I said how much I liked his band and mentioned how great his light show was. He seemed embarrassed, looked at the ground and said, “Oh, that was my idea.”
Immediately after, I met Adrian Belew, Bowie’s guitarist. He took me to his caravan and showed me some of his guitar “tricks,” which he said he “borrowed” from Jimi Hendricks.
I met two greats in one short hour and learned an unforgettable lesson in humility and the importance of sharing knowledge.
Ninety Nine by The Angels is out now on all streaming platforms. You can listen to it on Spotify here. They’ll take to Hindley St Music Hall on July 13 – are tickets on sale now and available here!
Hellions vocalist Dre Faivre chatted to The Note about the band’s reunion, the memories, the downtime and their acclaimed album, Opera Oblivia.
A.B. Original and Funkoars member Trials opens up about his debut solo album, performing with Hilltop Hoods and his writing process.
Ahead of their upcoming tour of Australia alongside Of Mice & Men, Crystal Lake guitarist Yudai “YD” Miyamoto opened up about recruiting vocalist PK, touring Australia and his favourite guitar to play.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
sace6, the duo of Sace and Noah Thomas, are touring the country supporting nothing, nowhere. Taking some time out from their busy schedule, the alt-rock act opened up about the influences behind their upcoming album brutalist, their songwriting process and several facts about their new record you probably didn’t know.
Bowling for Soup vocalist and guitarist Jaret Reddick and English punk troubadour Frank Turner sat down together and chatted about their favourite song to play live of their own, along with their favourite live track of each other’s, ahead of their joint Australian tour.
We caught up with Lime Cordiale guitarist Oli Leimbach to chat about Lime Green fest and why Adelaide was the perfect place to host it.
Self-proclaimed flair-pant party rock act The Sundials are at no risk of slowing down. Dropping their new single ‘Bareback Riding’ off the back of playing huge Tassie festival Good Gumnuts, the band chat to The Note about it all.
Telenova vocalist and songwriter Angeline Armstrong spoke to The Note about the band’s metamorphosis, living in “parallel worlds” and her favourite lyric from their new record THE WARNING.
Karnivool’s Drew Goddard discusses the 13-year journey to their fourth album In Verses, their just announced biggest Australian headline shows ever and an unexpected collaboration with Coldplay.
Ahead of their two performances with the Adelaide Symphony Orchestra at Festival Theatre this weekend, The Whitlams frontman Tim Freedman answered some quickfire questions about performing with an orchestra, choosing the setlist and his memories of playing Adelaide.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.