In The Green Room: Ms Chipeta
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.

Image @clementinesgallery
Congratulations on the release of your sophomore single, ‘Composure’. Tell us about this track.
DM’s are out. There is nothing sexier than hearing your lover’s voice and ‘Composure’ evokes that intimate, heady feeling of late-night conversations. It’s about those early days of a relationship when you can’t get enough of each other. You might spend hours on the phone and eventually you say, “I need you now.” I wanted to convey that urgency with a hint of playfulness that comes across in the lyrics and chorus guitar. The song features Nathaniel Brice on keys (he also co-wrote the music), Ryan Smith on guitar, James Leonard on bass and Hamish Scanlon on drums.
Your music leans into the R&B and indie-soul genre. What draws you to this sound?
From Sam Cooke’s ‘You Send Me’ to Ravyn Lenae’s ‘Love Me Not’, you just get to feel the feels in soul and R&B! My connections with other people are really important to me, so writing about those relationships and processing them through music comes naturally.
I grew up listening to artists like Toni Braxton and Alicia Keys and their music is so intensely romantic. That essence is still strong with modern indie soul acts like Cleo Sol and Raveena, whom I love. There’s also a sensual tone in soul which allows me to tap into my femininity. I enjoy blessing audiences with this sound, especially here in Adelaide where the scene is still relatively small.
You’re taking to Summertown Studio to celebrate this release. What made this venue the right fit for the ‘Composure’ launch?
Something I love about Summertown Studio is how intentional it feels. The cosy vintage couches, the disco balls, the vinyl collection – but especially the curated shows that are held there. I was giddy when Sharni agreed to have me launch ‘Composure’ there. I’ve spent a lot of nights dancing under the verandah to some incredible acts in the jazz, soul, and hip hop realm; playing on that stage with my band will be a special moment. We have the sensational Neenaw opening for us, so it’s going to be another magical night under the disco balls.
What should audiences expect from a Ms Chipeta live show?
Show goers should expect to groove! My band members are all incredible musicians who bring great energy to my songs. We enjoy vibing together on stage and we want to compel you to move in whatever capacity you are able. For me, music is about expression, connection and joy. I’m telling personal stories through my songs and when those resonate with people in the audience, we connect on that human level. That’s the beauty of soul music— everyone has had those universal experiences of love, lust and heartbreak. Even if soul isn’t your usual go-to, you’ll leave feeling that little bit softer and more connected to your sensual side.
You were tapped to join Music SA’s 2025 Scouted lineup. How are you feeling about this opportunity?
I am feeling so grateful to be included in this year’s Scouted lineup. The other artists are all so talented and diverse in genre, background and musical goals, so it’s going to be a really fun night when we all perform. I’m excited to attend Indie-Con for the first time, too. I feel ready to learn from and connect with more people in the industry from around Australia and beyond. As a woman of colour in a small town, I’m excited to share my unique perspective and take on indie soul. My desire is to have more interchange between us and other states and to grow the soul/R&B scene here in Adelaide. We’re only just getting started!
Catch Ms Chipeta at Summertown Studios on Friday August 15. Tickets on sale now via
Semaphore Music Festival founder Deb Thorsen unpacks the festivals 21st event, its deep community connection and why we should all rock up to celebrate the festivals coming of age.
Holly ‘Cookie’ Baker sits down with The Note to talk all things ‘The Winter’, touring Australia and New Zealand and what the rest of 2025 has in store for the talented artist.
Michigan’s post hardcore luminaries La Dispute have just unleashed their cinematic fifth studio album, No One Was Driving The Car. Vocalist and lyricist Jordan Dreyer connected with The Note to discuss the new full-length, imaginative storytelling, the generational diversity of the band’s devotees, film and so much more.
Seven years since their last visit, punk meets rap icons Zebrahead are finally returning to Australia this October. Ahead of their tour, vocalist Ali Tabatabaee spoke with The Note about growing up in the Cali punk scene, the band’s writing process and the joys of playing live.
A decade and a half of delighting audiences, six studio albums and countless tours across the globe; Donny Benét is Australia’s favourite 80s-Italo-synth-pop-funk-disco-dance character. Benét’s Live 25 tour across Europe, the UK and Australia marks his highly anticipated return to Adelaide, gifting local audiences the dance party of the century.
