Granite Island Discs: Footy

Interviews
Written By Tobias Handke
 

The Clarity Records owner loves all things punk and hardcore.

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What five songs would you take to a desert island?

1. Propagandhi – ‘Without Love’

2. Fugazi – ‘Life And Limb’

3. The Victims – ‘(I’m) Flipped Out Over You’

4. Minor Threat – ‘Bottled Violence’

5. Fugazi – ‘Suggestion’

If you could only pick one, what would it be?

Propagandhi would be my number one pick. Mainly because all of their songs have many layers, musically and lyrically, so there’s always new things to discover. Even to this day, there are elements to their songs that I continue to discover. It would be fun continuing to dissect this song while stuck on a desert island.

What’s your favourite album?

Today’s Empires, Tomorrow’s Ashes by Propagandhi. The album is perfect to me in every way. The music is hard, fast and technical which is how I like it. The lyrics are deep, meaningful and thought-provoking. The album came out at a time when I was discovering who I am and who I wanted to be as a person. This album inspired me to become the person I am today.

What’s your favourite song by an SA artist/band?

‘The New Sound For Freedom’ by Embodiment 12:14. This was released on an Adelaide various artists compilation called While The City Sleeps back in 2000. Embodiment 12:14 were ahead of their time sonically; no one in Australia (or even the world) sounded like them. ‘The New Sound For Freedom’ was a progressive song for its time in that particular genre.

Favourite music-related memory?

There’s honestly so many. Getting married and Laura walking down the aisle to a band playing Death Cab For Cutie’s Transatlanticism. Driving around Iceland listening to Sigur Rós. Playing Thebarton Theatre for the first time to 2000 people while supporting NOFX. Travelling around Japan and seeing Propagandhi

for the first time. Seeing the joy on my daughter’s face when taking her to see her first concert. Seeing Descendents play their first ever Australian show. Opening our own record store in 2010. But my favourite was seeing our daughter play her first concert at The Wheaty aged three.

Featured
Airling On Finding Her Way Back To Music
Airling On Finding Her Way Back To Music

After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.

Fletcher Kent On Being Open To the Light
Fletcher Kent On Being Open To the Light

With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.

In the Green Room: Sacrificial Larynx
In the Green Room: Sacrificial Larynx

Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.

Touch Grass: New Zealand’s Mā Continues A Tradition Of Nature Storytelling Through Song At Womadelaide
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The Horrors: ‘Atmosphere Is In The Spaces Between The Notes’
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The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.

Beccy Cole Finds Strength Through the Pain on New Album ‘Through The Haze’
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Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.

Katy Steele Reimagines Her Musical Legacy
Katy Steele Reimagines Her Musical Legacy

After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.

Peach PRC: Porcelain Princess
Peach PRC: Porcelain Princess

Embracing change has been key to the Adelaide superstar’s anticipated debut album.

Battle Beast’s Marina La Torraca on Stepping Into a New Era Ahead of the Band’s First Australian Tour
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Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time

The World Is Not Ready for The Belair Lip Bombs
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Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.

SNOUT: A Rock Opera for People Who Hate Musical Theatre
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The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.

Nick Barker and the Reptiles: How an Old Cassette Sparked a Comeback
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Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.

William Crighton on Capturing the Sound of the Land
William Crighton on Capturing the Sound of the Land

Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.

In the Green Room: Love is a Game: An Adele Song Cycle
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Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.

Granite Island Discs: Daniel Michael
Granite Island Discs: Daniel Michael

The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.

The Enduring Legacy of Arrested Development
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The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.

Alcides Neto On Finding Home Between Two Worlds
Alcides Neto On Finding Home Between Two Worlds

Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.

Hope, Healing and Heavy Riffs: Inside New Found Glory’s Most Uplifting Album in Years
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New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia. 

Young Franco: It’s Franky Baby!
Young Franco: It’s Franky Baby!

Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.

A Wilhelm Scream: Built by Hand, Fueled by Fire
A Wilhelm Scream: Built by Hand, Fueled by Fire

The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.

Kylie Auldist: Twenty Sixteen
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Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.

The Vision Behind Adelaide’s Newest Music Festival Tryp
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Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.

Too Punk, Too Hardcore, Too Metal: Inside Converge’s Uncompromising New Era
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Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.

Ball Park Music: Exactly How They Are
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Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.

Loose Content: From Byron Bay Bedrooms to Melbourne Stages
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In the Green Room: Even Hannah
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Surf-rock quartet Even Hannah have burst out of the gates since their 2025 debut. Following their sold-out single launch, we chat to the band about their latest track, upcoming EP and set at Local Noise Fest.

Cavetown: Running With Scissors
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UK indie-pop singer-songwriter Cavetown has built a global following on tender, introspective songwriting. Ahead of their debut performance in Adelaide at Laneway, they open up about dissociation, songwriting and growing up through their brand-new album Running With Scissors.

Witiyana Marika on Yothu Yindi, ‘Treaty’ and the Power of Unity
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Keeping the Music Going: Christone Ingram on the Meaning of Blues
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Back by popular demand following a sold-out 2025 tour, Grammy-winning blues guitar sensation Christone “Kingfish” Ingram spoke with The Note about his early years as a musician, contributing to the soundtrack for the film Sinners and running his own label.

We Came As Romans Look To Break Adelaide Curse After Attempted Robbery
We Came As Romans Look To Break Adelaide Curse After Attempted Robbery

We Came As Romans return on their Because We're Doomed tour this February. The Note spoke with Andrew Glass, bassist and songwriter, about getting robbed in Adelaide, rewriting their album twice from scratch and why death is just as important as birth.

 
Tobias Handke
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