Ethanol Blend
Ahead of Cry Baby Fest, Ethanol Blend’s Jack Stokes chats about the band’s stand-out shows, the mid-coast sound and running a record label.
It’s always a good time when Ethanol Blend playsa festival. What should we expect from your Cry Baby Fest set?
Expect the unexpected. Expect Zack, our drummer, to beback from Italy. Expect a bit of gaolhouse rock. We’re just happy to be a part of it!You’ve been jamming together since 2019. What was your first gig like?
Wicked. It was for Field Good Festival. It was actually how we came to a band name! The original one was Slippery Sloth and the Ethanol Blend. The Ethanol Blend thing was just for us to be able to wear petrol suits when we played. Then, we realised it’s a really long name... so we just became Ethanol Blend. Do you have any gigs that stand out the most?
Two, but at different ends of the spectrum. We opened for Skegss at the Thebby Theatre. You could’ve played a violin to the crowd, and they would’ve gone nuts. I was on a cloud for days after that. At the other end, we played in Newcastle at The Ori. We played to about four people and the PA kept cutting out, but it was one of the funnest gigs we’ve ever played!You co-run mid-coast label Daybed Records, which Ethanol Blend is signed to. How did Daybed start?
I started it because I was a bit over having to promote [my] own music. I tried to create a bit of an entity that could represent the promotional side of things instead of it coming from the artist. A lot of bands I love do that, you have full control over what you’re doing creatively. Then I got Tom [Redden] involved because he’s a go-getter and much better at emails than me. It’s taken its own sort of thing ever since! The scene down south is special in itself. Tell us more about the sound and bands from there.
There used to be a beer garden in Port Noarlunga called the Frangipani Beer Garden. It was like the Wollongong of Adelaide – a regional spot where bands like Grinspoon and Spiderbait would come and play after being in the city in the ’90s... mostly punk bands. There’d be 300 or 400 people at the pub on a Saturday night. All those people still live here, they’re keen to catch gigs, they’ve had kids and they’re introducing them to albumsYounger bands like The 745 are now cutting their teeth in the mid-coast. Do you think their punk sensibilities have been passed down by their parents?
I think so! And I think punk is a sick genre to get into when you’re young because it’s quite easy to pick up an instrument and make it work. That’s what it’s all about. I feel so inspired by bands like The 745 who’re doing it when they’re so young.How do you hope to see the Adelaide and mid-coast scene grow?
I would love to see everyone unite for one big local festival. That would be great. You could get 30 bands to play one big day, or everyone could play at different skateparks. I have a couple of ideas! What’s next for Ethanol Blend musically?
We’ve got a new album in the works! We’re doing a West Coast tour over December in Streaky and Elliston. And then we’re playing up on the East Coast in February!
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.
Currently preparing the release of their much-anticipated fourth studio album, Saosin are touring Australia in April to celebrate the 20th anniversary of their debut. Guitarist Beau Burchell talks with The Note about the making of their new record, how their sound has evolved and his love for Parkway Drive.
Celebrating the 20th anniversary of their seminal third album, The Sun Never Sets, The Herd are taking the record on the road this year. Ahead of their performance at iconic Adelaide venue The Gov, The Herd’s Toe-Fu spoke with The Note about the making of the album, covering John Schumann’s ‘Only 19’ and the prospect of new music.
Having reformed in 2023 with Jakob Nowell, the son of original vocalist Bradley Nowell, Sublime have been touring the globe and are currently working on a new album. Ahead of their Australian visit, The Note spoke with Jakob about Sublime’s legacy, his father and the band’s upcoming tour down under.
Coming-of-age indie pop-rock, infused with a DIY punk ethos, is ixaras’ brand to a T. Following the release of her gripping sophomore EP What Is And What Isn’t, the 18-year-old Brisbane-based artist talks growing up, indie labels and Adelaide’s buzzing youth music scene.
SA’s own homegrown version of triple j’s ‘Hottest 100’ takes over the airwaves and Adelaide Unibar on January 17. Here, we chat to Ripley from the Sounds Sick crew for the rundown.
Aussie music champion Keli Holiday digs deep about crafting connection, ahead of his upcoming album Capital Fiction and biggest headline Australian tour to date.
In the lead-up to Caltowie Chilled Out ‘n’ Fired Up Music Festival 2026, founder Ben Van Boekel talks to us about Caltowie’s origins, raising awareness of men’s mental health struggles and his enthusiasm for live music.
James Reyne has been there, seen it and got the t-shirt. Ahead of his national tour next year, the famed singer-songwriter spoke with The Note about his disdain for reality singing competitions, his love for Australian Crawl songs and why emerging musicians should move overseas.
American bassist, songwriter and record producer Victor Wooten and his brother Roy chat with The Note about their musical history, Victor’s rare neurological condition and the impact of AI on modern music.
Winners of the acclaimed Festival de Ovejas, Bogotá trio La Perla merge traditional Colombian Caribbean rhythms with innovative contemporary sounds. Ahead of their first appearance in Australia as part of WOMADelaide 2026, the band discuss why they believe their music resonates with audiences across the globe, how their collaborative album with Pulcinella came about and what a La Perla live show encompasses.
Powerhouse vocalists Sarah McLeod and Dallas Frasca have locked in 15 dates across February and March 2026. Ahead of their tour, the two spoke with The Note about touring sustainability and raising funds for the charity organisation Seed Mob.
South Aussie music content creator and champion of the local scene Dakota Griffiths, aka Band Banta, fills us in on her top five songs, favourite album and most memorable music moment.