The Vaccines: Shot of Nostalgia
The Vaccines are back on Australian shores after five years, bringing their new album, Pick-Up Full of Pink Carnations. Ahead of their co-headline gig at the Gov, frontman Justin Hayward-Young speaks on perfectionism, the influence of nostalgia and what it means to be a band 13 years into the gig.
Interview by Zara Richards | Photo by Wrenne Evans
We’re very excited to have you back in Australia for the first time since 2019. How are you feeling about sharing your sixth LP with Aussie fans?
We can’t wait! I always get in trouble for referring to a tour as a ‘holiday’, and being in Australia makes it even harder to tell the two apart. I think Australian fans are a bit like British fans in the sense that every show feels a bit like a party. The new songs have been so fun to play live and have been going down really well, so we’re very excited to play them in Australia!
Pick-Up Full Of Pink Carnations arrived in January. You’ve previously mentioned that the album feels very fresh to you as a band. What’s behind this?
I think we’re still incredibly hungry as musicians and as creatives. We still believe we’re capable of better work every time we start something or finish something, so I think that helps. I do think it’s important to keep living and keep feeling. If you’re able to be really honest and harness all these strong emotions in songs, then that resonates and people can feel that you’re not just phoning it in.
The album grapples with loss and a desire to understand all angles of it, bridging that gap between expectations and experiences. How did these concepts manifest in songs?
We’ve always had a nostalgic element to our sound, and I’ve always been quite a melancholic and nostalgic person and lyricist – so that bit is easy. The harder bit is finding the hope in it all, which I’m more interested in. Something I like about this record is that even though it focuses on loss, it also explores the discovery and growth that comes from loss, which I find more powerful in the end!
What does this LP represent the most to you?
I think it represents a time and a place in our lives – as every album should. The tracks are windows into how we were feeling, what we were listening to and what inspired and motivated us during that period… A little snapshot of 2021 and 2022, I guess!
You’re currently based in L.A., but you all live in different parts of the world! As a band, what does it mean to reunite and build an album like Pick-Up Full Of Pink Carnations?
Yoann is back in Paris and Tim spends as much time in Australia as he does in London, so we really are all over the place. We love coming back together and when we do, it’s like we were never apart. I think there is something to be said about going through all these intense experiences together, like travelling across the other side of the world. It’s incredibly bonding.
You’ve previously said that each album is a step towards the goal of perfectionism. Do you feel a step closer on this record?
You never get there! That’s the point, I think – but there is hopefully this feeling of refinement. I guess it’s like trying to find the end of a rainbow. I do believe we’re getting better – but will we ever do anything ‘perfect’? That’s a little too philosophical!
You’re sharing the stage with Everything Everything on your Australian tour. Tell us more about your relationship with them.
We did our first-ever tour with Everything Everything, so we’ve known them for 13 years! When we were starting the band and thinking about guitarists, Alex [Robertshaw] was on our wish list. I love their music and they are a great hang, so I think it’s going to be a really fun tour.
What else can we expect from the show?
We always give everything! The Vaccines shows are always high energy. We love nothing more than playing live and seeing the world while doing it. We’ll be playing stuff from the new record but also honouring our back catalogue and fan favourites.
The Vaccines have been jamming together for 13 years. How has the drive to make music changed?
Well, when we first started, we were just making music for ourselves. But, if you’re lucky enough to find an audience, that obviously reframes things entirely. And success is very addictive, too. When we were starting to gain attention, it was very scary and overwhelming and for a while, we were probably trying to make music for the people who disliked the band as much as the people who liked us. Now, we feel very comfortable in our own skin. All we want to do is get better and have fun while doing it.
See The Vaccines alongside Everything Everything at The Gov this May 6. Buy your tickets here.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.
Surf-rock quartet Even Hannah have burst out of the gates since their 2025 debut. Following their sold-out single launch, we chat to the band about their latest track, upcoming EP and set at Local Noise Fest.
UK indie-pop singer-songwriter Cavetown has built a global following on tender, introspective songwriting. Ahead of their debut performance in Adelaide at Laneway, they open up about dissociation, songwriting and growing up through their brand-new album Running With Scissors.
Returning to perform at WOMADelaide for the first time since 1993, Yothu Yindi’s Witiyana Marika spoke with The Note about the band’s iconic song ‘Treaty’, working with Baker Boy and “blowing the roof off” the Bondi Pavilion.
Back by popular demand following a sold-out 2025 tour, Grammy-winning blues guitar sensation Christone “Kingfish” Ingram spoke with The Note about his early years as a musician, contributing to the soundtrack for the film Sinners and running his own label.
We Came As Romans return on their Because We're Doomed tour this February. The Note spoke with Andrew Glass, bassist and songwriter, about getting robbed in Adelaide, rewriting their album twice from scratch and why death is just as important as birth.
Showcasing some of SA’s best psychedelic, rock and indie artists, High Fever Fest is bringing talent to the regions. Here, we chat to festival runner Todd of Sixteen Hands High about the day.
Rain City Drive’s third studio album, Things Are Different Now, has seen the outfit become the talk of the post-hardcore scene. Ahead of the quartet’s Australian tour, frontman Matt McAndrew spoke with The Note about his experience on The Voice, his approach to songwriting and seeing a koala.
Obongjayar’s voice has become one of music’s most in-demand out of the UK in recent years. Adelaide music fans will get to fall under its spell in March.
As they prepare for the release of their sophomore EP, New Age, sleepazoid’s Nette France, Jim Duong and Josef Pabis answered some questions from The Note about working with producer Jack Nigro, the visual side of their music and their love of Adelaide bands.
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.
Currently preparing the release of their much-anticipated fourth studio album, Saosin are touring Australia in April to celebrate the 20th anniversary of their debut. Guitarist Beau Burchell talks with The Note about the making of their new record, how their sound has evolved and his love for Parkway Drive.
Celebrating the 20th anniversary of their seminal third album, The Sun Never Sets, The Herd are taking the record on the road this year. Ahead of their performance at iconic Adelaide venue The Gov, The Herd’s Toe-Fu spoke with The Note about the making of the album, covering John Schumann’s ‘Only 19’ and the prospect of new music.
Having reformed in 2023 with Jakob Nowell, the son of original vocalist Bradley Nowell, Sublime have been touring the globe and are currently working on a new album. Ahead of their Australian visit, The Note spoke with Jakob about Sublime’s legacy, his father and the band’s upcoming tour down under.
Coming-of-age indie pop-rock, infused with a DIY punk ethos, is ixaras’ brand to a T. Following the release of her gripping sophomore EP What Is And What Isn’t, the 18-year-old Brisbane-based artist talks growing up, indie labels and Adelaide’s buzzing youth music scene.
SA’s own homegrown version of triple j’s ‘Hottest 100’ takes over the airwaves and Adelaide Unibar on January 17. Here, we chat to Ripley from the Sounds Sick crew for the rundown.
Aussie music champion Keli Holiday digs deep about crafting connection, ahead of his upcoming album Capital Fiction and biggest headline Australian tour to date.
In the lead-up to Caltowie Chilled Out ‘n’ Fired Up Music Festival 2026, founder Ben Van Boekel talks to us about Caltowie’s origins, raising awareness of men’s mental health struggles and his enthusiasm for live music.
James Reyne has been there, seen it and got the t-shirt. Ahead of his national tour next year, the famed singer-songwriter spoke with The Note about his disdain for reality singing competitions, his love for Australian Crawl songs and why emerging musicians should move overseas.