Review: Division @ Tandanya National Aboriginal Cultural Institute 26/05/23
Their post-hardcore noise was matched by the band’s frenetic energy, resulting in a sort-of methodical and infectious madness.
Image by Laura Horvath
Division, Kuma Kaaru & Nuclear Family @ Tandanya National Aboriginal Cultural Institute 26/05/23
The city’s music diversity was on full display on Friday, May 26, as dozens headed to Tandanya National Aboriginal Cultural Institute on a colder-than-usual Friday evening to celebrate the launch of Division’s debut EP, ‘Fragments’.
The gig started with Nuclear Family, who politely asked the intimate crowd to shuffle forward to join them at the stage. We happily obliged. Somehow, the four-piece’s particular brand of indie-rock made the large Tandanya gallery space feel extra-cosy. The band weaved through their catalogue of soft sounds, expertly layering gentle guitars with vocal harmonisation, an echoing trumpet and paced drums. In between tracks, tuning allowed for some sweet on-stage banter between bandmates, and by the time Nuclear Family wrapped their set, we were left with a sizeable crush on the four-piece and their music.
Next, Kuma Kaaru took the stage. Led by Jack Buckskin, the collective welcomed us to their land and the Tandanya space before sharing songs, stories and culture with the audience. When Jack played yidaki (didgeridoo), the gallery acoustics let the instrument’s deep, rumbling sound reverberate throughout the crowd. You could feel the sound in your body. Traditional song and dance were punctuated with Jack’s cheeky asides and engaging storytelling about the grassy plains of Kaurna Tarntanya (red kangaroo place) and Kaurna songlines.
Then it was Division’s time to take the stage to share their debut EP, Fragments. Considering this was only the band’s second show, the four-piece ran a tight ship. A looping whir of buzzing feedback built anticipation in the crowd before the band took to the stage and delivered their intense yet well-rehearsed chaos. Any on-stage nerves Division may have had quickly melted as they moved through their ten-song set.
Their post-hardcore noise was matched by the band’s frenetic energy, resulting in a sort of methodical and infectious madness. The musicians became one with their instruments as they bumped and jumped around, and a quick scan around the room saw several audience members joining them in a contained yet vigorous bop.
Behind the band was a projection of the King William Steet and Waymouth Street intersection, created by Tailjar. Seeing Adelaide Metro buses and busy traffic whizzing past as frontman Matt ‘Footy’ Horvath sang ruminations of his insular thoughts, gave the set a distinct feel of time and place. Division worked quickly through their set, seamlessly moving from track to track and by the end of the gig, they’d become confident performers with smooth skill. Wrapping with a nonchalant ‘Thanks for watching!’, they ran off the stage, leaving the audience savouring the ear assault they’d just experienced.
With two impressive gigs under their belt, it’s only a wonder how Division will level up their next gig. But one thing’s for sure, we’ll buy a ticket to find out.
Classical music’s favourite internet stars TwoSet Violin waltzed onto the Festival Theatre stage for a night of remarkable music and laughter.
Hindley Street Music Hall was a dance party, a manic pit of people Experiencing Feelings of Joy.
Leon Thomas put on a powerful performance that left everyone wanting more.
The songs were unmistakably Lime Cordiale, but with added richness courtesy of the ASO.
Escape The Fate returned to Adelaide ready to open up the pit with a few special guests in tow to lend a hand.
15 years on since their last Australian tour, Poison The Well return with a new album and a live show that turned Lion Arts Factory into a heaving mosh of bodies.
Iconic punks Descendents swung by Adelaide to let everyone know that Everything Sucks, and we couldn’t agree more.
The vocal prowess of Matt Corby rejuvenated the souls of a full house at Thebby Theatre, and we were there to catch all the action.
A jam-packed crowd at The Gov were treated to an incredibly vibrant performance from Ball Park Music that left everyone wanting more.
Scottish singer-songwriter KT Tunstall returned to Australian shores to party “like it’s 2004”, leaving a lasting impression on The Gov crowd.
Proving they’ve still got it after more than 20 years away, Kiwi legends Split Enz took punters on a nostalgia-filled journey through their biggest hits and anthems.
Touring his new album REDSTAR WU & THE WORLDWIDE SCOURGE, Genesis Owusu brought the heat with a mesmerising performance that had Thebby heaving.
Fear Factory delivered 35 years of anthems with the same intensity as when they first burst onto the industrial metal scene.
The legendary Nick Barker and the Reptiles put on one hell of a show when they visited Adelaide in support of their new EP, Loose, Vol. II.
Experimental heavy beasts Loathe cemented their position as one of the world’s most ambitious metal acts going around with a mindblowing live performance at The Gov.
Chicago post-punk professionals FACS drop by The Ed Castle Hotel to blast away the cold autumn night with help from two local dynamos.
It was a night not to be missed when Texan pop punk outfit Bowling for Soup and UK folk punk act Frank Turner & The Sleeping Souls turned Hindley Street Music Hall into a heaving mass of sweaty, singing bodies.
Celebrating the 10th anniversary of their acclaimed third studio album Opera Oblivia, Hellions ripped the roof off The Gov and left everyone craving for more.
Superheaven delighted a sold-out Adelaide crowd with a raucous performance that left everyone wanting more.
Reuniting with Papua New Guinea music legend Sir George Telek, Not Drowning, Waving produced a night filled with spectacular soundscapes to an adoring audience.
The beautiful community event Blak Nite celebrated Aboriginal culture, performance, music and the strength of community.
Despite a small turnout, singer-songwriter Katy Steele put a spell on the crowd who attended her Adelaide show, demonstrating why she is one of the country’s great talents.
UK indie outfit Maxïmo Park turned back the clock with an energetic set celebrating their debut album, 'A Certain Trigger.'
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Indie folk icons The Mountain Goats burst into Adelaide to a packed crowd, ready to journey through the lyrics of John Darnielle.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams combined with the Adelaide Symphony Orchestra for a sold-out show reimagining their biggest hits, cementing their position as one of the country’s most iconic acts.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.