In the Green Room: Naomi Keyte
Communicating the experiences that make us human sits at the core of Naomi Keyte’s latest album, Milk Paper Gold. Here, the alt-pop-folk artist shares the journey to releasing the LP and what to expect from its launch show.

Image by rosinapossingham
You started writing Milk Paper Gold in 2021. Why was 2024 the right time to release the album in full?
I was determined not to rush. I consciously chose to release five singles and make the most of my huge investment in these songs. Each release was like its own satellite project, so I felt connected to my work and audience throughout the process. These songs are very human. They engage with universal questions of doubt, letting go, questioning parenthood and sitting with the unknown.
How does storytelling fuel your craft?
Writing songs is how I process my life, so in shaping these sonic narratives, I not only capture experiences and memories but I unravel my subconscious. It’s the way I make sense of things.
You’re launching the LP at the Goodwood Theatre Institute with some exciting special guests on support. What will they add to the evening?
I have the wonderful Ella Ion opening for the show. Ella has a mysterious, soft and feminine energy and she is another songwriter committed to honesty in her work. I think she understands there is a real power in gentle music.
What do you hope 2025 brings you as an artist?
This year will be when I share this record more broadly. I have a six-month national tour planned and I’ll be playing mostly intimate venues and house concerts. My dream for the second half of 2025 is to make it to the UK, Europe, and Scandinavia to perform. Honestly, I just want to have fun.
Naomi Keyte plays at Goodwood Theatre Institute on February 9. Tickets are on sale now via Humanitix.
Brisbane rockers Full Flower Moon Band are back with rollicking new single ‘Scene’, a collaboration with New York’s Gustaf. In the lead-up to the release, FFMB’s Kate 'Babyshakes' Dillon opened up to The Note about the track, her songwriting process and working with mixer Tony Buchen.
After 31 Issues with The Note, editor and all-around great gal Zara Richards is moving on to new ventures. We reminisce with Zara about some of the highlights (and lowlights) after the last couple of years.
Describing themselves as the ‘nexus of silliness, groove and storytelling’, Live Slug Reaction are slithering into our ears – and onto the Jive stage – with some of SA’s funkiest jazz sounds.
Yorta Yorta and Wurundjeri music icon Briggs unleashes Big Noter – a hardcore project pulsing with raw energy and full-circle freedom. Ahead of its Future Sounds debut, he reflects on impact, intent and never muting his message.
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Two decades after their era-defining debut, Wolfmother are still turning it up to eleven. Frontman Andrew Stockdale looks back on the record that changed everything and teases a thunderous set at Adelaide Beer & BBQ Fest.
Event wunderkind Sharni Honor spills about the music, magic and community intertwined in her latest project, two-dayer Porch & Recreation.
Fuelled by a love of garage rock and DIY gigs, Mount Gambier’s Stokes hit the road for their first tour with their hometown pride in tow.
As The VANNS gear up for the release of more new music in 2025, we chatted with guitarist Cameron Little about their latest track, touring the States and his favourite rock anthems.
Surprise Chef returns to SA this month for the inaugural Porch & Recreation festival. Here, the cinematic soul journeyman chew the fat on spontaneity, their Superb LP and getting sampled by Wu-Tang’s Ghostface.
Bromham’s zest for life, love and community is infectious – the perfect act to help Adelaide celebrate 22 years of independent live music institution, The Wheatsheaf Hotel, this May 25.
Ahead of his headline ‘Legends’ spot at the final Adelaide Beer & BBQ Fest, The Note caught up with Tim Finn, who reminisced about his solo debut ablum, making music in the ‘90s and the possibility of a Split Enz reunion.
Having just released his hotly anticipated sophomore album, The Other Side, Tyne-James Organ chatted with The Note about the making of the album, mental health struggles and his friendship with rapper Allday.
he Note was lucky enough to catch up with Little Birdy’s charismatic frontwoman Katie Steele to discuss the memories of BigBIgLove, Australian festivals, the band’s astonishing career trajectory, and so much more.
Growth, vulnerability and confusion coalesce in Spacey Jane’s third studio album, If That Makes Sense. Frontman Caleb Harper opens up about the self-reckoning, compassion, and connection behind their most ambitious record yet
Embarking on a national tour to celebrate the tenth anniversary of their seminal EP, Black Label, Ocean Grove vocalist Dale Tanner chats with The Note about the band’s early days, Sam Bassal’s impact and what to expect from their upcoming tour.