Get To Know Jive
The Note caught up with Jive owner, Tam Boakes, to chat about the venue’s legacy in the music scene.
Image by Jack Fenby
An evening at Jive is a rite of passage for Adelaide music lovers: a coming-of-age moment where many fall in love with the venue. It’s been visited by thousands of gig-goers, played host to international acts and launched the careers of many (many) musicians. For owner Tam Boakes, that’s all she ever wanted when she got the keys to Jive in 2003.
Tam snapped up Jive after viewing it in the dark with the help of her cigarette lighter almost two decades ago. Since then, the one-woman operator has helped develop Adelaide’s live music scene by providing up-and-coming bands a place to play.
Jive’s intimate space means Tam’s had a front row seat watching bands grow from playing to crowds of 10 to selling out the 300-person venue.
“I thought [Jive] would be a real launch pad,” she says. “It’s so special to watch people’s careers in the makings and to know you played a part in it.”
West Thebarton is one of the local bands who regularly gigged at Jive, guitarist Brian Bolado even used to sling beers behind the bar. Today, the band has toured Europe and played Splendour in the Grass, yet still revisits the Jive stage from time to time. “I’m so proud of those guys,” Tam says.
The Cat Empire, Tame Impala and Missy Higgins also played some of their earliest interstate gigs at Jive. In 2003, The Cat Empire had a Sunday night crowd wrapped around the corner of Hindley Street before they could enter the venue.
“You felt the magic that night,” Tam says. “Everyone was watching and saying: ‘This band was going to be huge’.”
The Cat Empire returned to Jive a decade later for their 10th-anniversary tour. “It was so lovely,” continues Tam.“You don’t expect to get bands like that back.”
However, Jive’s legacy isn’t without darker times. The pandemic was emotionally and financially draining, and the venue was almost forced to shut its doors. “It was such a tough time. Thank god we survived with the help of all these people,” Tam says, gesturing to some 400 plaques on the Jive Wall of Fame.
Each plaque is engraved with the names of people who donated to the ‘Keep Jive campaign’ in 2020 – an initiative launched by Tam’s industry mates that raised more than $70,000 for the venue. It was a much-needed lifeline that kept Jive, and Tam, afloat. “It’s the only reason I’m still here,” she says. “I know what Jive means to me. But what it is to everyone else...warmed my soul. Everyone had a story.”
Now, Tam’s turning her attention to the next wave of music lovers walking through Jive’s doors. “I hope we get a crowd of young, passionate people in bands or who are background workers and promoters. [Jive] gets the opportunity to nurture the next generation, which is cool,” she says. But that doesn’t mean Tam’s looking to hang up her Jive boots anytime soon.
“People ask me how long I’ll do this for, and it’s until I don’t enjoy it,” she says.“And I still love it.” With that news, party on.
Keep up to date with everything going on at Jive here.
Our fav (and only) intern at The Note gives us the lowdown on her top five songs, favourite album and best musical memories.
Country superstar Morgan Evans discusses his new album Steel Town, being inspired through new music and collaborations and his upcoming Australian tour.
Ahead of their performance at PRE-SAVE on May 1, we dove in with alt indie 5-piece The Fuss, dissecting the themes of haunting new track ‘Golden Sphere’, championing local art and why 2026 is going to be their biggest year yet.
Maxïmo Park’s Paul Smith opens up about the band’s upcoming Australian tour, why their debut album still resonates with fans and the thrill of performing live
Supergroup Australian Rock Collective are tackling one of the great ‘70s albums, the Eagles’ Hotel California. One of the members, You Am I’s Davey Lane, spoke with The Note about performing Hotel California in full, the joy of forensically analysing classic albums and how his moustache might be ready for June, but his hair won’t.
Emerging Sydney rock outfit July Morning have just released their debut album, The Colours of Darkness. Three of the four members spoke with The Note about what influenced the release, the band’s songwriting process and their favourite songs on the record.
Hermitude’s Angus Stuart Talks New Album ‘Eight’, Club Culture and 25 Years of Creative Trust
Ahead of their fast-selling Australian tour return, Memphis May Fire’s vocalist Matty Mullins opened up about touring down under, his favourite memories of past visits and performing their new album Shapeshifter live.
sace6, the duo of Sace and Noah Thomas, are touring the country supporting nothing, nowhere. Taking some time out from their busy schedule, the alt-rock act opened up about the influences behind their upcoming album brutalist, their songwriting process and several facts about their new record you probably didn’t know.
Bowling for Soup vocalist and guitarist Jaret Reddick and English punk troubadour Frank Turner sat down together and chatted about their favourite song to play live of their own, along with their favourite live track of each other’s, ahead of their joint Australian tour.
We caught up with Lime Cordiale guitarist Oli Leimbach to chat about Lime Green fest and why Adelaide was the perfect place to host it.
Self-proclaimed flair-pant party rock act The Sundials are at no risk of slowing down. Dropping their new single ‘Bareback Riding’ off the back of playing huge Tassie festival Good Gumnuts, the band chat to The Note about it all.
Telenova vocalist and songwriter Angeline Armstrong spoke to The Note about the band’s metamorphosis, living in “parallel worlds” and her favourite lyric from their new record THE WARNING.
Karnivool’s Drew Goddard discusses the 13-year journey to their fourth album In Verses, their just announced biggest Australian headline shows ever and an unexpected collaboration with Coldplay.
Ahead of their two performances with the Adelaide Symphony Orchestra at Festival Theatre this weekend, The Whitlams frontman Tim Freedman answered some quickfire questions about performing with an orchestra, choosing the setlist and his memories of playing Adelaide.
It’s all coming to a head for local rockers Bad//Dreems. After a tumultuous career spanning over 15 years, guitarist Alex Cameron and frontman Ben Marwe open up about their decision to take a break, their new album Ultra Dundee and the band’s lasting legacy.
Known for her gritty, raw indie-rock storytelling, Ruby Fields has been one of Australia’s most exciting songwriters since her 2019 breakout ‘Dinosaurs’. Ahead of her sophomore album Small Achievements, The Note got the scoop on what the record entails, her upcoming tour and not-so-small career achievements.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.