Granite Island Discs: Footy
The Clarity Records owner loves all things punk and hardcore.
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What five songs would you take to a desert island?
1. Propagandhi – ‘Without Love’
2. Fugazi – ‘Life And Limb’
3. The Victims – ‘(I’m) Flipped Out Over You’
4. Minor Threat – ‘Bottled Violence’
5. Fugazi – ‘Suggestion’
If you could only pick one, what would it be?
Propagandhi would be my number one pick. Mainly because all of their songs have many layers, musically and lyrically, so there’s always new things to discover. Even to this day, there are elements to their songs that I continue to discover. It would be fun continuing to dissect this song while stuck on a desert island.
What’s your favourite album?
Today’s Empires, Tomorrow’s Ashes by Propagandhi. The album is perfect to me in every way. The music is hard, fast and technical which is how I like it. The lyrics are deep, meaningful and thought-provoking. The album came out at a time when I was discovering who I am and who I wanted to be as a person. This album inspired me to become the person I am today.
What’s your favourite song by an SA artist/band?
‘The New Sound For Freedom’ by Embodiment 12:14. This was released on an Adelaide various artists compilation called While The City Sleeps back in 2000. Embodiment 12:14 were ahead of their time sonically; no one in Australia (or even the world) sounded like them. ‘The New Sound For Freedom’ was a progressive song for its time in that particular genre.
Favourite music-related memory?
There’s honestly so many. Getting married and Laura walking down the aisle to a band playing Death Cab For Cutie’s Transatlanticism. Driving around Iceland listening to Sigur Rós. Playing Thebarton Theatre for the first time to 2000 people while supporting NOFX. Travelling around Japan and seeing Propagandhi
for the first time. Seeing the joy on my daughter’s face when taking her to see her first concert. Seeing Descendents play their first ever Australian show. Opening our own record store in 2010. But my favourite was seeing our daughter play her first concert at The Wheaty aged three.
James Reyne has been there, seen it and got the t-shirt. Ahead of his national tour next year, the famed singer-songwriter spoke with The Note about his disdain for reality singing competitions, his love for Australian Crawl songs and why emerging musicians should move overseas.
American bassist, songwriter and record producer Victor Wooten and his brother Roy chat with The Note about their musical history, Victor’s rare neurological condition and the impact of AI on modern music.
Winners of the acclaimed Festival de Ovejas, Bogotá trio La Perla merge traditional Colombian Caribbean rhythms with innovative contemporary sounds. Ahead of their first appearance in Australia as part of WOMADelaide 2026, the band discuss why they believe their music resonates with audiences across the globe, how their collaborative album with Pulcinella came about and what a La Perla live show encompasses.
Powerhouse vocalists Sarah McLeod and Dallas Frasca have locked in 15 dates across February and March 2026. Ahead of their tour, the two spoke with The Note about touring sustainability and raising funds for the charity organisation Seed Mob.
South Aussie music content creator and champion of the local scene Dakota Griffiths, aka Band Banta, fills us in on her top five songs, favourite album and most memorable music moment.
Aussie punk icons are back with new thrilling new album, GODSPEED. Vocalist Jamie Timony and guitarist Todd Andrews got on Zoom and spoke with The Note about their artistic process, their relationship with GODSPEED and mixing politics with music.
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Adelaide singer-songwriter Trent Worley is gearing up for the release of his latest album, Now, When?. Ahead of the record dropping and Worley’s album launch show at The Austral next week, the local lad opened up about the challenges he’s faced as an indie artist, what his new release is all about and the importance of physical media.
Divebar Youth, one of South Australia’s most exciting emerging alternative indie acts stops by, ahead of the release of his sophomore EP Modern Expectations to chat breaking the mold, European escapades and his upcoming EP tour.
BOUSTA has made his mark, dropping deadly records and turning heads all across Adelaide. This year, the Arrernte rapper has turned momentum into meaning, fusing language, truth and culture to create something that lasts.
From Cranker beginnings to AC/DC support slots, Oscar the Wild are turning up the heat this November. Here, the trio chat sharing stages with idols, their latest EP Blue, and building spaces where everyone belongs.
Craving nothing more than connection, Ella Ion has spent 2025 throwing stones of vulnerability, sending ripples of bare-all honesty across the globe. Here, the singer-songwriter reflects on touring, truth-telling, and celebrating SA’s music community with Hyde & Seek.
Parrot frontman Matt Young revealed all to The Note about the making of their new album, A Young Person's Guide to King Parrot, singing with Jason Momoa and the impact of new drummer Max Dangerfield.
Ahead of dust’s Adelaide show at Jive in December, dust’s vocalist and guitarist Justin Teale opened up about Australia’s alt-rock scene, touring with Interpol across Europe and their five favourite Aussie bands everyone needs to hear.
On the cusp of releasing their killer sophomore album VOL II, Paris Clark-Proud, guitarist and vocalist from The Shadow Ministers, dives into the DIY process and translation of studio to stage.
Known worldwide for the punk renditions of classic songs, American act Punk Rock Factory are heading our way this month. Ahead of touching down in Oz, the band gave us the lowdown on their new album All Hands on Deck, their wildest fan interaction and what to expect on their upcoming tour.
Ahead of mini-festival SONIC SPIRE, The Note spoke with Three D Radio’s Volunteers Rep Tiff Stodart and Chair Sonia Mir about Three D’s history, Sonic Spire and how to get involved with supporting the station.
American rapper and internet sensation Yung Gravy chats to The Note and spills his secret recipes, on how he chooses samples, and keeps serving up banger after banger, with ‘Debbie’ and ‘I Write Hymns Not Travesties’…
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Emerging Perth indie rockers Fool Nelson are riding high after the release of their third EP, Bad Dreams. Currently touring the EP across the nation, the trio chatted to The Note about their new release, their favourite track from the EP and the wildest tour story.
Screaming Jets frontman Dave Gleeson details his favourite songs, album and music-related moment.
The Note spoke with vocal coach Amelia Shinks and singer Jack Kamleh about the role of Voicehouse, the importance of vocal lessons and why the Adelaide music community is so special.
November marks the defining moment in the career of Sydney pop punk underdogs SoSo. The quartet are dropping their much-anticipated debut album, So Much For Second Chances. Ahead of the release, frontman Rhys de Burgh spoke to The Note about the creation of the record, the grind of being a working musician and collaborating with acclaimed producer Stevie Knight.
Rocking broken hearts, scraped knees and bloody teeth through their new single ‘My Heart’s Dead!’, Adelaide’s pop punkers Teenage Joans catch up with The Note to chat new music, DIY-ing it, insane support slots and Harvest Rock.
Genre chameleons Cry Club are hitting the road this November in support of their latest single, ‘This, Forever’. Ahead of their Adelaide visit, vocalist Heather Riley and guitarist Jonathon Took answered some questions for The Note about their latest release, the visual side to their music and supporting The Darkness.
The artist behind ‘Paper Planes’ talks digital takeover, Julian Assange and finding joy through music.
The folk-rock veteran talks about the severity of Australia’s housing crisis, performing with the legendary Midnight Oil and the joy of being reborn through music.