In the Green Room: The BordererS
After 30 years, globally-renowned band The BordererS are hanging up their kilts with a farewell gig at The Gov. The special show also celebrates 30 years since the SA-made Celtic, rock and roots band started. Founding member Jim Paterson tells us more about their final bow...
Image supplied
You’re taking to The Gov stage for your 30th anniversary and final show – what should punters expect?
There’s going to be pipe bands, Irish dancers, Scottish dancers and special guests. It’s a bit of a send-off. We’ve got all the original musicians back, too, so that’ll be fun. When you’ve got hundreds of songs and you can only do maybe 30 of them, it’s really hard to know which ones to do – that’ll be the hard part! I met my wife Alex [Alexander], our lead singer, at The Gov. The date we’re performing is actually when we met so it seemed like a good day to finish!
Why was now the right moment to call time on the group?
It just feels right. There are other things I want to do now – I want to set up homes for homeless people and women over 55 or who’ve experienced domestic violence. I’m also working on a movie in Los Angeles with someone who’s business partners with Dave Stewart from the Eurythmics, so I’ll be there.
In your 30 years, have you had any standout moments from playing at The Gov?
Well, Richard Tonkin [The Gov’s former publican] used to be in The BordererS. He was in the band for ages. We used to busk in the front bar of The Gov before The BordererS did any live shows! We love it there.
Finally, we must ask, is there any meaning behind the capital S in your name?
Ha – it’s not about world peace, it’s all about the big S! Our bass player used to work at The Advertiser and he got his graphic designer to design a logo. It was written in such a way that it had a big B and a big S – it looks a bit silly when you write it normally. Go the big S!
See The BordererS final show at The Gov this February 18. Buy tickets here.
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.
Currently preparing the release of their much-anticipated fourth studio album, Saosin are touring Australia in April to celebrate the 20th anniversary of their debut. Guitarist Beau Burchell talks with The Note about the making of their new record, how their sound has evolved and his love for Parkway Drive.
Celebrating the 20th anniversary of their seminal third album, The Sun Never Sets, The Herd are taking the record on the road this year. Ahead of their performance at iconic Adelaide venue The Gov, The Herd’s Toe-Fu spoke with The Note about the making of the album, covering John Schumann’s ‘Only 19’ and the prospect of new music.
Having reformed in 2023 with Jakob Nowell, the son of original vocalist Bradley Nowell, Sublime have been touring the globe and are currently working on a new album. Ahead of their Australian visit, The Note spoke with Jakob about Sublime’s legacy, his father and the band’s upcoming tour down under.
Coming-of-age indie pop-rock, infused with a DIY punk ethos, is ixaras’ brand to a T. Following the release of her gripping sophomore EP What Is And What Isn’t, the 18-year-old Brisbane-based artist talks growing up, indie labels and Adelaide’s buzzing youth music scene.
SA’s own homegrown version of triple j’s ‘Hottest 100’ takes over the airwaves and Adelaide Unibar on January 17. Here, we chat to Ripley from the Sounds Sick crew for the rundown.
Aussie music champion Keli Holiday digs deep about crafting connection, ahead of his upcoming album Capital Fiction and biggest headline Australian tour to date.
In the lead-up to Caltowie Chilled Out ‘n’ Fired Up Music Festival 2026, founder Ben Van Boekel talks to us about Caltowie’s origins, raising awareness of men’s mental health struggles and his enthusiasm for live music.