Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
Images Skye Sampson
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that had rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams teamed up with the Adelaide Symphony Orchestra for an electrifying performance at Festival Theatre, and we were there to catch all the action.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
Bad//Dreems celebrated the release of their new album Ultra Dundee and upcoming hiatus with an explosive set that had everyone rocking out.
This triple header moved the earth under AEC Arena in one of the best start-to-finish gigs that Adelaide will see all year.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.
Sepultura’s final Adelaide show was a cathartic celebration of the Brazilian metal outfit's four-decade career that left everyone wanting more.
The Amity Affliction’s regional tour wraps up with a high-octane evening of metalcore madness at The Bridgeway Hotel, with support from In Hearts Wake, RedHook and Heartline.
Witnessing a BABYMETAL show is an immersive experience like no other. Check out what went down when the Japanese kawaii metal band took over Adelaide.
Peach PRC’s Adelaide homecoming was a monumental occasion, and we were there to catch all the action as it unfolded.
We snapped the action when Aussie drum and bass legends tore up Adelaide on a school night.
The four-day world music festival celebrated culture and togetherness in a time when we need it most.
A Wilhelm Scream brought the noise to Adelaide, showcasing their tremendous talent in front of a packed Ed Castle crowd.
Teddy signed off his tour of Australia in autumnal Adelaide, delivering variations of ballads and bangers that enthralled a captivated crowd.
The Streets performed their acclaimed sophomore album A Grand Don’t Come For Free in full for an adoring Adelaide, and we caught all the action.
Now in its fourth year, Nice Day To Go To The Club has firmly established itself as not only one of South Australia’s great events, but one of the country’s best live music festivals.
A Day In The Gully proved that even in less-than-ideal conditions, good music can turn any day into something unforgettable.
UK glam rockers The Darkness touched down in Adelaide as part of their Dreams on Toast tour and had the entire crowd believing “in a thing called love”.
Aussie alt-metal masters Thornhill were joined by Ocean Grove, Paledusk and Heavensgate for a night of cathartic heavy music at The Gov and we were there to catch all the action.
Touring Australia in celebration of the 20th anniversary of their seminal album Never Take Friendship Personal, Anberlin had Adelaide rocking with a hit-filled set of alt-rock goodness.
The Polish blackend death metal group took to the iconic South Aus stage at The Gov, bringing a passion-filled, energetic night of madness.
Italy’s goth metal merchants Lacuna Coil put on one hell of a performance when they took over The Gov.
Delivering a career retrospective set of hits, fan favourites and deep cuts, UK act Morcheeba brought the good vibes to Adelaide.
The Tea Party turned up in Adelaide, putting on an exhilarating showcase of Moroccan roll that had the crowd grooving along.
“So let it simply be said that, for one very special night, Chappell Roan managed to transform the city of Adelaide into the pinkest of pony clubs.”
We Came As Romans arrived in Adelaide for the penultimate show of their Because We're Doomed and left everyone in attendance wishing the night would never end.
“In a live environment, Dream Theater’s music transcended the sum of its parts, transforming meticulous precision into visceral spectacle and technical mastery into genuine emotional weight.”
