Review: The Milk Carton Kids @ Her Majesty’s Theatre 13/07/23
‘Will You Remember Me?’ is a highlight, the four-minute song perfectly embracing the intimacy of the entire performance – a cherry atop a dazzling dessert.
Words by Will Oakeshott
Image supplied
A capacity crowd at Her Majesty’s Theatre for The Milk Carton Kids is treated to a rather bizarre greeting of the Grammy-nominated duo when Joey Ryan, one-half of the headline act, walks onto the stage, approaches the only microphone present and introduces the show. Sort of. What follows is a five-minute comedy routine that acts as an ‘icebreaker’.
Comedy set complete, Ryan introduces the evening’s support act, graceful songstress Vera Sola. But not before mentioning that, in his eyes, Sola is one of the finest guitarists going and admitting that he tried to emulate her playing skills but failed terribly.
Vera Sola (Danielle Aykroyd – daughter of The Blues Brothers star, Dan) is one of those rare artists who effortlessly captures attention through their elegance. A rousing applause greets the musician before silence falls over Her Majesty’s and Vera begins tenderly playing opening track, ‘Crooked Houses’. Despite there being more than 1000 attendees, the audience is transported into an intimate and lush universe as the artist moves masterfully through her set. ‘Captivating’ hardly begins to describe the sound. A Quentin Tarantino-esque, saloon-like soundtrack forms the musical backbone of Vera’s songs, while her voice blends Jade Castrinos’ brazen edge with the folk splendour of First Aid Kid.
Her husband, Kenneth Pattengale, (the second half of The Milk Carton Kids) joins the stage for some enchanting duets, despite technical difficulties. Almost too soon, the sensational showcase is over, but we’re reminded that the main act is still to come.
The Milk Carton Kids have had to delay their Australian tour for three years. Understandably, these postponements have built anticipation for both the outfit and their fans. However, the time has come for the two quirky Californian gentlemen to treat the Adelaide Guitar Festival to their folk-playing intricacy.
The duo are almost a Dr Jekyll and Mr Hyde coalescence. Kenneth Pattengale is like a scientist, or better yet, a mathematician, with his complex guitar talents that seem to transcend human ability. Then there is Joey Ryan, who is fascinating and funny and can charm any crowd with his soothing serenades. It’s phenomenal chemistry and an absolute delight to witness.
‘Honey Honey’ is a math-folk indulgence beyond belief. It’s confounding that Pattengale can execute the song with such skill and sophistication on an acoustic guitar with only two hands. ‘One True Love’ slows the set down before the duo launches into the title track of their new album, I Only See The Moon. The song creates a cinematic aura in the theatre – despite being deprived of the 15-piece orchestra with which the song was originally recorded.
The crowd demands an encore, and thankfully, the two deliver. ‘Will You Remember Me?’ is a highlight, the four-minute song perfectly embracing the intimacy of the entire performance – a cherry atop a dazzling dessert.
To The Milk Carton Kids, we say please don’t worry – Adelaide will remember you. In fact, we have ‘High Hopes’ you’ll return to Her Majesty’s Theatre very soon.
Superheaven delighted a sold-out Adelaide crowd with a raucous performance that left everyone wanting more.
Reuniting with Papua New Guinea music legend Sir George Telek, Not Drowning, Waving produced a night filled with spectacular soundscapes to an adoring audience.
The beautiful community event Blak Nite celebrated Aboriginal culture, performance, music and the strength of community.
Despite a small turnout, singer-songwriter Katy Steele put a spell on the crowd who attended her Adelaide show, demonstrating why she is one of the country’s great talents.
UK indie outfit Maxïmo Park turned back the clock with an energetic set celebrating their debut album, 'A Certain Trigger.'
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Indie folk icons The Mountain Goats burst into Adelaide to a packed crowd, ready to journey through the lyrics of John Darnielle.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams combined with the Adelaide Symphony Orchestra for a sold-out show reimagining their biggest hits, cementing their position as one of the country’s most iconic acts.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
Bad//Dreems farewelled Adelaide with a night that all those in attendance will never forget.
This triple header moved the earth under AEC Arena in one of the best start-to-finish gigs that Adelaide will see all year.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.
Sepultura’s final Adelaide show was a cathartic celebration of the Brazilian metal outfit's four-decade career that left everyone wanting more.
The Amity Affliction’s regional tour wraps up with a high-octane evening of metalcore madness at The Bridgeway Hotel, with support from In Hearts Wake, RedHook and Heartline.
Witnessing a BABYMETAL show is an immersive experience like no other. Check out what went down when the Japanese kawaii metal band took over Adelaide.
It goes without saying, but The Belair Lip Bombs are ones to watch.
The four-day world music festival celebrated culture and togetherness in a time when we need it most.
From the first song to the last chorus, Pacific Avenue turned Hindley Street Music Hall into an unforgettable celebration of connection and joy.
A Wilhelm Scream brought the noise to Adelaide, showcasing their tremendous talent in front of a packed Ed Castle crowd.
Teddy signed off his tour of Australia in autumnal Adelaide, delivering variations of ballads and bangers that enthralled a captivated crowd.
Electronic legends Basement Jaxx had the remedy for a lazy Tuesday night in Adelaide – one dose of classic house tracks to a packed crowd that had everyone dancing like no one was watching.
The Streets performed their acclaimed sophomore album A Grand Don’t Come For Free in full for an adoring Adelaide and proved they are more than just a nostalgia act.
Now in its fourth year, Nice Day To Go To The Club has firmly established itself as not only one of South Australia’s great events, but one of the country’s best live music festivals.
A Day In The Gully proved that even in less-than-ideal conditions, good music can turn any day into something unforgettable.
Opening this year’s Adelaide Festival, the new music showpiece Tryp 1 was a feast for the senses, featuring an eclectic lineup of artists that blew everyone away.
Aussie alt-metal masters Thornhill were joined by Ocean Grove, Paledusk and Heavensgate for a night of cathartic heavy music at The Gov, and we were there to catch all the action.
Here again to rock the suburbs, the “defence attorney for Adelaide”, Ben Folds, treated the City of Churches to an entertaining and lively evening of music, stories and connection.
I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.