Space Jams is a celebration of artistry, community and shared experience, set against one of South Australia’s most picturesque backdrops.
Words & images Michael Lockheart
Space Jams 2025 @ Inman Valley 04-05/10/25
The drive into the heart of Inman Valley set a tone of natural reverence long before the first chords rang out. Single-track roads wound through rolling green hills, slopes dotted with gum trees that looked more Tolkien’s Shire than Fleurieu Peninsula. The scenery alone hinted at the experience to come: lush, cinematic and quietly alive.
By the time festivalgoers arrived at Alma’s Hem, an energy was immediately apparent. Warm, laid-back and welcoming, Space Jams felt less like a festival and more like a gathering of friends and families. There was no pretence, no hierarchy; just good music, good people and a shared sense of purpose alongside a fervent love for South Australia’s homegrown music scene.
The campsite stretched across the paddock, each car and swag neatly spaced under the trees. Although the event had sold out, it never felt crowded. Alma’s Hem offered a special nook among the hills, complete with ponds, hanging gum trees and still air that encouraged reflective calm and quiet connection.
The first act experienced was Brad Chicken and the Bootstraps, whose barnstorming Americana sound blended humour and spectacle, immediately drawing the audience into a lively, engaged mood. Kara Manansala followed with a profoundly introspective set. Subtle guitar swells and airy vocals floated seamlessly through the bushland, offering moments of quiet reflection. Ella Ion added a relatable songwriting palette, her emotive performance resonating powerfully yet gently across the paddock.
The festival paused for a Welcome to Country and Smoking Ceremony, grounding the event and acknowledging Ramindjeri Land. The thick, evocative herbal smoke lingered over the site as Bree Tranter followed, her ethereal vocals adding a ghostly, dreamlike layer to the early afternoon. Bromham then shifted the energy sharply at the Amphitheatre, delivering rollicking folk rock that had attendees dancing barefoot in the dust.
Visually, the festival was a feast. The late afternoon sun cast a golden haze over faces, tents and gum trees. Outfits ranged from vintage finds to flamboyant, self-styled ensembles. A clothes swap and vintage stall added to the creative pulse, encouraging attendees to engage with the festival beyond just the music.
Tim Goddard of Dragon Mill brought artistry to the site, contributing to the Plai Space area before performing a mesmerising sunset fire display, spinning Poi against the glowing sky. Watty Thompson captivated with charisma and charm, his storytelling holding the crowd rapt. Marley Love contrasted with soaring retro soundscapes, evoking the energy of a 1990s euro dance-off.
Druid Fluids closed the rock and roll element with an immersive, psychedelic set, showcasing musicianship that underlined why South Australia’s live scene commands national attention. Textured, dynamic and euphoric at times, their expansive sound carried the audience through a final wave of energy amid strong winds across the site.
As night fell, the Rave Cave pulsed quietly at the edge of the grounds. DJs spun alternative electronic tracks into the early hours, the atmosphere recalling ConFest’s underground silent discos, where rhythm and movement connected strangers in fleeting but memorable ways.
Morning brought calm. Mirror-like ponds reflected a pale sky as festivalgoers moved through yoga sessions or queued for coffee and breakfast rolls. The fresh, gentle air lent itself to slow conversations and quiet reflection, a pause after the previous night’s intensity.
Since its origins as a DIY Instagram live stream in 2020, Space Jams has grown into a regional phenomenon. Its ethos of inclusivity, creativity and community-driven experience has earned three SA Music Awards for Best Small Festival. Alma’s Hem has become a fitting home, providing a space where music, art and human connection intersect seamlessly.
The weekend left a lasting impression: a celebration of artistry, community and shared experience, set against one of South Australia’s most picturesque backdrops.
Want more pics of the gig? Check out our full photo gallery here.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.
Sepultura’s final Adelaide show was a cathartic celebration of the Brazilian metal outfit's four-decade career that left everyone wanting more.
The Amity Affliction’s regional tour wraps up with a high-octane evening of metalcore madness at The Bridgeway Hotel, with support from In Hearts Wake, RedHook and Heartline.
Witnessing a BABYMETAL show is an immersive experience like no other. Check out what went down when the Japanese kawaii metal band took over Adelaide.
It goes without saying, but The Belair Lip Bombs are ones to watch.
The four-day world music festival celebrated culture and togetherness in a time when we need it most.
From the first song to the last chorus, Pacific Avenue turned Hindley Street Music Hall into an unforgettable celebration of connection and joy.
A Wilhelm Scream brought the noise to Adelaide, showcasing their tremendous talent in front of a packed Ed Castle crowd.
Teddy signed off his tour of Australia in autumnal Adelaide, delivering variations of ballads and bangers that enthralled a captivated crowd.
Electronic legends Basement Jaxx had the remedy for a lazy Tuesday night in Adelaide – one dose of classic house tracks to a packed crowd that had everyone dancing like no one was watching.
The Streets performed their acclaimed sophomore album A Grand Don’t Come For Free in full for an adoring Adelaide and proved they are more than just a nostalgia act.
Now in its fourth year, Nice Day To Go To The Club has firmly established itself as not only one of South Australia’s great events, but one of the country’s best live music festivals.
A Day In The Gully proved that even in less-than-ideal conditions, good music can turn any day into something unforgettable.
Opening this year’s Adelaide Festival, the new music showpiece Tryp 1 was a feast for the senses, featuring an eclectic lineup of artists that blew everyone away.
Aussie alt-metal masters Thornhill were joined by Ocean Grove, Paledusk and Heavensgate for a night of cathartic heavy music at The Gov, and we were there to catch all the action.
Here again to rock the suburbs, the “defence attorney for Adelaide”, Ben Folds, treated the City of Churches to an entertaining and lively evening of music, stories and connection.
UniBar played host to some of South Australia’s most exciting young bands, with Even Hannah, Loader Lane, Sticky Beak, The Fuss, The Hazys, Colter and headliners PASH showcasing why our music scene is thriving.
Italy’s goth metal merchants Lacuna Coil put on one hell of a performance when they took over The Gov.
Delivering a career retrospective set of hits, fan favourites and deep cuts, UK act Morcheeba brought the good vibes to Adelaide.
The Tea Party turned up in Adelaide, putting on an exhilarating showcase of Moroccan roll that had the crowd grooving along.
“So let it simply be said that, for one very special night, Chappell Roan managed to transform the city of Adelaide into the pinkest of pony clubs.”
We Came As Romans arrived in Adelaide for the penultimate show of their Because We're Doomed and left everyone in attendance wishing the night would never end.
“In a live environment, Dream Theater’s music transcended the sum of its parts, transforming meticulous precision into visceral spectacle and technical mastery into genuine emotional weight.”
Froth & Fury continues to lead the way when it comes to heavy music festivals, with this year’s edition the best yet.
A no-barrier show, the last night of the tour and a 40-degree day. Better Lovers are getting the full experience as they wrap up their debut Australian tour at Lion Arts Factory.
40-degree weather couldn’t stop the metal-pop icon’s debut in Adelaide. It was a night of brand new songs and a triple-threat bill supported by Ocean Grove and Inertia.
The afternoon ultimately felt like a glimpse into two artists capable of much bigger, electrifying performances.
David Byrne returned to Adelaide for one of the most anticipated gigs of the year and had everyone laughing, singing and dancing along to what was an immersive and spectacular live art piece.
There are few modern punk bands as ferocious and in your face as Viagra Boys. On a warm night in Adelaide, they demonstrated why they are just that damn good!
Rammstein icon Till Lindemann shocked an unprepared Adelaide with his graphic, theatrical live show.