A chaotic and joy-fuelled night of surf rock, crowd surfing and circle pits took place when Skegss, The Buoys and Fool Nelson delivered an unforgettable midweek party at Adelaide’s Hindley Street Music Hall.
Words Dakota Griffiths // Images Cameron Stemmler
Image supplied
Skegss w/The Buoys & Fool Nelson @ Hindley Street Music Hall 19/06/25
Despite being a school night, fans of all ages (though a majority appeared to be under 25) were packed shoulder-to-shoulder for a sweaty, chaotic and deeply fun night of live music with Skegss for their Top Heavy Tour.
From the moment doors opened, it was clear this was going to be a no-holds-barred kind of show. A sea of mullets, jorts and moustaches filled the room, and the energy was infectious before a single guitar was strummed.
Fool Nelson opened the night with their signature surf rock sound and an unspoken confidence that set the tone beautifully. Despite being first on the bill, they had no trouble getting the crowd’s attention. Their hit single ‘Falling Apart’ was a clear highlight, with voices echoing across the venue as the crowd sang every word like it was their anthem.
While the whole band played tight, it was bassist Darcy Steven who truly stole the show. His magnetic stage presence made it hard to look away. Before leaving the stage, Fool Nelson teased something big coming later in the year; a return that’s yet to be officially announced, but clearly already anticipated by their fans.
Following shortly after were The Buoys, who burst onto the stage to House of Pain’s iconic ‘Jump Around’ – a bold entrance that made total sense once they ripped into their opening track, ‘Check Mate’. From there, it was a fast-paced and punchy set that showed just how much the band have evolved since their sold-out headline show at Jive in 2024. The Buoys delivered a sharp mix of older fan favourites, newer tracks and even a taste of what’s to come. They’ve mastered the art of letting loose without losing control, and their set was a highlight in its own right.
READ MORE: Review: King Stingray @ Hindley Street Music Hall 28/03/25
As the lights dimmed for Skegss, the energy in the room somehow found another gear. You could feel the floor shift beneath your feet as the crowd erupted the moment the band stepped out, launching into ‘Valhalla’. That alone would’ve been enough to send the room into a frenzy, but it was ‘Get On My Skateboard’ that tipped things over the edge. Suddenly, pits were opening up in every direction. People were flying through the air, shoes were being lost, and an ever-growing collection of bras and beer cans found their way onto the stage.
I applaud anyone brave enough to join the pit, because chances are, you’re waking up sore. There were more circle pits than I could count, but in the chaos, there was a surprising sense of community. Every time someone hit the floor, multiple hands reached out to pull them back up. Crowd surfers were cheered on, protected, and passed like sacred cargo toward the front. It was messy, loud and unpredictable, but it never felt unsafe.
What stood out most was Skegss’ ability to maintain that high-octane momentum from start to finish. The band mixed their classics like ‘Spring Has Sprung’ and ‘Up In The Clouds’ with newer material such as ‘So Excited’ and ‘State of Hawaii’, both of which the crowd already knew by heart. The sing-alongs were relentless, the crowd unwavering, and the vibe unmistakably Skegss: raw, youthful and deeply fun.
Even once the lights came on and the band had handed out setlists and picks, no one was quite ready to leave. People lingered, still singing, still smiling, still buzzing from what they’d just experienced.
It’s easy to think of Skegss as a good-time band (and they absolutely are), but nights like this also show just how much they’ve shaped Australia’s surf-punk scene. From the fans they’ve inspired to the bands they’ve helped shine a spotlight on, their impact goes far beyond a chaotic live show.
Want more pics of the gig? Check out our full photo gallery here.
The songs were unmistakably Lime Cordiale, but with added richness courtesy of the ASO.
Escape The Fate returned to Adelaide ready to open up the pit with a few special guests in tow to lend a hand.
15 years on since their last Australian tour, Poison The Well return with a new album and a live show that turned Lion Arts Factory into a heaving mosh of bodies.
Iconic punks Descendents swung by Adelaide to let everyone know that Everything Sucks, and we couldn’t agree more.
The vocal prowess of Matt Corby rejuvenated the souls of a full house at Thebby Theatre, and we were there to catch all the action.
A jam-packed crowd at The Gov were treated to an incredibly vibrant performance from Ball Park Music that left everyone wanting more.
Scottish singer-songwriter KT Tunstall returned to Australian shores to party “like it’s 2004”, leaving a lasting impression on The Gov crowd.
Proving they’ve still got it after more than 20 years away, Kiwi legends Split Enz took punters on a nostalgia-filled journey through their biggest hits and anthems.
Touring his new album REDSTAR WU & THE WORLDWIDE SCOURGE, Genesis Owusu brought the heat with a mesmerising performance that had Thebby heaving.
Fear Factory delivered 35 years of anthems with the same intensity as when they first burst onto the industrial metal scene.
The legendary Nick Barker and the Reptiles put on one hell of a show when they visited Adelaide in support of their new EP, Loose, Vol. II.
Experimental heavy beasts Loathe cemented their position as one of the world’s most ambitious metal acts going around with a mindblowing live performance at The Gov.
Chicago post-punk professionals FACS drop by The Ed Castle Hotel to blast away the cold autumn night with help from two local dynamos.
It was a night not to be missed when Texan pop punk outfit Bowling for Soup and UK folk punk act Frank Turner & The Sleeping Souls turned Hindley Street Music Hall into a heaving mass of sweaty, singing bodies.
Celebrating the 10th anniversary of their acclaimed third studio album Opera Oblivia, Hellions ripped the roof off The Gov and left everyone craving for more.
Superheaven delighted a sold-out Adelaide crowd with a raucous performance that left everyone wanting more.
Reuniting with Papua New Guinea music legend Sir George Telek, Not Drowning, Waving produced a night filled with spectacular soundscapes to an adoring audience.
The beautiful community event Blak Nite celebrated Aboriginal culture, performance, music and the strength of community.
Despite a small turnout, singer-songwriter Katy Steele put a spell on the crowd who attended her Adelaide show, demonstrating why she is one of the country’s great talents.
UK indie outfit Maxïmo Park turned back the clock with an energetic set celebrating their debut album, 'A Certain Trigger.'
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Indie folk icons The Mountain Goats burst into Adelaide to a packed crowd, ready to journey through the lyrics of John Darnielle.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams combined with the Adelaide Symphony Orchestra for a sold-out show reimagining their biggest hits, cementing their position as one of the country’s most iconic acts.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
Bad//Dreems farewelled Adelaide with a night that all those in attendance will never forget.
This triple header moved the earth under AEC Arena in one of the best start-to-finish gigs that Adelaide will see all year.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.