Review: Vintage Vibes Festival @ Tomich Wines, Adelaide Hills 01-02/04/23
We cried, we sang, we danced.
Words by Zara Richards
Image by Mike Lockheart
Across two days, punters filled Tomich Wines for a vino-fuelled party with some of Australia’s hottest acts. Despite the autumn Adelaide Hills air feeling extra-chilly, the dance floor could be counted on to heat things up.
Violet Harlot opened the inaugural event clad in high-vis workwear and showing all the confidence of five guys ready to rock their first festival. We Move Like Giants, Kanada The Loop and Adrian Eagle followed the prog-punk-rockers, flying the flag for the local scene.
Then the crowd went into overdrive as West Thebarton hit the stage. The pub-rock seven-piece masterfully worked through their heavy setlist, keeping the audience revved and ready with tracks like ‘Bible Camp’ and ‘Moving Out’. The latter had us shouting “But the west is best!” in time with frontman, Ray Dalfsen.
Punters’ blood continued to pump when Italo-disco heartthrob Donny Benet played, with his short and sweet serenading set confirming that the ’80s-inspired synth king is indeed a smooth operator. Vintage vibes followed as Leo Sayer performed his late ’70s household hits before Babe Rainbow and Hermitude played back-to-back sets. Despite the difference between a psychedelic jam and raving electro hits, punters lapped both acts up.
The Temper Trap then played, and seeing the four-piece live was nothing short of special. Songs like ‘Fader’, ‘Love Lost’ and ‘Sweet Disposition’ have defined a generation of music lovers since the band’s Conditions album dropped in 2009. It was no surprise that the crowd was packed for their set, waiting patiently for the spine-tingling opening of ‘Sweet Disposition’ to start.
Next up was King Gizzard & The Lizard Wizard. Controlled chaos unfolded in the crowd as the acid rockers dipped in and out of their genre-defying back catalogue. Between the drum solos and blistering guitar riffs, a heaving mosh pit and insane stage presence, the band’s legendary status was certified. Then Tash Sultana closed out Day One with an electric set where the pint-sized, looping multi-instrumentalist proved they had more talent in their pinky finger than, perhaps, the entire festival crowd combined.
The next day, hundreds of punters returned to the winery for a sun-soaked Sunday sesh. The locally-focused line-up showcased the depth of Adelaide’s music industry, with Trent Worley, Kotara, Oscar The Wild, Druid Fluids, Jess Day and the Wanderers all performing with slick skill and an infectious energy. Triple J’s 2019 Unearthed High winner, George Alice, then wowed the crowds with her gooey pop beats before the godfather of Australian techno, Late Nite Tuff Guy, kicked the party up a notch.
A saccharine set from San Cisco followed. The band interwove their biggest break-up tracks with alt-indie anthems, leaving a bittersweet love-in energy for Middle Kids’ performance of Triple J hits. ARIA-award-wining sibling duo Angus & Julia Stone then played a set that tugged on heartstrings. Despite having thousands of punters packed in front of the stage, it felt like the pair were singing personally for you.
Gang of Youths held the festival finale, demonstrating why they’ve remained at the pinnacle of Australian indierock for almost a decade. Frontman Dave Le’aupepe’s high-octane, hip-shaking stage presence commanded the audience’s attention as the five-piece smoothly moved through their hour-long set. We cried, we sang, we danced. And when Le’aupepe decided he was bold enough to run through the crowd, we all lost our minds.
Adelaide has long missed the annual trek to the Hills after Groovin' the Moo relocated their Oakbank festivities to the Wayville Showground. Maybe it’s something about the rolling landscape, fresh air and intimate crowd size, but a countryside music event just has a bit of extra magic about it.
Fingers crossed, we’ll be grooving at Vintage Vibes again next year.
Want more behind-the-scenes content? Watch our backstage chats with Gang of Youths, San Cisco, The Temper Trap and more here.
We Came As Romans arrived in Adelaide for the penultimate show of their Because We're Doomed and left everyone in attendance wishing the night would never end.
