They came, they saw, they conquered. Korn demonstrated why they are still one of the best rock acts to emerge from the early 00s nu metal scene.
Words Harry Nathan // Images Justin White
Korn w/Loathe @ Adelaide Entertainment Centre 04/12/24
Korn’s 30th anniversary show saw a sold out Entertainment Centre filled with an electric buzz from fans young and old. The diverse age range is a testament to Korn’s enduring appeal, with a sound that speaks to many generations.
There were couples bringing their teenage children along, all equally excited to experience Korn for either the first time in a while or ever, regardless of when they discovered the band.
The night opened with the explosive crunch of ‘Here to Stay’. The band cut their sound for the line “fucked up feelings again” to have the entire arena sing the words back. The crowd didn’t need to be asked twice. When the line came around again, they were ready and belted it out at the top of their lungs. Korn wasted no time digging into their deep catalogue of tunes, punching the crowd with favourites ‘Dead Bodies Everywhere’ and ‘Got the Life’, with the crowd embracing the call to “get your boogie on.”
During the intro to ‘Blind’, singer Jonathan Davis acknowledged the gap since their last Adelaide show, promising fans they wouldn’t have to wait so long next time. This was followed by a massive vibe shift when Davis yelled, “Are you ready?” For a moment, it felt like the audience was transported back to the height of Korn’s popularity, giving newcomers the experience of a wild crowd at the mercy of the band’s unwavering power.
Korn kept that energy up for the next few songs before Davis briefly left the stage as the band jammed, only to return with bagpipes for the iconic intro to ‘Shoots and Ladders’. They ended the track with a surprise snippet of Metallica’s ‘One’, sending the crowd into a frenzy.
A grinning Davis exclaimed, “Fuck, I’m having fun. This is the shit,” before leading the crowd in shouting “Fuck that!” to kick off their seemingly last song, ‘Y’all Want a Single’.
Though it seemed like the end, the crowd knew better. They were taunted by phrases like “Anybody still here?” and “Is that all you got?” projected in Korn’s unmistakable font on the big screen. Their desperate cheers were rewarded with a three-song encore of ‘Falling Away From Me’, ‘Oildale (Leave Me Alone)’ and finally, ‘Freak on a Leash’.
By the time ‘Freak on a Leash’ blasted through the speakers, everyone knew this was the grand finale and they gave it everything they had. The cheers lingered as guitar feedback looped and the band said their goodbyes, leaving the audience still buzzing as they spilled onto the streets.
Korn did what they do best – unite generations through a shared love for their music, proving after 30 years, they still know how to “get your boogie on.”
Check out the full gallery of Korn at Adelaide Entertainment Centre here.
Witnessing a BABYMETAL show is an immersive experience like no other. Check out what went down when the Japanese kawaii metal band took over Adelaide.
It goes without saying, but The Belair Lip Bombs are ones to watch.
The four-day world music festival celebrated culture and togetherness in a time when we need it most.
From the first song to the last chorus, Pacific Avenue turned Hindley Street Music Hall into an unforgettable celebration of connection and joy.
A Wilhelm Scream brought the noise to Adelaide, showcasing their tremendous talent in front of a packed Ed Castle crowd.
Teddy signed off his tour of Australia in autumnal Adelaide, delivering variations of ballads and bangers that enthralled a captivated crowd.
Electronic legends Basement Jaxx had the remedy for a lazy Tuesday night in Adelaide – one dose of classic house tracks to a packed crowd that had everyone dancing like no one was watching.
The Streets performed their acclaimed sophomore album A Grand Don’t Come For Free in full for an adoring Adelaide and proved they are more than just a nostalgia act.
Now in its fourth year, Nice Day To Go To The Club has firmly established itself as not only one of South Australia’s great events, but one of the country’s best live music festivals.
A Day In The Gully proved that even in less-than-ideal conditions, good music can turn any day into something unforgettable.
Opening this year’s Adelaide Festival, the new music showpiece Tryp 1 was a feast for the senses, featuring an eclectic lineup of artists that blew everyone away.
Aussie alt-metal masters Thornhill were joined by Ocean Grove, Paledusk and Heavensgate for a night of cathartic heavy music at The Gov, and we were there to catch all the action.
Here again to rock the suburbs, the “defence attorney for Adelaide”, Ben Folds, treated the City of Churches to an entertaining and lively evening of music, stories and connection.
UniBar played host to some of South Australia’s most exciting young bands, with Even Hannah, Loader Lane, Sticky Beak, The Fuss, The Hazys, Colter and headliners PASH showcasing why our music scene is thriving.
Italy’s goth metal merchants Lacuna Coil put on one hell of a performance when they took over The Gov.
Delivering a career retrospective set of hits, fan favourites and deep cuts, UK act Morcheeba brought the good vibes to Adelaide.
The Tea Party turned up in Adelaide, putting on an exhilarating showcase of Moroccan roll that had the crowd grooving along.
“So let it simply be said that, for one very special night, Chappell Roan managed to transform the city of Adelaide into the pinkest of pony clubs.”
We Came As Romans arrived in Adelaide for the penultimate show of their Because We're Doomed and left everyone in attendance wishing the night would never end.
“In a live environment, Dream Theater’s music transcended the sum of its parts, transforming meticulous precision into visceral spectacle and technical mastery into genuine emotional weight.”
Froth & Fury continues to lead the way when it comes to heavy music festivals, with this year’s edition the best yet.
A no-barrier show, the last night of the tour and a 40-degree day. Better Lovers are getting the full experience as they wrap up their debut Australian tour at Lion Arts Factory.
40-degree weather couldn’t stop the metal-pop icon’s debut in Adelaide. It was a night of brand new songs and a triple-threat bill supported by Ocean Grove and Inertia.