Noteworthy New Releases September 2026

The Noteworthy new releases are a collection of songs, EPs and albums reviewed by The Note crew that appear in our monthly print mag. To make sure you digital fiends don't miss out, we've published the reviews online. Read on and discover this month's collection of new releases from TOWNS, Peggy Jean, LENI, Dana Oberdan, My Chérie and The Genevieves.

TOWNS – 'MAGNIFICENT'

When AI takes over, robots imprison us and grant us each one request, my ask will be for an iPod nano loaded up with the entire TOWNS discography. And 2026's single 'MAGNIFICENT' may free us all. Twinkly, layered and driven by Dan Steinert's crisp, meticulous beat, the sound that booms out of speakers is effortlessly and unforcedly '90s pop-punk with a tighter, polished 2020s twist. With ample "la la la's" and whistles led by melodic vocals from genius frontman Aston Valladares, the track is delightfully thick, held steady by a messy-yet-clean soundscape. In a world that praises likeness and perceived perfection, TOWNS come out the gate swinging with lyrics dripping in metaphor about trusting your instincts and not comparing yourself to others. While the robots are locking our cages, 'MAGNIFICENT' is the lit fuse that sparks a revolution, melting the machines with its authenticity. Individualism is a virtue, and TOWNS do it so damn well.

Sounds like: Vans Warped Tour circa 2004.

By Millah Hansberry

Peggy Jean – 'See Me'

Peggy Jean are somewhat unknown, for now. However, it will not be long until we see them appearing more around the local scene. From the first few moments of 'See Me', you are taken away from whatever troubles you might have. Phoebe Coomb's vocals soar above you, with a soundscape that is both hypnotic and freeing. Not without note, the moody guitar riffs and dreamy instrumentation engulf you. Self-described as "trip-rock", you can sense that mid '90s trip-hop and dream pop influence over a bed of indie rock tropes. An absolutely epic debut single from Peggy Jean; be sure to keep them on your gig list in the future.

Sounds like: An incredible and immersive dream.

By Brad Pine

LENI – MORE LOVE X

A commanding celebration of self-love, belief and freedom, LENI's MORE LOVE X feels like an album that is designed to take that weight off your shoulders and leave you feeling lighter and uplifted. Blending alt R&B, soul, folk and hip hop, LENI creates an absorbing world where positivity and vulnerability are bound. Standout track 'SELF CONFIDENCE' showcases this perfectly, moulding self-belief into something infectious and inspiring. LENI's music has a genuine sense of purpose, which draws from his Indigenous Mapuché Chilean/Australian heritage and his belief to heal the world through creativity and music. MORE LOVE X absolutely beams amazing vibes, reminding all of us what the world needs most right now.

Sounds like: A soundtrack to that dream of flying away from all the noise and truly finding yourself.

By Kyle Jones

Dana Oberdan – 'Lost It'

Dana Oberdan releases her debut EP Tell Me It Gets Better, delivering soothing, simplistic pop-folk ballads which invite listeners to stare straight into her soul. The opening track of the EP, 'Lost It', delves into the complexities of a romantic connection with someone you are head over heels for, but they aren’t ready to commit. Dana's lyrics encompass those familiar feelings associated with longing limerence, while fearing that she could be losing herself in the pursuit of potential love. The steady strum of an acoustic guitar grounds the song, keeping the feeling down to earth and natural. Accompanied by Dana's transcendent vocals, a pinch of keys and strings add a special touch while keeping the mood light and breathable, giving listeners time to think about their own complicated love lives.

Sounds like: Overthinking on a long car ride.

By Ella Bruce

My Chérie – '5 Years'

5 years; It's a perfect summary for everything this song brings. My Chérie takes us through the story of leaving a long-term partner and the challenges it brings, guiding us as if we were along for the ride with her. Showcasing hints of Lana Del Rey and Florence + The Machine, My Chérie is meant for the big stage. Musically, she's a wizard, performing and producing all parts of the song, bringing such a massive sound to the table. It’s rare to find someone demonstrating so many talents at such a high level, yet My Chérie showcases this every time. Personally, the song drew me in around the 2:40 mark, when it breaks away from the main structure and becomes this huge wall of emotional sound. Sometimes the hardest of times bring the best of songs, and this truly demonstrates that.

Sounds like: Holding onto memories you know you have to let go of.

By Asher Hammat

The Genevieves – 'Sprinkler'

The Genevieves are back, and it's like they were never gone. Returning with their sparse, open-ended signature sound, the alt-rock four-piece have found a new high, and they've made it look easy. 'Sprinkler' explores loss, grief and the strength it takes to accept when something beautiful has passed. "My leg's heavy, I can't run to you," isn't a plea; it's not through lack of want, it's the acknowledgment of time passing. Similar to the lyrical content, the instruments function almost as a conversation. The drums and guitars ebb and flow through dynamic explosions, never playing anything more than the song deserves. Employing more pop sensibilities than usual, The Genevieves feel ready to take on the world, and I, for one, am more than ready.

Sounds like: Confronting your feelings and the Osees.

By Dan Heath