GREEN ROOM: THE MUNCH
Adelaide’s punk and garage sensibilities are on full display in The Munch’s debut album, No Supine. Ahead of their LP launch the four-piece tells us how the eight tracks came together
Congrats on releasing your debut album, No Supine! Tell us more about how this album came to life...
Thanks! No Supine came together almost as a compilation album. These songs are the ones that have survived over our last four years of gigs. The songs ‘Got Wrong’ and ‘Inside’ have five years between them! How do you think your musicianship changed throughout the five years?
Being in school for a lot of the band’s lifetime meant we didn’t have heaps of time to refine our sound. Once we [graduated], it was a much quicker progress. It’s hard to pin down how it changed because it has been a long period of experimentation. We went in different directions with each song to see what works for us. It feels like we’ve laid the foundations for our future music. You’re launching No Supine at the Cranker on March 15. How do you think the record will translate live?
We’ll be playing the album in full. We’ve played our most fun shows at the Cranker, and we’re really happy to be launching the album there. Now that ‘Got Wrong’ has had a proper release, we hope everyone will get down to it. You’ve invited Swapmeet, Hagol and Batsy to play as supports. Why did you choose these acts?
We’ve been a fan of Basty ever since we saw an emotional show of his a few years ago. We felt his folky scream-along set needed to be included in a gig of ours. We’ve played with Hagol heaps over the years; their music is sick, their messages are important and they’re people we look up to immensely. Swapmeet are of the highest quality in music writing and they are some of the coolest people we know – it would be a sour gig without them. Catch The Munch play at Crown and Anchor Hotel this March 15 alongside Swapmeet, Hagol and Batsy. Tickets are available here.
Photo by Louis Campbell
Ahead of August Burns Red’s upcoming Australian tour, The Note caught up with drummer Matt Greiner to discuss Australia, their latest full-length, salsa-core and so much more.
Bush’s iconic frontman Gavin Rossdale discusses the band’s upcoming Australian tour with Shinedown, their unique setlists and why he thinks certain bands are having a resurgence.
Ahead of their support slot on The Jungle Giants’ upcoming tour, Tear Drive’s Gabe Kolakowski opened up to The Note about the band’s new EP, musical inspirations and the Brisbane music scene.
After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.
The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.
The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.
London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.
We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.
Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.
Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy.
Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.
Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.
Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.