Granite Island Discs: Taasha Coates
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Image supplied
What five songs would you take to a desert island?
Well, if I took my guitar, I could take ALL the songs, but I’m not going to be that obnoxious and assume you mean recorded versions. So, I’d pick ‘Wrecking Ball’ by Emmylou Harris, just for the sheer beauty of it. It’s from her 1995 album by the same name and produced by Daniel Lanois – think rich, lush guitars with Emmylou’s exquisite voice soaring over the top of it all. Then I’d take ‘The Story’ by Brandi Carlile so I could get my air guitar on; ‘Do You Love Me?’ by Nick Cave for a big dramatic sing-along; ‘Cover Me Up’ by Jason Isbell so I could have a big cry; and ‘Hard Times’ by Gillian Welch so I could have an even bigger cry (I’m stuck on an island at this point… ).
If you could only pick one, what would it be?
Ok, how about [Warumpi Band’s] ‘My Island Home’, so I could make peace with the whole desert island thing?
What’s your favourite album?
This is such a hard question, but I’ll go with my usual answer: Essence by Lucinda Williams. It’s sexy, sad, joyful, rocky, angry, folky, up, down, left, right – just ALL of the feelings. My band and I recorded an acoustic version of the first track, ‘Lonely Girls’, at a venue in Tasmania a few years back, which I think you can find on [The Audreys] Instagram page. She has a new record called Lucinda Williams Sings The Beatles from Abbey Road. However, given my recent declaration in our single ‘Beatles V Stones’ that I am firmly camp Stones, I haven’t been brave enough to listen in case it sways my allegiance and makes a liar out of me.
What’s your favourite song by an SA artist or band?
‘Winter In America’ by Doug Ashdown. It’s from 1974, but you can still hear it on country radio if you’re driving around Australia. I think it was actually quite a hit in the US at the time. Doug is from the pre-MTV phase of music (so think thick glasses and crazy hair), but this song is stunning and has beautiful, folky Harry Nilsson vibes. I discovered him via the SA Music Hall Of Fame in one of those “What, he’s from Adelaide?” moments. The last line of the chorus is “I wish I could have known enough of love to leave love enough alone”. Ouch, right? And it doesn’t outstay its welcome. It’s short and sweet with only two choruses, but he still fits in an orchestra AND a choir. Check it out.
Favourite music-related memory?
Sitting on the floor of my Dad’s house every night the summer after I finished school in front of his record player. [We’d have] all of his vinyls pulled apart and spread out around us like a big colourful sea, and [I] just [fell] completely in LOVE with songs and songwriting via the likes of Neil Young, Dolly Parton, Steve Earle, Bruce Springsteen, Emmylou Harris and Carole King.
The Audreys’ highly anticipated fifth album, Ruin & Repair, is out now on all streaming platforms. They play at The Gov on June 7 – tickets on sale now via oztix.com.au.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.
Surf-rock quartet Even Hannah have burst out of the gates since their 2025 debut. Following their sold-out single launch, we chat to the band about their latest track, upcoming EP and set at Local Noise Fest.
UK indie-pop singer-songwriter Cavetown has built a global following on tender, introspective songwriting. Ahead of their debut performance in Adelaide at Laneway, they open up about dissociation, songwriting and growing up through their brand-new album Running With Scissors.
Returning to perform at WOMADelaide for the first time since 1993, Yothu Yindi’s Witiyana Marika spoke with The Note about the band’s iconic song ‘Treaty’, working with Baker Boy and “blowing the roof off” the Bondi Pavilion.
Back by popular demand following a sold-out 2025 tour, Grammy-winning blues guitar sensation Christone “Kingfish” Ingram spoke with The Note about his early years as a musician, contributing to the soundtrack for the film Sinners and running his own label.
We Came As Romans return on their Because We're Doomed tour this February. The Note spoke with Andrew Glass, bassist and songwriter, about getting robbed in Adelaide, rewriting their album twice from scratch and why death is just as important as birth.
Showcasing some of SA’s best psychedelic, rock and indie artists, High Fever Fest is bringing talent to the regions. Here, we chat to festival runner Todd of Sixteen Hands High about the day.
Rain City Drive’s third studio album, Things Are Different Now, has seen the outfit become the talk of the post-hardcore scene. Ahead of the quartet’s Australian tour, frontman Matt McAndrew spoke with The Note about his experience on The Voice, his approach to songwriting and seeing a koala.
Obongjayar’s voice has become one of music’s most in-demand out of the UK in recent years. Adelaide music fans will get to fall under its spell in March.
As they prepare for the release of their sophomore EP, New Age, sleepazoid’s Nette France, Jim Duong and Josef Pabis answered some questions from The Note about working with producer Jack Nigro, the visual side of their music and their love of Adelaide bands.
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.