Ahead of the imminent release of their new EP ALL MY ANGELS, SPEED lead vocalist Jem Siow and guitarist Josh Clayton open up about grief, brotherhood, Coachella and the compelling outsider nature of hardcore.
Ahead of the release of The Southern River Band’s new album, Easier Said Than Done, colourful frontman Cal Kramer spoke with The Note about growing up in the Perth suburb of Thornlie, perfomring live and the band’s biggest fan, Powderfinger’s Bernard Fanning.
Following their recent single ‘Vin Wiesel’, making an exciting splash in the local scene, emo rockers TOWNHOUSE swung by to chat about their meticulously curated sophomore EP Look At Me Now and upcoming launch.
Commemorating her debut and sophomore albums The Overture & the Underscore and What The Sea Wants, The Sea Will Have, Sarah Blasko is performing these groundbreaking and deeply vulnerable records in full and stepping back into the shoes of her younger self.
Honest, humorous and hard-hitting songwriting manifests in a new form through SA’s resident punks, LOLA. Crafted over their European and Australian tour, LOLA spill the details about their new EP Prawn Star and how they’re celebrating its release.
Talking to The Note over Zoom, the American-Australian singer-songwriter is bubbly, amicably conversational, lit by a halo of sunny curls, and never once lets go of his guitar. The image is fitting, given that he is headlining this year’s Adelaide Guitar Festival, playing at Her Majesty’s Theatre and joined by the ARIA-nominated, award-winning Emma Donovan.
Ahead of this weekend’s Top of the Class showcase at The LAB at ILA this Thursday 11 September, we spoke with the headliners and finalists about what to expect from the gig.
Artist manager Rachel Whitford of 27 Music fills us in on her favourite songs and why she loves Blink-182’s Enema of the State.
American group The Used, whose sound is heavily embedded in the DNA of 2000s alternative rock, has been revisiting their first three records – in full – in a venture that has redefined the band’s vision for creating music, all the while giving fans the opportunity to immerse themselves in a catalogue that has maintained its quality substance, this far in.
Enigmatic groove master Touch Sensitive has returned with his long-awaited sophomore album, In Paradise. Ahead of the record’s release, the man behind Touch Sensitive (Michael Di Francesco) opened up to The Note about collaborating with other artists, the impact of becoming a father and coming full circle as an artist.
Dropping their final single ‘Phoebe’ before the release of their sophomore EP, TV Therapy have opened up and gotten personal. Before their launch at Jive – they give us the low down on why we should all rock up.
After a six-year release hiatus, Hilltop Hoods have come storming back with their powerful new album, Fall From The Light. The Adelaide trio sound sharper than ever, and co-frontman Suffa isn’t holding back – diving into the album’s evolution, how friendship is the backbone of the project, and their upcoming tour across Europe, the UK and Australia.
Emerging Adelaide five-piece Broken Waves have just released their first single of 2025, ‘The Chase’. Answering some questions over email about the release, the band opened up on their current influences, what the rest of the year has in store for the band and their five favourite local underground acts.
With the recent release of her sophomore EP Cry About It and two smash hit singles ‘Clothes Off’ and ‘The Hit’, Adelaide’s pop starlet aleksiah is making major waves across the world. Ahead of her Adelaide show, aleksiah reflects on the project’s release, tour life, her music making process and what’s already brewing for EP three
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.
Ahead of their appearances at BIGSOUND 2025, local acts Purée and The Tullamarines interviewed each other for The Note, chatting about who they want to see at BIGSOUND, the best show they ever played and how many naps they expect to take over the four days.
This year’s BIGSOUND features a stack of South Aussie talent, including fierce singer-songwriter George Alice. Corresponding with The Note over email, Alice discussed her early years as an artist growing up in the country, her new single ‘SOS’ and what it was like to play the Cranker for the first time earlier this year.
Ahead of their Oz tour in support of their most recent long player, 'Fairyland Codex', Tropical Fuck Storm’s Gareth Liddiard spoke with The Note about the new album, the current state of the world and the influence jazz had on him.
Spanish multi-instrumentalist and singer-songwriter Lau Noah has taken the world by storm since the release of her 2024 debut album, A Dos. Ahead of her appearance at Adelaide Guitar Festival 2025, Noah spoke with The Note about living in a music commune in Spain, moving to New York and performing for NPR’s Tiny Desk Concert series.
The new print editor of The Note, Millah Hansberry, opens up about her favourite songs, albums and musical highlights.
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music