On Tour with Peking Duk
Peking Duk is bringing a big, sweaty party to Hindley Street Music Hall, and you’re invited. Speaking with The Note, Reuben Styles, from the award-winning disc jockey duo, assures us it’ll be a very good time.

Image by Billy Zammit
You’re heading on a national tour, your first since 2019. How are you feeling about heading back on the road?
It’s been a hot minute since we came to Adelaide! I’m pretty damn excited. It’s crazy how long it’s been since we’ve been on tour. In a way, it does feel surreal. We have been doing one-off shows here and there, but to link them up and make them something special is way better.
What can punters expect from the show?
A big, sweaty party. If anyone’s been to a ‘duckfest’ they know what they’re in for, and it’s a loose time.
Tell us about your first gig in Adelaide. How was that night for you?
Our first gig was at HQ in 2011. We were supporting Tommy Trash, who, at the time, was a big DJ, but he went on to become a superstar on the global circuit. So, we were pretty excited. We ended up playing our set in a different room to Tommy Trash – we were a bit bummed – but it turns out it didn’t matter because we had a sick little room that was going crazy. It worked out a treat. We ended up playing HQ again and again and built our little Adelaide fanbase.
Did any crazy antics occur?
That night, Tommy broke his leg! A DJ was giving him a piggyback and fell over, and Tommy broke his leg. He couldn’t do the Stereosonic [Festival] tour the week later.
What’s the wildest show you’ve done?
The last time we did Adelaide was pretty wild! We played the Thebby – if that’s the correct way to label the venue – and it was a sweaty mess. We made it crazy. We brought pryo[technics] into the venue and had flames. The Thebby went off. I remember when Adam took his shirt off, every person in the first two rows took their shirts off too – it was crazy!
How does that Thebby show stack up against your first-ever gig?
Our first gig as Peking Duk was in 2010 in Canberra at a cocktail bar. It was the polar opposite of the Thebby show. Not only did everyone have their clothes on, but they also had to stay seated. We played for five hours and were only allowed to play cocktail and lounge music. You weren’t allowed to start dancing, which actually ended up happening in the following weeks. We got too excited and turned it into a party, then they fired us! It took us three months to find another venue to play. We thought it was almost a career stuff-up.
What’s one thing you need to get through a national tour?
Fernet-Branca – it’s a digestivo from Italy and very good stuff.
If you could have any dream item on your backstage rider, what would it be?
Something really boring. A change of clothes on the rider would be life-changing. It doesn’t have to be fancy! A plain t-shirt, any type of undies – maybe Step One’s because I really like them – and some Bonds stuff and we’re good to go. I’ll just keep wearing the same jeans.
If you could headline a gig with one person – alive or dead – who would it be?
I’m going to go all out there and say, Darren Hayes. I saw him recently at the ICC in Sydney with Adzy. Holy dooly, he might have the best voice in the world. I couldn’t believe someone could sing like that. I guess he comes from that era where you actually have to sing on the record, pre- fixing things in post. It was amazing. If we were headlining a show with Darren Hayes, we could do [our song] I Want You together – it’d be sick.
Where would the gig be held?
I’m thinking, right now, because we’re in Perth, it’d be Rottnest Island – but we’ve played there a few times. So, maybe Antarctica?
Did you know Paul Kelly is playing in Antarctica?
You’re kidding? Oh my god! Okay, my new dream is not to play in Antarctica but to watch Paul Kelly play there because he is the greatest. If you saw him in Antarctica, that’d be insane.
If you could only take one album to a desert island, what would it be?
My go-to answer would be any of the first three albums by The Strokes because they made me fall head over heels in love with music as a teenager. But maybe, to accentuate island life, any of Gabby Pahinui’s records. He’s a Hawaiian singer, the master of the slack key guitar, and I’ve never tested this, but I believe you could never get sick of his music. There’s a magic charm in Gabby’s music. You feel like, yeah, I’m doing island life right now!
What’s your hype song before you hit the stage?
Something to remind me not to take myself too seriously. Maybe something a little bit funny, like Phil Collins. We have a photo of Phil Collins on our rider, and I like to think my newborn baby looks identical to him – like a really old Phil Collins. So, it’ll make me think about my child and have a good time!
Last question! Sum up Peking Duk’s sound in five words:
Oooh...well, these are to do with our latest release, I Want You: horny, sweaty, fun, energetic and party.
Catch Peking Duk play at Hindley Street Music Hall this March 31. Tickets on sale now.
Honest, humorous and hard-hitting songwriting manifests in a new form through SA’s resident punks, LOLA. Crafted over their European and Australian tour, LOLA spill the details about their new EP Prawn Star and how they’re celebrating its release.
Talking to The Note over Zoom, the American-Australian singer-songwriter is bubbly, amicably conversational, lit by a halo of sunny curls, and never once lets go of his guitar. The image is fitting, given that he is headlining this year’s Adelaide Guitar Festival, playing at Her Majesty’s Theatre and joined by the ARIA-nominated, award-winning Emma Donovan.
