In the Green Room: TOWNS
Local legends TOWNS are back at Stonecutters this June and plan to get the party started with their nostalgic blend of ’90s pop-punk. Lead vocalist Aston Valladares gives us the vibe check.

Image by Will Johnstone
You guys are back at Stonecutters! What can punters expect from your festival slot?
The first time we played Stonecutters was in 2018, so to see it back and playing closer to the top of the bill feels super weird and very full circle. We always appreciate playing Adelaide and treat it differently from every other gig – we want to make sure we give double the effort we give everywhere else. We’re going to aim to be extra interesting.
Can you tease what those ‘extra interesting’ elements might be?
On our headline tour, we created a Google document called ‘things we might do sometime’, which riffs off our EP title, things you might feel sometimes. People would submit random stuff they wanted us to do on stage, like breakdancing or reciting movie scripts. We’ll carry some of that over. And we’ll probably play some covers to get the party going. We love talking to the crowd, too. So, it’ll be half music and half TED Talk, at this stage!
You dropped your EP in November. What’s next for TOWNS?
We just recorded our full-length album in March! We’re really proud of these songs. The album is a very accurate representation of where we started as musicians. It sounds like the bands we listened to growing up, but it’s a little more TOWNS-esque than anything we’ve done before.
Will you be sharing any new music at Stonecutters?
Yeah! We’re rehearsing one of the songs [now]. It’s a really fast, high-energy and bouncy song, very old-school Foo Fighters. It’s pretty easy to dance to, so I’m hoping people use their kneecaps and at least bounce a little bit, like a toddler in one of those Jolly Jumper things. That’s the vibe!
See TOWNS play at Stonecutters this June 24 at Lion Arts Factory alongside Civic, Bec Stevens and These New South Wales. Tickets on sale now.
The Note chats with UnderOath’s charismatic frontman Spencer Chamberlain after the quintet’s whirlwind Australian tour about their latest full-length, its life-altering lyrical inspirations, and so much more.
Ahead of the release of the band’s documentary The Ending Goes Forever, The Note chatted with frontman Tim Steward about Screamfeeder’s beginnings, the band’s failed American experience and why now is the right time to tell their story.
Mid-coast hardcore outfit FREEGOLF are ready to unleash at Adelaide Beer & BBQ Fest’s 10th birthday, but not before chatting about their origin story and next steps…
The Note speaks with The Chats’ frontman Eamon Sandwith about the pressure of releasing their debut album, decoding Aussie slang with Iggy Pop and working with ‘Democracy Manifest’ mastermind, Cecil George Edwards.
SONS OF ZÖKU member and The Note’s Account Manager Oscar Ellery gives us the lowdown on his favourite songs, album and music-related moment.
Mount Gambier’s Sexy as Shit join the Coast to Coast tour, which visits Adelaide, Melbourne and the pair’s hometown with Molly Rocket and Dole Manchild. Here, the band shares how these shows reinvigorate local scenes…
You Am I drummer Russell 'Rusty' Hopkinson speaks with The Note about recording the LP alongside Sonic Youth’s Lee Ranaldo in New York and what to expect from their upcoming tour
Ahead of Velvet Bloom’s Adelaide appearance in July, we caught up with vocalist Maddy Herbert and chatted about the making of the album, signing with Yama-Nui Records and the band’s approach to songwriting.
Original music starts and ends at Australia’s grassroots music venues. And now, there’s a new national initiative fighting to keep them alive: the Australian Music Venue Foundation.
In the lead-up to Yächtley Crëw’s Aussie tour, we chatted with vocalist Philly Ocean about the tour and the rise of yacht rock, along with his five favourite yacht rock songs fans can expect to hear as part of their Aussie tour set.
Returning with grunge-adjacent track ‘Big Think’, Oscar the Wild remind us why getting eight hours of sleep can lead to moments of brilliance, new directions and great gigs.
Rising Aussie singer, songwriter and producer Holly Hebe chats with The Note about her love of Nikki Webster, being inspired by Netflix’s One Day and the importance of having a strong supporter base.
In the lead-up to the release of Chris Parkinson’s debut solo album, Children During Wartime, the local legend chatted with The Note about making the record and his favourite songs, albums and musical moments.
Old Mervs are coasting into shore in tow with their hotly anticipated self-titled album. The two-piece tell all on what it takes to build a genre-blind debut LP
Ahead of Josh Pyke’s concert alongside the ASO this April, the Sydney native waxes lyrical about his “watershed” record and wrangling an orchestra.