Green Room: Thunder Speaks
High energy, dance beats and weird noises are three things Thunder Speaks says you can expect from their album launch at Grace Emily Hotel. Azz from the twin-bass and synth-heavy band tells us more...

Image by @davison.29
Congratulations on the release of your debut album! First Dance builds on the complex, genre-bending soundscape from your previous singles. What is the concept behind this record?
We began working on this album while trying to figure out who we wanted to be [as a band].
To be happy and to do something different than our previous outfits were our main priorities. We didn’t want to spend ages jamming and have no songs released, so we just started writing. First Dance was the final product. John and I would write as much as we could in the jam room, then take them to Jim Balderstone (X studio). He was a huge help sonically – he really taught us so much.
Then Ant came in as a second bass halfway through the recording and change[d] everything for the better.
Our drummer John and I come from years of listening to and playing prog rock – we wanted to keep the danger of the genre we liked (like no restrictions on length, weird changes) but then take it somewhere else. John has also been getting to dance music, and that’s poured into his drumming. I love ’90s dance music, like Chemical Brothers and Underworld, so I was happy to facilitate this. In the end, I guess the concept was to create something weird we could get lost in and dance to!
A debut album is a big deal. What did you learn as a band from this experience?
We are all very close and honest with each other, so if [someone] is not on board with an idea, then it doesn’t stick around. After years of playing in bands, we’ve learnt that to stay happy and excited, we needed to write songs for ourselves. I’m stoked when anyone outside the band enjoys the tunes. But when everyone in the band is stoked with the song and believes it’s the best we can do, that’s what I live for.
Thunder Speaks is a unique outfit with a twin bass and powerful synth. What’s the backstory of the band?
The band has become one big journey of exploration for everyone.
John and I played together in other bands and initially wanted to start a two-piece so we could work fast and cheaply by having fewer people. But it soon became clear we needed someone else once we played the songs live.
I don’t play the guitar very well, so when I wrote the rhythm guitar or lead parts in the studio, I would play them up higher on a bass and layer them as a reference for another instrument later. We ended up enjoying that sound so much that it was obvious that we needed another bass. Plus, we’ve always wanted to play with Ant… he has great feel and is a legend.
You’ve ticked off most genres through the supports you’ve invited to play: Davison, Street Legal, Georgia Oatley, Jongo Bones & The Barefoot Bandits, and Lucky Strike. How did you curate the bill?
We tried it out at our single launch in January and it was a real good time. It’s a different genre every half hour. This time, [we will] be going from punk to lo-fi electronica, then moving to indie rock, hard techno and dance rock. The bill is a mix of some of our friends and bands we’ve been hanging to see. I recently saw Georgia Oatley perform in The Bait Fridge at The Lab, so I can’t wait to see her solo show!
The Grace Emily Hotel is a beloved venue and one you’ve played regularly. Why was it the spot for your album launch?
We wanted to host an epic show in a venue we think we can fill – we are still a small band. The Grace is nice and cosy, they let us do our thing, the PA is great, and Steve the sound guy is amazing. It makes just sense.
For those who haven’t caught Thunder Speaks before, what should people expect from your show?
High energy. Dance beats. Weird noises. Two bass guitars. And a guy shouting into a microphone that sounds like he’s in the bottom of a tunnel!
What’s next for Thunder Speaks?
We’ll be releasing more live footage over the next few months. Our mate, Hand to Sky (Nick Nancarrow from OKO), has been working his magic to make it all look very fried. The First Dance remix album will be released mid-year, too. We’ve already released a few remixes from Davison, plus more coming. It’s fun to see where your friends take the album!
See Thunder Speaks at Grace Emily Hotel this Saturday April 13, supported by Davison, Street Legal, Georgia Oatley, Jongo Bones & The Barefoot Bandits, and Lucky Strike. Grab tickets via Humantix.
American group The Used, whose sound is heavily embedded in the DNA of 2000s alternative rock, has been revisiting their first three records – in full – in a venture that has redefined the band’s vision for creating music, all the while giving fans the opportunity to immerse themselves in a catalogue that has maintained its quality substance, this far in.
Enigmatic groove master Touch Sensitive has returned with his long-awaited sophomore album, In Paradise. Ahead of the record’s release, the man behind Touch Sensitive (Michael Di Francesco) opened up to The Note about collaborating with other artists, the impact of becoming a father and coming full circle as an artist.
Dropping their final single ‘Phoebe’ before the release of their sophomore EP, TV Therapy have opened up and gotten personal. Before their launch at Jive – they give us the low down on why we should all rock up.
After a six-year release hiatus, Hilltop Hoods have come storming back with their powerful new album, Fall From The Light. The Adelaide trio sound sharper than ever, and co-frontman Suffa isn’t holding back – diving into the album’s evolution, how friendship is the backbone of the project, and their upcoming tour across Europe, the UK and Australia.
Emerging Adelaide five-piece Broken Waves have just released their first single of 2025, ‘The Chase’. Answering some questions over email about the release, the band opened up on their current influences, what the rest of the year has in store for the band and their five favourite local underground acts.
With the recent release of her sophomore EP Cry About It and two smash hit singles ‘Clothes Off’ and ‘The Hit’, Adelaide’s pop starlet aleksiah is making major waves across the world. Ahead of her Adelaide show, aleksiah reflects on the project’s release, tour life, her music making process and what’s already brewing for EP three
From Scouted 2025 to Summertown Studio, R&B indie-soul artist Ms Chipeta is making waves and sprinkling magic everywhere she goes. Here, she opens up about her sophomore single and what to expect from her upcoming shows.