Ahead of this weekend’s Top of the Class showcase at The LAB at ILA this Thursday 11 September, we spoke with the headliners and finalists about what to expect from the gig.
Ahead of the imminent release of their tragedy-rife EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.
Artist manager Rachel Whitford of 27 Music fills us in on her favourite songs and why she loves Blink-182’s Enema of the State.
American group The Used, whose sound is heavily embedded in the DNA of 2000s alternative rock, has been revisiting their first three records – in full – in a venture that has redefined the band’s vision for creating music, all the while giving fans the opportunity to immerse themselves in a catalogue that has maintained its quality substance, this far in.
Enigmatic groove master Touch Sensitive has returned with his long-awaited sophomore album, In Paradise. Ahead of the record’s release, the man behind Touch Sensitive (Michael Di Francesco) opened up to The Note about collaborating with other artists, the impact of becoming a father and coming full circle as an artist.
Dropping their final single ‘Phoebe’ before the release of their sophomore EP, TV Therapy have opened up and gotten personal. Before their launch at Jive – they give us the low down on why we should all rock up.
After a six-year release hiatus, Hilltop Hoods have come storming back with their powerful new album, Fall From The Light. The Adelaide trio sound sharper than ever, and co-frontman Suffa isn’t holding back – diving into the album’s evolution, how friendship is the backbone of the project, and their upcoming tour across Europe, the UK and Australia.
Emerging Adelaide five-piece Broken Waves have just released their first single of 2025, ‘The Chase’. Answering some questions over email about the release, the band opened up on their current influences, what the rest of the year has in store for the band and their five favourite local underground acts.
With the recent release of her sophomore EP Cry About It and two smash hit singles ‘Clothes Off’ and ‘The Hit’, Adelaide’s pop starlet aleksiah is making major waves across the world. Ahead of her Adelaide show, aleksiah reflects on the project’s release, tour life, her music making process and what’s already brewing for EP three
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.
Ahead of their appearances at BIGSOUND 2025, local acts Purée and The Tullamarines interviewed each other for The Note, chatting about who they want to see at BIGSOUND, the best show they ever played and how many naps they expect to take over the four days.
This year’s BIGSOUND features a stack of South Aussie talent, including fierce singer-songwriter George Alice. Corresponding with The Note over email, Alice discussed her early years as an artist growing up in the country, her new single ‘SOS’ and what it was like to play the Cranker for the first time earlier this year.
Ahead of their Oz tour in support of their most recent long player, 'Fairyland Codex', Tropical Fuck Storm’s Gareth Liddiard spoke with The Note about the new album, the current state of the world and the influence jazz had on him.
Spanish multi-instrumentalist and singer-songwriter Lau Noah has taken the world by storm since the release of her 2024 debut album, A Dos. Ahead of her appearance at Adelaide Guitar Festival 2025, Noah spoke with The Note about living in a music commune in Spain, moving to New York and performing for NPR’s Tiny Desk Concert series.
The new print editor of The Note, Millah Hansberry, opens up about her favourite songs, albums and musical highlights.
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music
Meet the Top of the Class finalists hitting the stage at Flinders Open Day on July 27. These are some of SA’s boldest, brightest, and most original young musicians, showcasing a diverse mix of sounds from across the state. Get to know what each act is bringing, and have a ponder: who will be crowned Top of the Class?
Purée, one of Adelaide’s hottest indie rock bands right now are taking to the Top of the Class stage, ready to headline the show with infectious energy, brand new tracks and their signature unapologetic boldness.
Ahead of her performance at this year’s The Bend Classic, The Note spoke with singer-songwriter Kaylee Bell about the unstoppable rise of country music, the similarities between Christchurch and Adelaide and how The Wiggles might just be Australia’s hardest working band.
Naraam/Melbourne-based punk pop act Bakers Eddy are heading out on tour to celebrate their new EP, I'm Doing Better. Before they hit the road, frontman Ciarann Babbington fielded a few questions from The Note about his musical influences, the band’s songwriting process and his five favourite Kiwi acts.
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK discusses her new single ‘Cherry N Coke’, what to expect from her live show and how it feels to be back home.
Gaining viral fame with their hilarious single ‘Keith’, which stars Barry Hall in the music video, Playlunch are gearing up for the release of their sophomore album 'Sex Ed' and a five-date Australian tour. In the lead-up to these events, The Note chatted with the seven-piece about their new record, what Barry Hall is really like and who their all-time favourite AFL players are.
Ahead of the release of Cousin Tony’s Brand New Firebird’s fourth long player, Rosewater Crocodile, bandleader Lachlan Rose spoke to The Note about recording the album in an old chapel, the impact of David Lynch and the biggest lesson he’s learned since being in the band.
Back with their signature psychedelic rock and modern jazz sound, Birds are Spies open up about their new apocalyptic track ‘THWONK’ and debuting the single at the Ed Castle launch show. Here’s what to expect…