In the Green Room: No News
Adelaide electronic jazz fusion No News are supporting Melbourne quartet Big Yawn at The Lab next month. Here, we get to know the tight-knit three-piece a little better...

Image supplied
We’re stoked you're supporting Big Yawn at The Lab this July. What should we expect from your set?
We’re so excited to be supporting such a huge influence of ours and our sound. We’ve followed Big Yawn since they released their EP Pressure Acts in 2021 (fanboys). Expect new music, giddy energy and a visual love for what we do together live. Our set is a revolving door of new tracks we find jamming and the personal favs we keep circling back to. We’re always eager to keep each other and our audience guessing, dipping into new realms of styles and genres. We’ll also be showcasing two singles being released in October.
This isn’t your first time performing at The Lab–you hosted your No News Live At Wash Dog Studio EP launch there last year, too. What do you love about this venue?
We love The Lab as it’s the best venue for blending the arts of visual and audio. The Lab is a unique opportunity to let various art forms collaborate and create together–something that doesn’t have much of Australia, even. Seeing the heads from The Bait Fridgeput together one of their shows at The Lab is one of my favourite Adelaide performances I have been to.
How visual media intersects with music is a huge part of No News’ craft, particularly with your collaborative work with artist Miles Dunne. How does this medium add to the experience of your live shows?
Playing with Miles Dunne on visuals organically fuels our live improvisation. There’s an unspoken chemistry. It feels like there's an answer and call [between] sound and visuals, which intertwines the two senses into one experience. It completely changes the outcome of our sets. We’ve always felt drawn to collaborating with other arts and artists. It took a while for us to realise we felt restricted within music. Breaking the barrier and reaching out for other inputs and alternative inspirations helped establish us and what we represent.
What sets Adelaide’s creative/music scene apart from other states?
As creatives in the scene, one thing that sticks out is how supportive everyone is of anyone trying something new across any art form. The community in Adelaide is a safe space to try any new direction. With so many creatives bobbing around, it’s not hard to get involved and start your journey networking in the community and finding your groove.
What influences the sound direction of No News? How do you balance so many interests?
We’re lucky the three of us have very similar musical interests and there’s a lot of overlap between our individual tastes. Rather than feeling the need to compromise, it feels like we inspire and develop each other’s musical ideas and tastes [to form] a cohesive unit. Huge influences for us are Bad Bad Not Good, Roza Terenzi, DJ Food, LTJ Boukem, Big Yawn, Charlie XCX, Todd Terje and Project Pat. They all play a huge part in our output. Balancing so many influences comes naturally – we give our sets a lot of freedom and wiggle room for many genres and moods [to appear]. By sticking to our guns sonically and not restricting ourselves to a particular sound, our tastes transition smoothly and add to the set's journey.
How does improvisation fuel your creativity?
Improvisation is the foundation of No News. It’s everything to us: where we found our sound, how we let steam off and how we all became best mates. Improv motivates our creativity as it allows us not to have any boundaries with our ideas. It allows us to workshop ideas in a live setting and lets the audience become part of the creative process. We'll have a set list for Big Yawn, but we’re super keen to go off-script and see where we go. We’ve loved playing ghetto/booty house live lately, as well as dub, Latin-orientated house, DnB and West African and Latin rhythms.
No News kicked off 2024 with a bang at Sonder Festival and Wide Open Space. What’s next for you musically?
What’s next is we’re putting more energy into recording and releasing music. We’ll be releasing a few singles at the end of October [and we’re] looking forward to putting pen to paper [and forming] a lot of ideas that have been marinating over the run of shows we recently did. On June 5 we are playing two sets at Section 8, which has been a goal for NoNews for some time. Sonny is joining Cam and Simon over in Naarm/Melbourne after the Big Yawn gig. Having all three of us in Victoria will be a huge step forward for No News–we’ve been divided across two states for the past year. We’re really just keen to play live as much as we can and release tracks.
See No News support Big Yawn alongside Georgia Oatley at The Lab on July 6. Tickets on sale now via The Lab.
Spanish multi-instrumentalist and singer-songwriter Lau Noah has taken the world by storm since the release of her 2024 debut album, A Dos. Ahead of her appearance at Adelaide Guitar Festival 2025, Noah spoke with The Note about living in a music commune in Spain, moving to New York and performing for NPR’s Tiny Desk Concert series.
The new print editor of The Note, Millah Hansberry, opens up about her favourite songs, albums and musical highlights.
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music
Meet the Top of the Class finalists hitting the stage at Flinders Open Day on July 27. These are some of SA’s boldest, brightest, and most original young musicians, showcasing a diverse mix of sounds from across the state. Get to know what each act is bringing, and have a ponder: who will be crowned Top of the Class?
