Noteworthy New Releases November 2026

The Noteworthy new releases are a collection of songs, EPs and albums reviewed by The Note crew that appear in our monthly print mag. To make sure you digital fiends don't miss out, we've published the reviews online.

Read on and discover this month's collection of new releases from The Fuss, Heartline, vivian thee amphibian, The Hazys, Lizzie Hoskins and Molly Rocket.

The Fuss – 'Clipped Wings'

Five-piece band THE FUSS present 'Clipped Wings', an excellent addition to the indie-rock genre. Opening with a slow, almost romantic sequence of finger-picked chords, the drums quickly join in as the song begins to stretch its "wings". With hazy vocals providing a dreamlike quality, it's the restless drum and crisp lead guitar that pull 'Clipped Wings' together. When the chorus arrives, a sudden clarity kicks in, and the listener leans into the song. It's a compelling introduction to this next era of THE FUSS as the band gears up for the release of their debut EP.

Sounds like: Sitting on the roof with a friend you haven’t seen in years.

By Satine Richmond

Heartline – 'All Abroad'

You know it's a huge riff when DOOM soundtrack and modern metalcore architect Mick Gordon comments, "BIG BOY RIFF DAT ONE!" on Heartline's new single. 'All Aboard' dives headfirst into another world as vocalist Luke Taylor screams, "I landed in the wrong dimension". It does sound like a level in the video game franchise, as the heavily distorted guitars and slower rhythm give a sensation of being chased, while the demonic layered synths eerily ring out. 'All Aboard' diverts from Heartline's cleaner and more danceable metalcore discography and creates a song that harmonises their glitchy electronic production with the introduction of apocalyptic-sounding layers, while Taylor focuses on his most monstrous and malevolent roars yet. Heartline are hitting heavier and harder than ever.

Sounds like: Demon hunting on Mars.

By Thomas Jackson

vivian thee amphibian – 'The Call'

A skipping beat introduces us to vivian thee amphibian on the new single 'The Call'. A voice reminiscent of contemporary singer-songwriters like Weyes Blood, but with that Australian aura about it. The pulsing guitar takes over the skipping beat at the chorus, changing course slightly. "If I can't get through to you / tell me is there something else that I can do." There is beautiful layering in the vocals and instrumentation as the song continues. But this falls away in the climax, creating a spacious epilogue as vivian thee amphibian’s vocals get washed away in the ocean blue.

Sounds like: An afternoon on the beachfront with your mates.

By Brad Pine

The Hazys – 'This Is It'

The Hazys, you've done it again! Their sophomore EP, Guessing Game, is one of those releases that'll have you hitting repeat before you even realise it. One of two tracks kept under wraps before the drop, 'This Is It' was well worth the wait. Ruby Travis' lead vocals bring a beautiful softness to the track, while Asher Hammat’s vocals balance hers perfectly, adding warmth and depth to make the song sound effortless. As they sing, "I've got to get through this, you know I can prove it to myself", there's something about the way their voices complement each other that makes the song so easy to fall in love with. It's the kind of track that instantly lifts your mood whether you’re driving with the windows down or just soaking up a slow afternoon. The Hazys have a way of making music sound effortless.

Sounds like: A page torn from a coming-of-age novel.

By Tiana Gibbins

Lizzie Hosking – 'Mother Is Medusa'

Lizzie Hosking's new release 'Mother is Medusa' is pop perfection, with an infectious sound that masks a sharp critique on society's discomfort with confident women. Centred on the complex mythology of Medusa, a woman feared for her gaze, Hosking reclaims the infamous figure as a symbol of unapologetic femininity. Bright synths and built-up orchestral melodies drive the electronic anthem, creating a compelling counterpart to the track's biting commentary on misogyny and womanhood. Hidden underneath its high-energy production, Hosking challenges the unfair standards women are expected to uphold, transforming frustration into a defiant celebration of confidence and connection. With a memorable chorus and catchy melody, I have no doubt ‘Mother is Medusa’ will do numbers, whether it be on the crowded dance floor or in your room with your headphones blasting.

Sounds like: Feeling unfazed by the male gaze.

By Eliza Scott

Molly Rocket – 'Buzz Box'

'Buzz Box' is a track full of adrenaline. Georgia's vocals are gritty and rough around the edges, screaming through the wall of noise the band creates with heavy, distorted riffs and deep basslines. The drums sound like the starting of an engine, with lyrics like "I’ve got a big dick, I'm a big deal!" poking fun at people with super-fast, high-tech cars and comparing her 'Buzz Box' to the rest. This song feels like putting yourself into overdrive as a cloud of exhaust smoke trails on behind. Molly Rocket never fail to deliver high-energy releases that pack all the punches. This track is worth all the buzz.

Sounds like: The energy of getting your first car and taking it for a spin.

By Ella Cortazzo