Ahead of their appearances at BIGSOUND 2025, local acts Purée and The Tullamarines interviewed each other for The Note, chatting about who they want to see at BIGSOUND, the best show they ever played and how many naps they expect to take over the four days.
This year’s BIGSOUND features a stack of South Aussie talent, including fierce singer-songwriter George Alice. Corresponding with The Note over email, Alice discussed her early years as an artist growing up in the country, her new single ‘SOS’ and what it was like to play the Cranker for the first time earlier this year.
Ahead of their Oz tour in support of their most recent long player, 'Fairyland Codex', Tropical Fuck Storm’s Gareth Liddiard spoke with The Note about the new album, the current state of the world and the influence jazz had on him.
Spanish multi-instrumentalist and singer-songwriter Lau Noah has taken the world by storm since the release of her 2024 debut album, A Dos. Ahead of her appearance at Adelaide Guitar Festival 2025, Noah spoke with The Note about living in a music commune in Spain, moving to New York and performing for NPR’s Tiny Desk Concert series.
The new print editor of The Note, Millah Hansberry, opens up about her favourite songs, albums and musical highlights.
Following an eight year hiatus, The Dillinger Escape Plan return to Australia in August for a limited number of live shows to commemorate their groundbreaking album, Calculating Infinity. Ahead of the tour, guitarist Ben Weinman chats about the band’s reunion, being called the “Greatest Live Band of All Time” by Revolver Magazine and what to expect from their upcoming tour.
Local rockers The Violets are reuniting for their first live show in two decades to celebrate the 30th anniversary of their debut album, Leased Regret. Ahead of their show at The Gov, The Note spoke with vocalist, guitarist and percussionist Matt Cahill about the making of the album, playing the very first Big Day Out and why the band broke up when on the cusp of stardom.
Celebrating 20 years of Bloc Party’s iconic debut record, Silent Alarm, guitarist Russell Lissack and drummer Louise Bartle open up about the album’s appeal, the gruelling nature of touring and the emotional connection to the music.
Winston Surfshirt has just released his hotly anticipated fourth long player, WINSTON. Ahead of the album’s release, we chatted over email with the multi-instrumentalist and vocalist about his new album, the pull of nostalgia and his five favourite R&B bangers.
Ahead of Folk Bitch Trio’s upcoming Australian tour, the band opens up about the making of the debut record Now Would Be A Good Time, working with producer Tom Healy and the importance of humour in their music
Meet the Top of the Class finalists hitting the stage at Flinders Open Day on July 27. These are some of SA’s boldest, brightest, and most original young musicians, showcasing a diverse mix of sounds from across the state. Get to know what each act is bringing, and have a ponder: who will be crowned Top of the Class?
Purée, one of Adelaide’s hottest indie rock bands right now are taking to the Top of the Class stage, ready to headline the show with infectious energy, brand new tracks and their signature unapologetic boldness.
Ahead of her performance at this year’s The Bend Classic, The Note spoke with singer-songwriter Kaylee Bell about the unstoppable rise of country music, the similarities between Christchurch and Adelaide and how The Wiggles might just be Australia’s hardest working band.
Naraam/Melbourne-based punk pop act Bakers Eddy are heading out on tour to celebrate their new EP, I'm Doing Better. Before they hit the road, frontman Ciarann Babbington fielded a few questions from The Note about his musical influences, the band’s songwriting process and his five favourite Kiwi acts.
Back in Australia and gearing up for her Supersonic set at Adelaide’s Illuminate festival, Memphis LK discusses her new single ‘Cherry N Coke’, what to expect from her live show and how it feels to be back home.
Gaining viral fame with their hilarious single ‘Keith’, which stars Barry Hall in the music video, Playlunch are gearing up for the release of their sophomore album 'Sex Ed' and a five-date Australian tour. In the lead-up to these events, The Note chatted with the seven-piece about their new record, what Barry Hall is really like and who their all-time favourite AFL players are.
Ahead of the release of Cousin Tony’s Brand New Firebird’s fourth long player, Rosewater Crocodile, bandleader Lachlan Rose spoke to The Note about recording the album in an old chapel, the impact of David Lynch and the biggest lesson he’s learned since being in the band.
Back with their signature psychedelic rock and modern jazz sound, Birds are Spies open up about their new apocalyptic track ‘THWONK’ and debuting the single at the Ed Castle launch show. Here’s what to expect…
Releasing killer alt-punk singles and sending off the Cranker in style is Jon Ann’s prerogative. Here, the four-piece talk us through their new track ‘Kings Cup’ and what to expect at their launch.
UK artist David Gray returned this year with his 13th studio album, Dear Life. Ahead of his upcoming Australian tour, Gray opened up to The Note about performing live, singing with his daughter and how the current world is shaping his songwriting.
On their third LP Test of the Iron Mind, hardcore veterans Iron Mind get reflective. Frontman and lyricist Sam Octigan chats to The Note about fatherhood and changing perspectives.
For her final issue with The Note, beloved editor Zara Richards got chatting about her favourite songs, albums and musical highlights.
Spinning club beats from around the world, NELYA is at Ancient World for new Illuminate Adelaide mini-fest Supersonic – a roving exploration platforming Australia’s most diverse and talented techno sounds.