Granite Island Discs: Jake Phillips
Jake Phillips, DJ (Dancespace) and Director of Operations, Crippen Place, tells all about his top tunes, album and Adelaide musical moments.
Image by Danny Howe
What five songs would you take to a desert island?
1. Deetron – ‘Photon’
2. Mac Miller – ‘Objects in the Mirror’
3. Deadmau5 – ‘Coelacanth (1&2)’
4. Louie Vega & The Martinez Brothers – ‘Let It Go’
5. Roy Ayers – ‘Everybody Loves The Sunshine’
If you could only pick one, what would it be?
The impossible question! I’m going to pick someone who wasn’t in that ‘Top 5’. ‘St Germain’ by Rose Rouge. It’s off the Tourist album (also my favourite album) alongside Soul Central’s ‘Strings of Life’ (Danny Krivit Re-Edit) which solidified my music career in DJing.
What’s your favourite album?
I grew up listening to the St. Germain Tourist album riding in my parents’ car to and from school. The album kickstarted my love for Acid Jazz and repetitive house grooves. I was learning drums and used to play along [to] the entire album at a later stage. It was my go-to album… derived from my parents’ love of music.
What’s your favourite song by an SA artist/band?
There’s a lot of talented musicians across all genres in Adelaide, so it’s hard to pigeonhole. But I’ve got big love for Ollie English and his rustic, home-infused blues. ‘Holy Water’ and ‘How Many Times’ give me goosebumps, and his live shows, either acoustic or in band format, give me goosebumps regardless of how many times I’ve seen it.
Favourite music-related memory?
When it comes to playing my own shows, two stand out. Playing back-to-back with Skrillex in an intimate show at Rocket Bar. It was after Listen In, back in 2018. He’s an idol of mine [and] playing for over an hour was one of those ‘wow’ moments. Second to that – playing Stereosonic Stage 2 in front of around 8000 people between Galantis and Oliver Heldens in a 45-minute crossover. That was probably one of the biggest moments people-wise, and the most nervous I’ve ever been walking out in the middle of the day.
Keep up to date with everything Jake Phillips here.
Screaming Jets frontman Dave Gleeson details his favourite songs, album and music-related moment.
The Note spoke with vocal coach Amelia Shinks and singer Jack Kamleh about the role of Voicehouse, the importance of vocal lessons and why the Adelaide music community is so special.
November marks the defining moment in the career of Sydney pop punk underdogs SoSo. The quartet are dropping their much-anticipated debut album, So Much For Second Chances. Ahead of the release, frontman Rhys de Burgh spoke to The Note about the creation of the record, the grind of being a working musician and collaborating with acclaimed producer Stevie Knight.
Rocking broken hearts, scraped knees and bloody teeth through their new single ‘My Heart’s Dead!’, Adelaide’s pop punkers Teenage Joans catch up with The Note to chat new music, DIY-ing it, insane support slots and Harvest Rock.
Genre chameleons Cry Club are hitting the road this November in support of their latest single, ‘This, Forever’. Ahead of their Adelaide visit, vocalist Heather Riley and guitarist Jonathon Took answered some questions for The Note about their latest release, the visual side to their music and supporting The Darkness.
The artist behind ‘Paper Planes’ talks digital takeover, Julian Assange and finding joy through music.
The folk-rock veteran talks about the severity of Australia’s housing crisis, performing with the legendary Midnight Oil and the joy of being reborn through music.
The ARIA Award-winning country singer dishes on touring with Paul Kelly, growing up in isolation and life on the road.
Ahead of their anticipated return to Australian shores, The Note caught up with The War on Drugs frontman Adam Granduciel to talk reinventing records live, new music, Leonardo da Vinci and Harvest Rock.
We’re calling it now. The Tullamarines are going to be the next biggest export out of SA, armed with anxious pop tunes and safety blankets. Swinging by, they chat about their sophomore EP and tour
Michigan’s post hardcore luminaries La Dispute have just unleashed their cinematic fifth studio album, No One Was Driving The Car. Vocalist and lyricist Jordan Dreyer connected with The Note to discuss the new full-length, imaginative storytelling, the generational diversity of the band’s devotees, film and so much more.
