Review: Metallica @ Adelaide Oval 05/11/25
If there was any lingering doubt that Metallica are still at the top of their game, that was put to rest with a powerhouse performance from the phenomenal four-piece, who shook Adelaide to its core.
Words & Image Tobias Handke
Metallica w/Evanescence & Suicidal Tendencies @ Adelaide Oval 05/11/25
It’s been over a decade since heavy metal behemoths Metallica performed in Australia (last here for Soundwave 2013), and while it’s understandable to think father time might be catching up to the quartet, their performance at Adelaide Oval proved there’s still bite in these old dogs.
Having dusted off the cobwebs with their opening tour performance in Perth, Metallica delivered a career spanning set that included songs from ten of the band’s 11 albums, with older longtime fans fist-pumping alongside teenage kids screaming in delight at their first-ever Metallica show.
Opening proceedings was Californian thrash legends Suicidal Tendencies. Sadly due to the Adelaide traffic, I only caught the tail end of their set. From all reports it was an energetic display from frontman Mike Muir and co, with a fairly hectic mosh pit keeping the energy flowing.
Evanescence followed and had the crowd in full voice with their gothic rock concoctions. Vocalist Amy Lee has lost none of her power, belting out fan favourites ‘Going Under’, ‘Afterlife’ and ‘Call Me When You’re Sober’ before taking to the piano for the ballad ‘Immortal’. Evanescence ended with their hit song ‘Bring Me To Life’, which the whole crowd joined in for a mass sing-along of the anthemic chorus.
AC/DC’s ‘Long Way To The Top’ blared out of the speakers as a video montage of Metallica over the years played on the big screens. This was followed by Ennio Morricone’s ‘Ecstasy of Gold’, which opens every Metallica show, complete with footage from The Good, the Bad and the Ugly.
Metallica appeared on stage as the first notes of ‘Creeping Death’ reverberated around Adelaide Oval, with the audience losing their collective shit. Bathed in red light, Metallica wasted no time reminding everyone why they continue to sell out stadiums around the world, with their crunching riffs, Lars Ulrich’s punishing drumming and frontman James Hetfield’s iconic scream no doubt disturbing the bats in the nearby Botanic Gardens.
‘For Whom the Bells Toll’ followed, setting the scene for two hours of hard-hitting rock from a bunch of guys nearing retirement age. Not that you could tell, with each member of Metallica giving their all and turning Adelaide Oval into a swaying mosh of sweaty bodies and flaying limbs.
The Black Album (‘Enter Sandman’, ‘Nothing Else Matters’ and ‘Sad But True’) and Ride the Lightning (‘Creeping Death’, ‘Fade to Black’ and ‘For Whom the Bell Tolls’) dominated the setlist, with Re-Load favourite ‘Fuel’ sending bursts of flames into the sky while …And Justice For All’s ‘One’ replicated the horrors of war on stage with an expoosive pyrtoenchis display and animated footage of World War II battlefields.
Guitarist Kirk Hammett and bassist Robert Trujillo got the spotlight for a brief moment when Hetfield and Ulrich left the stage, geeing up the crowd with instrumental versions of INXS’ ‘Need You Tonight’ and The Angels’ ‘Am I Ever Gonna See Your Face Again’, with the audience supplying the “No way, get fucked, fuck off.”
As expected, Metallica played a couple of tracks from their most recent albums, 72 Seasons and Hardwired… to Self-Destruct, with ‘Lux Æterna’ getting a surprisingly positive reception and ‘Moth Into Flames’ turning the stage into the Vegas strip with bright neon visuals.
Metallica ended their epic performance with their most well-known track, ‘Enter Sandman’, as fireworks lit up the Adelaide skyline.
They came, they saw, they conquered. Metallica put on a show for the ages and left everyone in attendance hoping it’s not another 12 years before they return.
The songs were unmistakably Lime Cordiale, but with added richness courtesy of the ASO.
Escape The Fate returned to Adelaide ready to open up the pit with a few special guests in tow to lend a hand.
15 years on since their last Australian tour, Poison The Well return with a new album and a live show that turned Lion Arts Factory into a heaving mosh of bodies.
Iconic punks Descendents swung by Adelaide to let everyone know that Everything Sucks, and we couldn’t agree more.
The vocal prowess of Matt Corby rejuvenated the souls of a full house at Thebby Theatre, and we were there to catch all the action.
A jam-packed crowd at The Gov were treated to an incredibly vibrant performance from Ball Park Music that left everyone wanting more.
Scottish singer-songwriter KT Tunstall returned to Australian shores to party “like it’s 2004”, leaving a lasting impression on The Gov crowd.
Proving they’ve still got it after more than 20 years away, Kiwi legends Split Enz took punters on a nostalgia-filled journey through their biggest hits and anthems.
Touring his new album REDSTAR WU & THE WORLDWIDE SCOURGE, Genesis Owusu brought the heat with a mesmerising performance that had Thebby heaving.
Fear Factory delivered 35 years of anthems with the same intensity as when they first burst onto the industrial metal scene.
The legendary Nick Barker and the Reptiles put on one hell of a show when they visited Adelaide in support of their new EP, Loose, Vol. II.
Experimental heavy beasts Loathe cemented their position as one of the world’s most ambitious metal acts going around with a mindblowing live performance at The Gov.
Chicago post-punk professionals FACS drop by The Ed Castle Hotel to blast away the cold autumn night with help from two local dynamos.
It was a night not to be missed when Texan pop punk outfit Bowling for Soup and UK folk punk act Frank Turner & The Sleeping Souls turned Hindley Street Music Hall into a heaving mass of sweaty, singing bodies.
Celebrating the 10th anniversary of their acclaimed third studio album Opera Oblivia, Hellions ripped the roof off The Gov and left everyone craving for more.
Superheaven delighted a sold-out Adelaide crowd with a raucous performance that left everyone wanting more.
Reuniting with Papua New Guinea music legend Sir George Telek, Not Drowning, Waving produced a night filled with spectacular soundscapes to an adoring audience.
The beautiful community event Blak Nite celebrated Aboriginal culture, performance, music and the strength of community.
Despite a small turnout, singer-songwriter Katy Steele put a spell on the crowd who attended her Adelaide show, demonstrating why she is one of the country’s great talents.
UK indie outfit Maxïmo Park turned back the clock with an energetic set celebrating their debut album, 'A Certain Trigger.'
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Indie folk icons The Mountain Goats burst into Adelaide to a packed crowd, ready to journey through the lyrics of John Darnielle.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams combined with the Adelaide Symphony Orchestra for a sold-out show reimagining their biggest hits, cementing their position as one of the country’s most iconic acts.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
Bad//Dreems farewelled Adelaide with a night that all those in attendance will never forget.
This triple header moved the earth under AEC Arena in one of the best start-to-finish gigs that Adelaide will see all year.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.