In the Green Room: No News
Adelaide electronic jazz fusion No News are supporting Melbourne quartet Big Yawn at The Lab next month. Here, we get to know the tight-knit three-piece a little better...

Image supplied
We’re stoked you're supporting Big Yawn at The Lab this July. What should we expect from your set?
We’re so excited to be supporting such a huge influence of ours and our sound. We’ve followed Big Yawn since they released their EP Pressure Acts in 2021 (fanboys). Expect new music, giddy energy and a visual love for what we do together live. Our set is a revolving door of new tracks we find jamming and the personal favs we keep circling back to. We’re always eager to keep each other and our audience guessing, dipping into new realms of styles and genres. We’ll also be showcasing two singles being released in October.
This isn’t your first time performing at The Lab–you hosted your No News Live At Wash Dog Studio EP launch there last year, too. What do you love about this venue?
We love The Lab as it’s the best venue for blending the arts of visual and audio. The Lab is a unique opportunity to let various art forms collaborate and create together–something that doesn’t have much of Australia, even. Seeing the heads from The Bait Fridgeput together one of their shows at The Lab is one of my favourite Adelaide performances I have been to.
How visual media intersects with music is a huge part of No News’ craft, particularly with your collaborative work with artist Miles Dunne. How does this medium add to the experience of your live shows?
Playing with Miles Dunne on visuals organically fuels our live improvisation. There’s an unspoken chemistry. It feels like there's an answer and call [between] sound and visuals, which intertwines the two senses into one experience. It completely changes the outcome of our sets. We’ve always felt drawn to collaborating with other arts and artists. It took a while for us to realise we felt restricted within music. Breaking the barrier and reaching out for other inputs and alternative inspirations helped establish us and what we represent.
What sets Adelaide’s creative/music scene apart from other states?
As creatives in the scene, one thing that sticks out is how supportive everyone is of anyone trying something new across any art form. The community in Adelaide is a safe space to try any new direction. With so many creatives bobbing around, it’s not hard to get involved and start your journey networking in the community and finding your groove.
What influences the sound direction of No News? How do you balance so many interests?
We’re lucky the three of us have very similar musical interests and there’s a lot of overlap between our individual tastes. Rather than feeling the need to compromise, it feels like we inspire and develop each other’s musical ideas and tastes [to form] a cohesive unit. Huge influences for us are Bad Bad Not Good, Roza Terenzi, DJ Food, LTJ Boukem, Big Yawn, Charlie XCX, Todd Terje and Project Pat. They all play a huge part in our output. Balancing so many influences comes naturally – we give our sets a lot of freedom and wiggle room for many genres and moods [to appear]. By sticking to our guns sonically and not restricting ourselves to a particular sound, our tastes transition smoothly and add to the set's journey.
How does improvisation fuel your creativity?
Improvisation is the foundation of No News. It’s everything to us: where we found our sound, how we let steam off and how we all became best mates. Improv motivates our creativity as it allows us not to have any boundaries with our ideas. It allows us to workshop ideas in a live setting and lets the audience become part of the creative process. We'll have a set list for Big Yawn, but we’re super keen to go off-script and see where we go. We’ve loved playing ghetto/booty house live lately, as well as dub, Latin-orientated house, DnB and West African and Latin rhythms.
No News kicked off 2024 with a bang at Sonder Festival and Wide Open Space. What’s next for you musically?
What’s next is we’re putting more energy into recording and releasing music. We’ll be releasing a few singles at the end of October [and we’re] looking forward to putting pen to paper [and forming] a lot of ideas that have been marinating over the run of shows we recently did. On June 5 we are playing two sets at Section 8, which has been a goal for NoNews for some time. Sonny is joining Cam and Simon over in Naarm/Melbourne after the Big Yawn gig. Having all three of us in Victoria will be a huge step forward for No News–we’ve been divided across two states for the past year. We’re really just keen to play live as much as we can and release tracks.
See No News support Big Yawn alongside Georgia Oatley at The Lab on July 6. Tickets on sale now via The Lab.
Ahead of the release of the band’s documentary The Ending Goes Forever, The Note chatted with frontman Tim Steward about Screamfeeder’s beginnings, the band’s failed American experience and why now is the right time to tell their story.
Mid-coast hardcore outfit FREEGOLF are ready to unleash at Adelaide Beer & BBQ Fest’s 10th birthday, but not before chatting about their origin story and next steps…
The Note speaks with The Chats’ frontman Eamon Sandwith about the pressure of releasing their debut album, decoding Aussie slang with Iggy Pop and working with ‘Democracy Manifest’ mastermind, Cecil George Edwards.