It’s never been a better time to be a fan of Parkway Drive. The Byron Bay metal titans have been non-stop since their 20th anniversary in 2024 brought them to Australian arenas in a powerful way.
bbno$ talks creativity, viral success, and staying authentic in our exclusive interview with the internet’s favourite rap innovator.
Chatting with The Note ahead of the release of his second album DJANDJAY, Baker Boy opens up about the beginning of his music career, the making of the album and the impact the result of the 2023 Australian Indigenous Voice referendum had on him.
Touring the country in celebration of The Soft 'n' Sexy Sound, SA icon Dave Graney spoke with The Note about the making of the album, his upcoming tour and winning an ARIA Award.
Amidst the release of their debut album, the rising indie-rockers talk brotherhood, toxic masculinity and what “indie rock” really means.
The Note’s head honcho goes into detail about his five favourite records, why Lou Reed’s Transformer is the perfect album and his experience seeing The Darkness as a young whippersnapper.
The Ghost Inside’s bassist Jim Riley talks with The Note about the band’s creative direction, the grind of life on the road and the emotional weight behind their latest record, Searching for Solace.
Semaphore Music Festival founder Deb Thorsen unpacks the festival’s 21st event, its deep community connection and why we should all rock up to celebrate the festival’s coming of age.
Holly ‘Cookie’ Baker sits down with The Note to talk all things ‘The Winter’, touring Australia and New Zealand and what the rest of 2025 has in store for the talented artist.
Michigan’s post hardcore luminaries La Dispute have just unleashed their cinematic fifth studio album, No One Was Driving The Car. Vocalist and lyricist Jordan Dreyer connected with The Note to discuss the new full-length, imaginative storytelling, the generational diversity of the band’s devotees, film and so much more.
Seven years since their last visit, punk meets rap icons Zebrahead are finally returning to Australia this October. Ahead of their tour, vocalist Ali Tabatabaee spoke with The Note about growing up in the Cali punk scene, the band’s writing process and the joys of playing live.
A decade and a half of delighting audiences, six studio albums and countless tours across the globe; Donny Benét is Australia’s favourite 80s-Italo-synth-pop-funk-disco-dance character. Benét’s Live 25 tour across Europe, the UK and Australia marks his highly anticipated return to Adelaide, gifting local audiences the dance party of the century.
Ahead of the imminent release of their new EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.
Ahead of the release of The Southern River Band’s new album, Easier Said Than Done, colourful frontman Cal Kramer spoke with The Note about growing up in the Perth suburb of Thornlie, perfomring live and the band’s biggest fan, Powderfinger’s Bernard Fanning.
Following their recent single ‘Vin Wiesel’, making an exciting splash in the local scene, emo rockers TOWNHOUSE swung by to chat about their meticulously curated sophomore EP Look At Me Now and upcoming launch.
Commemorating her debut and sophomore albums The Overture & the Underscore and What The Sea Wants, The Sea Will Have, Sarah Blasko is performing these groundbreaking and deeply vulnerable records in full and stepping back into the shoes of her younger self.
Honest, humorous and hard-hitting songwriting manifests in a new form through SA’s resident punks, LOLA. Crafted over their European and Australian tour, LOLA spill the details about their new EP Prawn Star and how they’re celebrating its release.
Talking to The Note over Zoom, the American-Australian singer-songwriter is bubbly, amicably conversational, lit by a halo of sunny curls, and never once lets go of his guitar. The image is fitting, given that he is headlining this year’s Adelaide Guitar Festival, playing at Her Majesty’s Theatre and joined by the ARIA-nominated, award-winning Emma Donovan.
Ahead of this weekend’s Top of the Class showcase at The LAB at ILA this Thursday 11 September, we spoke with the headliners and finalists about what to expect from the gig.