“In a live environment, Dream Theater’s music transcended the sum of its parts, transforming meticulous precision into visceral spectacle and technical mastery into genuine emotional weight.”
Froth & Fury continues to lead the way when it comes to heavy music festivals, with this year’s edition the best yet.
A no-barrier show, the last night of the tour and a 40-degree day. Better Lovers are getting the full experience as they wrap up their debut Australian tour at Lion Arts Factory.
40-degree weather couldn’t stop the metal-pop icon’s debut in Adelaide. It was a night of brand new songs and a triple-threat bill supported by Ocean Grove and Inertia.
The afternoon ultimately felt like a glimpse into two artists capable of much bigger, electrifying performances.
David Byrne returned to Adelaide for one of the most anticipated gigs of the year and had everyone laughing, singing and dancing along to what was an immersive and spectacular live art piece.
There are few modern punk bands as ferocious and in your face as Viagra Boys. On a warm night in Adelaide, they demonstrated why they are just that damn good!
Rammstein icon Till Lindemann shocked an unprepared Adelaide with his graphic, theatrical live show.
Sounds Sick ‘Sickest 100’ is by far one of the most important events for the Adelaide scene. Our very own ‘Hottest 100’ showcases the best local sounds of 2025, bringing together bands, artists, and music lovers for a night of celebration.
It was bloody lovely for the boys from Brisbane to come visit and rock tracks new and old for an adoring crowd. Would not want it any other way.
From a liability to an emerging idol, Yungblud’s ever-growing fanbase in Australia sees no signs of stopping.
“The music The Last Dinner Party offer up is sacred, lavish, and sensual - what more could one ask of a Tuesday night?”
Travis landed down under, rocked us all and left us wanting more – nobody wanted this good feeling to end!
It was a night of ‘90s alt-rock nostalgia when Everclear took to the stage to celebrate the 30th anniversary of their seminal sophomore album, Sparkle and Fade.
Adelaide left the beach balls at home as alt-rock stalwarts Garbage ripped through a set of their best songs for an eagerly appreciative sold-out crowd.
Good Things 2026 delivered standout sets from Garbage, Weezer and TOOL on a genre-spanning day of rock, punk and metal, cementing its position as the country’s premium heavy festival.
Sliding up to half a century of existence, The Church are still a dynamic and legendary band, without a notion of slowing down.
Performing for one of the last times on Australian soil, Swedish hardcore punk originators Refused put on a powerful display that had everyone wishing this wasn’t the end.
Pop-punk legends New Found Glory started their first Australian tour since 2017 at The Gov and demonstrated why they’re still flag bearers of the genre.
Australia’s greatest ever rock band pulled out all the stops on their Adelaide return and left more than 100,000 spectators blown away.
Many are calling TOOL’s first performance at the AEC Arena the gig of the year. We were there to catch all the action.
The new voice of modern rock and roll had Adelaide moshing with a thrilling set of anthemic tunes that left everyone wanting more.
Touring the country in support of their fourth studio album, A Young Person's Guide to King Parrot, Melbourne’s grindcore legends King Parrot left a trail of destruction in their wake as they blew the roof off UniBar Adelaide.
Paul Dempsey arrives back in ‘The Kingdom’ to take aim at some covers. Not surprising that he didn’t miss a single shot.
19 years since he last played in Adelaide, British singer-songwriter David Gray put on a phenomenal performance that had the crowd hoping it won’t be so long before his next visit.
If there was any lingering doubt that Metallica are still at the top of their game, that was put to rest with a powerhouse performance from the phenomenal four-piece, who shook Adelaide to its core.
The Note’s October cover star bbno$ took to the Hindley Street Music Hall stage at a sold-out show, to lead a night of dance bangers, screaming voices and heartfelt shared community experiences.
Celebrating 30 years together, Grinspoon took fans down memory lane with an energetic, hit-filled set that had the AEC Theatre rocking.
Charming, funny and possessed with a catalogue of hits, James Blunt ticked all the boxes during a thrilling night of live music commemorating his debut album, Back to Bedlam.
I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.