In the Green Room: No News
Adelaide electronic jazz fusion No News are supporting Melbourne quartet Big Yawn at The Lab next month. Here, we get to know the tight-knit three-piece a little better...
Image supplied
We’re stoked you're supporting Big Yawn at The Lab this July. What should we expect from your set?
We’re so excited to be supporting such a huge influence of ours and our sound. We’ve followed Big Yawn since they released their EP Pressure Acts in 2021 (fanboys). Expect new music, giddy energy and a visual love for what we do together live. Our set is a revolving door of new tracks we find jamming and the personal favs we keep circling back to. We’re always eager to keep each other and our audience guessing, dipping into new realms of styles and genres. We’ll also be showcasing two singles being released in October.
This isn’t your first time performing at The Lab–you hosted your No News Live At Wash Dog Studio EP launch there last year, too. What do you love about this venue?
We love The Lab as it’s the best venue for blending the arts of visual and audio. The Lab is a unique opportunity to let various art forms collaborate and create together–something that doesn’t have much of Australia, even. Seeing the heads from The Bait Fridgeput together one of their shows at The Lab is one of my favourite Adelaide performances I have been to.
How visual media intersects with music is a huge part of No News’ craft, particularly with your collaborative work with artist Miles Dunne. How does this medium add to the experience of your live shows?
Playing with Miles Dunne on visuals organically fuels our live improvisation. There’s an unspoken chemistry. It feels like there's an answer and call [between] sound and visuals, which intertwines the two senses into one experience. It completely changes the outcome of our sets. We’ve always felt drawn to collaborating with other arts and artists. It took a while for us to realise we felt restricted within music. Breaking the barrier and reaching out for other inputs and alternative inspirations helped establish us and what we represent.
What sets Adelaide’s creative/music scene apart from other states?
As creatives in the scene, one thing that sticks out is how supportive everyone is of anyone trying something new across any art form. The community in Adelaide is a safe space to try any new direction. With so many creatives bobbing around, it’s not hard to get involved and start your journey networking in the community and finding your groove.
What influences the sound direction of No News? How do you balance so many interests?
We’re lucky the three of us have very similar musical interests and there’s a lot of overlap between our individual tastes. Rather than feeling the need to compromise, it feels like we inspire and develop each other’s musical ideas and tastes [to form] a cohesive unit. Huge influences for us are Bad Bad Not Good, Roza Terenzi, DJ Food, LTJ Boukem, Big Yawn, Charlie XCX, Todd Terje and Project Pat. They all play a huge part in our output. Balancing so many influences comes naturally – we give our sets a lot of freedom and wiggle room for many genres and moods [to appear]. By sticking to our guns sonically and not restricting ourselves to a particular sound, our tastes transition smoothly and add to the set's journey.
How does improvisation fuel your creativity?
Improvisation is the foundation of No News. It’s everything to us: where we found our sound, how we let steam off and how we all became best mates. Improv motivates our creativity as it allows us not to have any boundaries with our ideas. It allows us to workshop ideas in a live setting and lets the audience become part of the creative process. We'll have a set list for Big Yawn, but we’re super keen to go off-script and see where we go. We’ve loved playing ghetto/booty house live lately, as well as dub, Latin-orientated house, DnB and West African and Latin rhythms.
No News kicked off 2024 with a bang at Sonder Festival and Wide Open Space. What’s next for you musically?
What’s next is we’re putting more energy into recording and releasing music. We’ll be releasing a few singles at the end of October [and we’re] looking forward to putting pen to paper [and forming] a lot of ideas that have been marinating over the run of shows we recently did. On June 5 we are playing two sets at Section 8, which has been a goal for NoNews for some time. Sonny is joining Cam and Simon over in Naarm/Melbourne after the Big Yawn gig. Having all three of us in Victoria will be a huge step forward for No News–we’ve been divided across two states for the past year. We’re really just keen to play live as much as we can and release tracks.
See No News support Big Yawn alongside Georgia Oatley at The Lab on July 6. Tickets on sale now via The Lab.
General Admission Entertainment’s Event & Artist Manager and Venue Booker, Hannah Louise, gives us the lowdown on her favourite songs, albums and music-related moments.
The Note spoke with Joyce Manor’s Barry Johnson (guitar/vocals), Chase Knobbe (guitar) and Matt Ebert (bass) about their new record, baking, The Bear, songwriting and so much more.
Ahead of the band’s upcoming Elements Tour, vocalist and multi-instrumentalist Jeff Martin spoke with The Note about the band’s longevity, performing with an orchestra and the enduring relationship with his bandmates.
Lacuna Coil’s Andrea Ferro discusses navigating new technological eras, their dream collaborations and why Lars Ulrich was right in his Napster battle.
Thornhill vocalist Jacob Charlton explains to The Note, a difficult decision put the band ‘under the knife’ of pressure in 2025, but thankfully, they ultimately grew from it.
Better Lovers, the hardcore punk supergroup formed from the ashes of the legendary Every Time I Die, make their Australian tour debut this January. The Note spoke with members Jordan Buckley and Will Putney to discuss new music, their chaotic live show and what 2026 holds for them.
