Granite Island Discs: Taasha Coates
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.

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What five songs would you take to a desert island?
Well, if I took my guitar, I could take ALL the songs, but I’m not going to be that obnoxious and assume you mean recorded versions. So, I’d pick ‘Wrecking Ball’ by Emmylou Harris, just for the sheer beauty of it. It’s from her 1995 album by the same name and produced by Daniel Lanois – think rich, lush guitars with Emmylou’s exquisite voice soaring over the top of it all. Then I’d take ‘The Story’ by Brandi Carlile so I could get my air guitar on; ‘Do You Love Me?’ by Nick Cave for a big dramatic sing-along; ‘Cover Me Up’ by Jason Isbell so I could have a big cry; and ‘Hard Times’ by Gillian Welch so I could have an even bigger cry (I’m stuck on an island at this point… ).
If you could only pick one, what would it be?
Ok, how about [Warumpi Band’s] ‘My Island Home’, so I could make peace with the whole desert island thing?
What’s your favourite album?
This is such a hard question, but I’ll go with my usual answer: Essence by Lucinda Williams. It’s sexy, sad, joyful, rocky, angry, folky, up, down, left, right – just ALL of the feelings. My band and I recorded an acoustic version of the first track, ‘Lonely Girls’, at a venue in Tasmania a few years back, which I think you can find on [The Audreys] Instagram page. She has a new record called Lucinda Williams Sings The Beatles from Abbey Road. However, given my recent declaration in our single ‘Beatles V Stones’ that I am firmly camp Stones, I haven’t been brave enough to listen in case it sways my allegiance and makes a liar out of me.
What’s your favourite song by an SA artist or band?
‘Winter In America’ by Doug Ashdown. It’s from 1974, but you can still hear it on country radio if you’re driving around Australia. I think it was actually quite a hit in the US at the time. Doug is from the pre-MTV phase of music (so think thick glasses and crazy hair), but this song is stunning and has beautiful, folky Harry Nilsson vibes. I discovered him via the SA Music Hall Of Fame in one of those “What, he’s from Adelaide?” moments. The last line of the chorus is “I wish I could have known enough of love to leave love enough alone”. Ouch, right? And it doesn’t outstay its welcome. It’s short and sweet with only two choruses, but he still fits in an orchestra AND a choir. Check it out.
Favourite music-related memory?
Sitting on the floor of my Dad’s house every night the summer after I finished school in front of his record player. [We’d have] all of his vinyls pulled apart and spread out around us like a big colourful sea, and [I] just [fell] completely in LOVE with songs and songwriting via the likes of Neil Young, Dolly Parton, Steve Earle, Bruce Springsteen, Emmylou Harris and Carole King.
The Audreys’ highly anticipated fifth album, Ruin & Repair, is out now on all streaming platforms. They play at The Gov on June 7 – tickets on sale now via oztix.com.au.
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Two decades after their era-defining debut, Wolfmother are still turning it up to eleven. Frontman Andrew Stockdale looks back on the record that changed everything and teases a thunderous set at Adelaide Beer & BBQ Fest.
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Bromham’s zest for life, love and community is infectious – the perfect act to help Adelaide celebrate 22 years of independent live music institution, The Wheatsheaf Hotel, this May 25.
Ahead of his headline ‘Legends’ spot at the final Adelaide Beer & BBQ Fest, The Note caught up with Tim Finn, who reminisced about his solo debut ablum, making music in the ‘90s and the possibility of a Split Enz reunion.
Having just released his hotly anticipated sophomore album, The Other Side, Tyne-James Organ chatted with The Note about the making of the album, mental health struggles and his friendship with rapper Allday.
he Note was lucky enough to catch up with Little Birdy’s charismatic frontwoman Katie Steele to discuss the memories of BigBIgLove, Australian festivals, the band’s astonishing career trajectory, and so much more.
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Embarking on a national tour to celebrate the tenth anniversary of their seminal EP, Black Label, Ocean Grove vocalist Dale Tanner chats with The Note about the band’s early days, Sam Bassal’s impact and what to expect from their upcoming tour.
The Note chats with UnderOath’s charismatic frontman Spencer Chamberlain after the quintet’s whirlwind Australian tour about their latest full-length, its life-altering lyrical inspirations, and so much more.
Ahead of the release of the band’s documentary The Ending Goes Forever, The Note chatted with frontman Tim Steward about Screamfeeder’s beginnings, the band’s failed American experience and why now is the right time to tell their story.
Mid-coast hardcore outfit FREEGOLF are ready to unleash at Adelaide Beer & BBQ Fest’s 10th birthday, but not before chatting about their origin story and next steps…
The Note speaks with The Chats’ frontman Eamon Sandwith about the pressure of releasing their debut album, decoding Aussie slang with Iggy Pop and working with ‘Democracy Manifest’ mastermind, Cecil George Edwards.
SONS OF ZÖKU member and The Note’s Account Manager Oscar Ellery gives us the lowdown on his favourite songs, album and music-related moment.
Mount Gambier’s Sexy as Shit join the Coast to Coast tour, which visits Adelaide, Melbourne and the pair’s hometown with Molly Rocket and Dole Manchild. Here, the band shares how these shows reinvigorate local scenes…
You Am I drummer Russell 'Rusty' Hopkinson speaks with The Note about recording the LP alongside Sonic Youth’s Lee Ranaldo in New York and what to expect from their upcoming tour
Ahead of Velvet Bloom’s Adelaide appearance in July, we caught up with vocalist Maddy Herbert and chatted about the making of the album, signing with Yama-Nui Records and the band’s approach to songwriting.
Original music starts and ends at Australia’s grassroots music venues. And now, there’s a new national initiative fighting to keep them alive: the Australian Music Venue Foundation.
In the lead-up to Yächtley Crëw’s Aussie tour, we chatted with vocalist Philly Ocean about the tour and the rise of yacht rock, along with his five favourite yacht rock songs fans can expect to hear as part of their Aussie tour set.
Returning with grunge-adjacent track ‘Big Think’, Oscar the Wild remind us why getting eight hours of sleep can lead to moments of brilliance, new directions and great gigs.
Rising Aussie singer, songwriter and producer Holly Hebe chats with The Note about her love of Nikki Webster, being inspired by Netflix’s One Day and the importance of having a strong supporter base.
In the lead-up to the release of Chris Parkinson’s debut solo album, Children During Wartime, the local legend chatted with The Note about making the record and his favourite songs, albums and musical moments.
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Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of their album launch at The Gov this weekend, we chatted with Paul Lewis, drummer for local thrash metal trio Hidden Intent, about their new album Terrorform, performing at Froth & Fury Fest and what to expect from their album launch.