A decade on since their last Australian tour, UK indie purveyors Bombay Bicycle Club had everyone grooving along when they hit The Gov over the weekend.
Words by Tobias Handke
Image via @bombaybicycleclub (Facebook)
It’s been a decade since Bombay Bicycle Club touched down in Australia. Last here in 2014 touring their brilliant fourth album So Long See You Tomorrow, the intervening years have seen the indie quartet break up and then get back together, along with releasing two more albums, Everything Else Has Gone Wrong (2020) and My Big Day (2023).
Bombay Bicycle Club’s return to Adelaide saw a surprisingly large turnout considering the competition. Cold Chisel headlined the VAILO Adelaide 500 and two international comedy shows were happening simultaneously across the road at the Adelaide Entertainment Centre.
Arriving on stage to a warm reception, Bombay Cycle Club took up their positions and launched into, ‘Just a Litte More Time’. The crowd were into it from the get-go, waving their arms in the air and dancing along with reckless abandonment.
“It’s been too long,” frontman Jack Steadman told punters as the band proceeded to perform a mixture of tracks from all six albums. ‘I Want To Be Your Only Pet’ had everyone clapping along to the beat. Steadman got the crowd singing the chorus during ‘Lights Out, Words Gone’. The Radiohead-esque ‘Evening/Morning’ transformed into an explosion of jittery guitar riffs and powerhouse percussion.
As you would expect from a band who’ve been out there getting it done for almost two decades, Bombay Bicycle Club kept things tight, with everyone in the band knowing their role. Steadman, with his bald head, round glasses and collared shirt, looked like a high school teacher as he bopped around the stage singing and strumming his guitar. He and fellow guitarist Jamie MacColl were like two peas in a pod, feeding off each other’s energy and channelling that intensity into each riff. Bassist Ed Nash, long hair flowing with a permanent grin on his face, added a funkiness to proceedings, with drummer Suren de Saram keeping everything together with his skilled stickwork.
Bombay Bicycle Club were also accompanied by multi-instrumentalist Nathan Cox, revealing a layer of depth to the band’s indie creations, and vocalist Saint Clair, who shined on the soaring ‘Meditate’, replacing original vocalist Nilüfer Yanya.
Other highlights included the melodic ‘Good Day’ that segwayed into crowd favourite ‘How Can You Swallow So Much Sleep’, a frantic version of ‘Is It Real’ and a rousing rendition of ‘Eat, Sleep, Wake (Nothing But You)’ that turned The Gov into one big karaoke room.
Frozen margaritas were offered to the band’s crew in recognition of all their hard work on the tour before things were taken down a notch when the band wandered off stage, leaving Steadman and Saint Clair to serenade punters with the hauntingly beautiful ‘Flaws’.
The mellow vibes continued with the building ‘So Long, See You Tomorrow’ before Bombay Bicycle Club had the entire venue, including a couple of bar staff, grooving along to the synth-heavy ‘Carry Me’ and set closer ‘Shuffle’, which saw camera phones held aloft and people singing along with Steadman.
The inevitable encore came, with the band returning for indie anthem ‘Always Like This’.
Ending the show with a bow before disappearing backstage, Bombay Bicycle Club left everyone in attendance with a warm feeling in their chest and holding out hope it’s not as long between drinks before their next visit.
UK indie outfit Maxïmo Park turned back the clock with an energetic set celebrating their debut album, 'A Certain Trigger.'
Canberra’s Hands Like Houses made their Adelaide return and served up a career-spanning set that had everyone rocking.
American emo post-hardcore trailblazers Hawthorne Heights delivered an energetic and entertaining set that rocked The Gov to its core.
Lime Cordiale’s environmentally friendly festival was a massive success and included barnstorming sets from local and national talent.
Indie folk icons The Mountain Goats burst into Adelaide to a packed crowd, ready to journey through the lyrics of John Darnielle.
Platinum-selling rock icons Pierce The Veil turned The Drive into a mass of heaving bodies as they took fans on a journey through the anthem-filled career.
The Whitlams combined with the Adelaide Symphony Orchestra for a sold-out show reimagining their biggest hits, cementing their position as one of the country’s most iconic acts.
Bad//Dreems went out with a bang at their final Adelaide show, leaving everyone wanting more.
Bad//Dreems farewelled Adelaide with a night that all those in attendance will never forget.
This triple header moved the earth under AEC Arena in one of the best start-to-finish gigs that Adelaide will see all year.
Anthrax demonstrated why they are one of the “Big Four” with an electrifying set of classic thrash metal bangers that left the walls of Hindley Street Music Hall shaking.
Sepultura’s final Adelaide show was a cathartic celebration of the Brazilian metal outfit's four-decade career that left everyone wanting more.
The Amity Affliction’s regional tour wraps up with a high-octane evening of metalcore madness at The Bridgeway Hotel, with support from In Hearts Wake, RedHook and Heartline.
Witnessing a BABYMETAL show is an immersive experience like no other. Check out what went down when the Japanese kawaii metal band took over Adelaide.
It goes without saying, but The Belair Lip Bombs are ones to watch.
The four-day world music festival celebrated culture and togetherness in a time when we need it most.
From the first song to the last chorus, Pacific Avenue turned Hindley Street Music Hall into an unforgettable celebration of connection and joy.
A Wilhelm Scream brought the noise to Adelaide, showcasing their tremendous talent in front of a packed Ed Castle crowd.
Teddy signed off his tour of Australia in autumnal Adelaide, delivering variations of ballads and bangers that enthralled a captivated crowd.
Electronic legends Basement Jaxx had the remedy for a lazy Tuesday night in Adelaide – one dose of classic house tracks to a packed crowd that had everyone dancing like no one was watching.
The Streets performed their acclaimed sophomore album A Grand Don’t Come For Free in full for an adoring Adelaide and proved they are more than just a nostalgia act.
Now in its fourth year, Nice Day To Go To The Club has firmly established itself as not only one of South Australia’s great events, but one of the country’s best live music festivals.
A Day In The Gully proved that even in less-than-ideal conditions, good music can turn any day into something unforgettable.