Purée, one of Adelaide’s hottest indie rock bands right now are taking to the Top of the Class stage, ready to headline the show with infectious energy, brand new tracks and their signature unapologetic boldness.
Ahead of her performance at this year’s The Bend Classic, The Note spoke with singer-songwriter Kaylee Bell about the unstoppable rise of country music, the similarities between Christchurch and Adelaide and how The Wiggles might just be Australia’s hardest working band.
Naraam/Melbourne-based punk pop act Bakers Eddy are heading out on tour to celebrate their new EP, I'm Doing Better. Before they hit the road, frontman Ciarann Babbington fielded a few questions from The Note about his musical influences, the band’s songwriting process and his five favourite Kiwi acts.
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK discusses her new single ‘Cherry N Coke’, what to expect from her live show and how it feels to be back home.
Gaining viral fame with their hilarious single ‘Keith’, which stars Barry Hall in the music video, Playlunch are gearing up for the release of their sophomore album 'Sex Ed' and a five-date Australian tour. In the lead-up to these events, The Note chatted with the seven-piece about their new record, what Barry Hall is really like and who their all-time favourite AFL players are.
Ahead of the release of Cousin Tony’s Brand New Firebird’s fourth long player, Rosewater Crocodile, bandleader Lachlan Rose spoke to The Note about recording the album in an old chapel, the impact of David Lynch and the biggest lesson he’s learned since being in the band.
Back with their signature psychedelic rock and modern jazz sound, Birds are Spies open up about their new apocalyptic track ‘THWONK’ and debuting the single at the Ed Castle launch show. Here’s what to expect…
Releasing killer alt-punk singles and sending off the Cranker in style is Jon Ann’s prerogative. Here, the four-piece talk us through their new track ‘Kings Cup’ and what to expect at their launch.
UK artist David Gray returned this year with his 13th studio album, Dear Life. Ahead of his upcoming Australian tour, Gray opened up to The Note about performing live, singing with his daughter and how the current world is shaping his songwriting.
On their third LP Test of the Iron Mind, hardcore veterans Iron Mind get reflective. Frontman and lyricist Sam Octigan chats to The Note about fatherhood and changing perspectives.
For her final issue with The Note, beloved editor Zara Richards got chatting about her favourite songs, albums and musical highlights.
Spinning club beats from around the world, NELYA is at Ancient World for new Illuminate Adelaide mini-fest Supersonic – a roving exploration platforming Australia’s most diverse and talented techno sounds.
The Note speaks with Bronte Ellard – founder of Music and Gigs Connect Mount Gambier – about grassroots change in Berrin’s music scene via the W.I.R.E showcase celebrating female and gender non-conforming artists.
On their fourth LP, To All The Ones That I Love, Press Club confront chaos with blistering punk and DIY grit. Drummer Frank Lees keeps it real on staying independent and playing the Cranker's last gig.
Ahead of their upcoming anniversary tour celebrating 20 years since the release of their barnstorming self-titled debut record, End of Fashion takes stock of the evolution of the music industry through their eyes and the importance of not overcooking your melodies.
A quarter-century after Reflector reshaped Australian alt-rock and became an anthem for the 2000s, Killing Heidi’s Ella and Jesse Hooper return to the road. Ahead of their Adelaide show, the siblings reflect on the legacy that launched a lifetime in music.
Brisbane rockers Full Flower Moon Band are back with rollicking new single ‘Scene’, a collaboration with New York’s Gustaf. In the lead-up to the release, FFMB’s Kate 'Babyshakes' Dillon opened up to The Note about the track, her songwriting process and working with mixer Tony Buchen.
After 31 Issues with The Note, editor and all-around great gal Zara Richards is moving on to new ventures. We reminisce with Zara about some of the highlights (and lowlights) after the last couple of years.
Describing themselves as the ‘nexus of silliness, groove and storytelling’, Live Slug Reaction are slithering into our ears – and onto the Jive stage – with some of SA’s funkiest jazz sounds.
Yorta Yorta and Wurundjeri music icon Briggs unleashes Big Noter – a hardcore project pulsing with raw energy and full-circle freedom. Ahead of its Future Sounds debut, he reflects on impact, intent and never muting his message.
The Audreys’ Taasha Coates shares her favourite songs, album and music-related memories for this month’s Grantie Island Discs.
Two decades after their era-defining debut, Wolfmother are still turning it up to eleven. Frontman Andrew Stockdale looks back on the record that changed everything and teases a thunderous set at Adelaide Beer & BBQ Fest.