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
When Bryget Chrisfield Zooms one third of Viagra Boys ahead of their upcoming Australian tour, they are in Stockholm: bassist Henrik “Benke” Höckert is at home, while saxophonist Oskar Carls is in Shrimp Enterprises, the band’s studio.
Currently preparing the release of their much-anticipated fourth studio album, Saosin are touring Australia in April to celebrate the 20th anniversary of their debut. Guitarist Beau Burchell talks with The Note about the making of their new record, how their sound has evolved and his love for Parkway Drive.
Celebrating the 20th anniversary of their seminal third album, The Sun Never Sets, The Herd are taking the record on the road this year. Ahead of their performance at iconic Adelaide venue The Gov, The Herd’s Toe-Fu spoke with The Note about the making of the album, covering John Schumann’s ‘Only 19’ and the prospect of new music.
Having reformed in 2023 with Jakob Nowell, the son of original vocalist Bradley Nowell, Sublime have been touring the globe and are currently working on a new album. Ahead of their Australian visit, The Note spoke with Jakob about Sublime’s legacy, his father and the band’s upcoming tour down under.
Coming-of-age indie pop-rock, infused with a DIY punk ethos, is ixaras’ brand to a T. Following the release of her gripping sophomore EP What Is And What Isn’t, the 18-year-old Brisbane-based artist talks growing up, indie labels and Adelaide’s buzzing youth music scene.
SA’s own homegrown version of triple j’s ‘Hottest 100’ takes over the airwaves and Adelaide Unibar on January 17. Here, we chat to Ripley from the Sounds Sick crew for the rundown.
Aussie music champion Keli Holiday digs deep about crafting connection, ahead of his upcoming album Capital Fiction and biggest headline Australian tour to date.
In the lead-up to Caltowie Chilled Out ‘n’ Fired Up Music Festival 2026, founder Ben Van Boekel talks to us about Caltowie’s origins, raising awareness of men’s mental health struggles and his enthusiasm for live music.
James Reyne has been there, seen it and got the t-shirt. Ahead of his national tour next year, the famed singer-songwriter spoke with The Note about his disdain for reality singing competitions, his love for Australian Crawl songs and why emerging musicians should move overseas.
American bassist, songwriter and record producer Victor Wooten and his brother Roy chat with The Note about their musical history, Victor’s rare neurological condition and the impact of AI on modern music.
Winners of the acclaimed Festival de Ovejas, Bogotá trio La Perla merge traditional Colombian Caribbean rhythms with innovative contemporary sounds. Ahead of their first appearance in Australia as part of WOMADelaide 2026, the band discuss why they believe their music resonates with audiences across the globe, how their collaborative album with Pulcinella came about and what a La Perla live show encompasses.
Powerhouse vocalists Sarah McLeod and Dallas Frasca have locked in 15 dates across February and March 2026. Ahead of their tour, the two spoke with The Note about touring sustainability and raising funds for the charity organisation Seed Mob.
South Aussie music content creator and champion of the local scene Dakota Griffiths, aka Band Banta, fills us in on her top five songs, favourite album and most memorable music moment.
Aussie punk icons are back with new thrilling new album, GODSPEED. Vocalist Jamie Timony and guitarist Todd Andrews got on Zoom and spoke with The Note about their artistic process, their relationship with GODSPEED and mixing politics with music.
Equal parts grit, rock and heart, Looch are proof that mates make the best bands. With new single ‘SHOO’ on the horizon, guitarist Matty Ranger opens up about growth, gratitude, and the beautiful chaos of community.
Armed with one of the strongest heavy releases of 2025, the frontman of the Californian group takes us through Creature In The Black Night.
Packed with an Australiana grunge rock punch, Kurralta Park’s debut album Powell Place seeps authenticity. Here, frontman Bindi McCallum talks tequila-fuelled recording sessions, Daybed Records’ Live in Lincoln Festival, and the village it takes to make it all happen.
Adelaide singer-songwriter Trent Worley is gearing up for the release of his latest album, Now, When?. Ahead of the record dropping and Worley’s album launch show at The Austral next week, the local lad opened up about the challenges he’s faced as an indie artist, what his new release is all about and the importance of physical media.
Divebar Youth, one of South Australia’s most exciting emerging alternative indie acts stops by, ahead of the release of his sophomore EP Modern Expectations to chat breaking the mold, European escapades and his upcoming EP tour.
BOUSTA has made his mark, dropping deadly records and turning heads all across Adelaide. This year, the Arrernte rapper has turned momentum into meaning, fusing language, truth and culture to create something that lasts.
From Cranker beginnings to AC/DC support slots, Oscar the Wild are turning up the heat this November. Here, the trio chat sharing stages with idols, their latest EP Blue, and building spaces where everyone belongs.
Craving nothing more than connection, Ella Ion has spent 2025 throwing stones of vulnerability, sending ripples of bare-all honesty across the globe. Here, the singer-songwriter reflects on touring, truth-telling, and celebrating SA’s music community with Hyde & Seek.
Parrot frontman Matt Young revealed all to The Note about the making of their new album, A Young Person's Guide to King Parrot, singing with Jason Momoa and the impact of new drummer Max Dangerfield.