In the Green Room: Housing Bloom
Housing Boom is an electronic dance wonderland where punters lose themselves in the heavy beat of underground music. Organiser Dave Kameniar tells us what to expect at the Port Adelaide party.

Image by Jack Fenby
Housing Boom is back! What can we expect from the new location?
We’re taking over Hart’s Mill, transforming it into an electronic dance party while also nodding to the maritime history of the area through visual elements. I’m really looking forward to the venue – seeing how it’ll come together, transporting people away from the city, but keeping the familiarity of a Housing Boom event where you’re still part of that community.
What’s the Housing Boom experience like?
We create a safe, inclusive environment – a place where you can let go because you’re hearing good music while surrounded by good people. We want a space where you know there’s not going to be any worries. We’ve got a diverse audience – it’s anyone who’s into underground music, dancing and having a good time. It’s got a real family, community feeling to it.
How’d you go about building that inclusive community?
I think it’s how we approach the events. You know what you’re in for when going to Housing Boom. It’s always going to have a certain atmosphere because we’ve grown organically by having roots in club culture. We’re a club night at heart – which is all about community.
Who are you looking forward to seeing the most?
I’ve not seen Sally C or Juicy Romance before, so I’m excited to catch those [in January]. Also, the local acts, particularly Claude + Burdon and Will Fall. It’ll be nice to see what they bring to the table. We’ve had X Club play before, so it’ll be good to have them back, too.
January 21 | Hart’s Mill Port Adelaide
Ahead of the release of the band’s documentary The Ending Goes Forever, The Note chatted with frontman Tim Steward about Screamfeeder’s beginnings, the band’s failed American experience and why now is the right time to tell their story.
Mid-coast hardcore outfit FREEGOLF are ready to unleash at Adelaide Beer & BBQ Fest’s 10th birthday, but not before chatting about their origin story and next steps…
The Note speaks with The Chats’ frontman Eamon Sandwith about the pressure of releasing their debut album, decoding Aussie slang with Iggy Pop and working with ‘Democracy Manifest’ mastermind, Cecil George Edwards.
SONS OF ZÖKU member and The Note’s Account Manager Oscar Ellery gives us the lowdown on his favourite songs, album and music-related moment.
Mount Gambier’s Sexy as Shit join the Coast to Coast tour, which visits Adelaide, Melbourne and the pair’s hometown with Molly Rocket and Dole Manchild. Here, the band shares how these shows reinvigorate local scenes…
You Am I drummer Russell 'Rusty' Hopkinson speaks with The Note about recording the LP alongside Sonic Youth’s Lee Ranaldo in New York and what to expect from their upcoming tour
Ahead of Velvet Bloom’s Adelaide appearance in July, we caught up with vocalist Maddy Herbert and chatted about the making of the album, signing with Yama-Nui Records and the band’s approach to songwriting.
Original music starts and ends at Australia’s grassroots music venues. And now, there’s a new national initiative fighting to keep them alive: the Australian Music Venue Foundation.
In the lead-up to Yächtley Crëw’s Aussie tour, we chatted with vocalist Philly Ocean about the tour and the rise of yacht rock, along with his five favourite yacht rock songs fans can expect to hear as part of their Aussie tour set.
Returning with grunge-adjacent track ‘Big Think’, Oscar the Wild remind us why getting eight hours of sleep can lead to moments of brilliance, new directions and great gigs.
Rising Aussie singer, songwriter and producer Holly Hebe chats with The Note about her love of Nikki Webster, being inspired by Netflix’s One Day and the importance of having a strong supporter base.
In the lead-up to the release of Chris Parkinson’s debut solo album, Children During Wartime, the local legend chatted with The Note about making the record and his favourite songs, albums and musical moments.
Old Mervs are coasting into shore in tow with their hotly anticipated self-titled album. The two-piece tell all on what it takes to build a genre-blind debut LP
Ahead of Josh Pyke’s concert alongside the ASO this April, the Sydney native waxes lyrical about his “watershed” record and wrangling an orchestra.
Heading Down Under to celebrate the 20th anniversary of his debut album, Sings Walkin' And Talkin' And Other Smash Hits!, Eli “Paperboy Reed” chatted with The Note about punk music, Motörhead and Merle Haggard.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of their album launch at The Gov this weekend, we chatted with Paul Lewis, drummer for local thrash metal trio Hidden Intent, about their new album Terrorform, performing at Froth & Fury Fest and what to expect from their album launch.
The next month will see Alexander Flood play Renew Adelaide’s Westbound festival, launch an album and play interstate. There’s no rest for this multi-hyphenate, genre-blind music sensation.
Ahead of The Presets’ exclusive DJ set at Gluttony for Adelaide Fringe, Julian Hamilton – one-half of the multi-award-winning Sydney outfit – lets loose about their craziest shows, cracking Adelaide’s music scene and what country has the best salt and vinegar chips.
Post-pub-rock act Ricky Albeck spills on hosting a Honky Tonk at the Cranker every second Tuesday, featuring a five-piece country band (with pedal steals and violins no less), guest appearances and great country tracks…
ARIA award-winning singer-songwriter Emily Wurramara is taking her record of rebirth to WOMADelaide, ready to inspire audiences with its authentic messages of self-compassion and resilience.
One of Australia’s great singer-songwriters, Peter Bibby is celebrating the 10th anniversary of his classic debut album, Butcher / Hairstylist / Beautician, with an Australian tour. Ahead of his Adelaide show at the Cranker, Bibby waxed lyrical about the record, the tour and his views on how music is consumed.
Rum Jungle Vocalist Benny McIntyre tells all on the stories and sounds that make this record your next must-listen
Performing at WOMADeliade this weekend as part of her Australian tour, Bess Atwell chats about her creative process, relationship with honesty and performing in Australia.
Ahead of their debut at WOMADelaide, Grammy-winning trio Digable Planets reflect on their seminal second album Blowout Comb – a jazz-informed, hip hop record that remains a raw and unfiltered portrait of America’s socio-political landscape 30 years later.
Get to know Gernz: a punk-fuelled, Aus-rock band born from Mount Gambier’s DIY scene. They lift the lid on why their hometown is emerging as music’s must-visit destination…
Ahead of supporting Alestorm and playing at Pirate Life Brewing’s 10th birthday, we chatted with Stabbitha and the Knifey Wifeys about the Adelaide music scene, the creative process and what 2025 holds for the band.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Emerging alt act Sunsick Daisy are an unstoppable force in Adelaide’s music scene. They take their genre-defying sound to community-driven punk fest, Nice Day To Go To The Club, this month...