SONS OF ZÖKU member and The Note’s Account Manager Oscar Ellery gives us the lowdown on his favourite songs, album and music-related moment.
Mount Gambier’s Sexy as Shit join the Coast to Coast tour, which visits Adelaide, Melbourne and the pair’s hometown with Molly Rocket and Dole Manchild. Here, the band shares how these shows reinvigorate local scenes…
You Am I drummer Russell 'Rusty' Hopkinson speaks with The Note about recording the LP alongside Sonic Youth’s Lee Ranaldo in New York and what to expect from their upcoming tour
Ahead of Velvet Bloom’s Adelaide appearance in July, we caught up with vocalist Maddy Herbert and chatted about the making of the album, signing with Yama-Nui Records and the band’s approach to songwriting.
Original music starts and ends at Australia’s grassroots music venues. And now, there’s a new national initiative fighting to keep them alive: the Australian Music Venue Foundation.
In the lead-up to Yächtley Crëw’s Aussie tour, we chatted with vocalist Philly Ocean about the tour and the rise of yacht rock, along with his five favourite yacht rock songs fans can expect to hear as part of their Aussie tour set.
Returning with grunge-adjacent track ‘Big Think’, Oscar the Wild remind us why getting eight hours of sleep can lead to moments of brilliance, new directions and great gigs.
Rising Aussie singer, songwriter and producer Holly Hebe chats with The Note about her love of Nikki Webster, being inspired by Netflix’s One Day and the importance of having a strong supporter base.
In the lead-up to the release of Chris Parkinson’s debut solo album, Children During Wartime, the local legend chatted with The Note about making the record and his favourite songs, albums and musical moments.
Old Mervs are coasting into shore in tow with their hotly anticipated self-titled album. The two-piece tell all on what it takes to build a genre-blind debut LP
Ahead of Josh Pyke’s concert alongside the ASO this April, the Sydney native waxes lyrical about his “watershed” record and wrangling an orchestra.
Heading Down Under to celebrate the 20th anniversary of his debut album, Sings Walkin' And Talkin' And Other Smash Hits!, Eli “Paperboy Reed” chatted with The Note about punk music, Motörhead and Merle Haggard.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of their album launch at The Gov this weekend, we chatted with Paul Lewis, drummer for local thrash metal trio Hidden Intent, about their new album Terrorform, performing at Froth & Fury Fest and what to expect from their album launch.
The next month will see Alexander Flood play Renew Adelaide’s Westbound festival, launch an album and play interstate. There’s no rest for this multi-hyphenate, genre-blind music sensation.
Ahead of The Presets’ exclusive DJ set at Gluttony for Adelaide Fringe, Julian Hamilton – one-half of the multi-award-winning Sydney outfit – lets loose about their craziest shows, cracking Adelaide’s music scene and what country has the best salt and vinegar chips.
Post-pub-rock act Ricky Albeck spills on hosting a Honky Tonk at the Cranker every second Tuesday, featuring a five-piece country band (with pedal steals and violins no less), guest appearances and great country tracks…
ARIA award-winning singer-songwriter Emily Wurramara is taking her record of rebirth to WOMADelaide, ready to inspire audiences with its authentic messages of self-compassion and resilience.
One of Australia’s great singer-songwriters, Peter Bibby is celebrating the 10th anniversary of his classic debut album, Butcher / Hairstylist / Beautician, with an Australian tour. Ahead of his Adelaide show at the Cranker, Bibby waxed lyrical about the record, the tour and his views on how music is consumed.
Rum Jungle Vocalist Benny McIntyre tells all on the stories and sounds that make this record your next must-listen
Performing at WOMADeliade this weekend as part of her Australian tour, Bess Atwell chats about her creative process, relationship with honesty and performing in Australia.
Ahead of their debut at WOMADelaide, Grammy-winning trio Digable Planets reflect on their seminal second album Blowout Comb – a jazz-informed, hip hop record that remains a raw and unfiltered portrait of America’s socio-political landscape 30 years later.
Get to know Gernz: a punk-fuelled, Aus-rock band born from Mount Gambier’s DIY scene. They lift the lid on why their hometown is emerging as music’s must-visit destination…
Ahead of supporting Alestorm and playing at Pirate Life Brewing’s 10th birthday, we chatted with Stabbitha and the Knifey Wifeys about the Adelaide music scene, the creative process and what 2025 holds for the band.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Emerging alt act Sunsick Daisy are an unstoppable force in Adelaide’s music scene. They take their genre-defying sound to community-driven punk fest, Nice Day To Go To The Club, this month...